View all newsletters
Sign up to our newsletters

Support 110 years of independent journalism.

  1. Long reads
23 June 2011updated 17 Jan 2012 7:04am

Reginald D Hunter: “Old and middle-class people, if you scare them, they vote”

The comedian talks about race, Republicans and why stand-ups shouldn't be nice.

By Helen Lewis

Should good comedy challenge the audience?
It can do many things. If anybody says that it “should” be this or that, that’s the first step towards extremism. Some nights, I’m pissed about something political; some nights, I’m pissed about something personal. Some nights, I’m thrilled about something weird.

You’re from Georgia but you’ve worked mostly in Britain. What is it like going back to the US?
Recently, I did a lot of the black comedy clubs in LA and New York and they have a whole different value system to white, middle-class audiences. They feel like, “I don’t have much money and I spent my money coming to see you. The least you could do is wear some nice shoes.” And they mean it.

Do Americans see you as quite anglicised?
No. They think I’m this odd, Jamaican-looking dude who sounds really well-educated. People are comfortable with recognisable types, so I had to give them a few minutes. I had to open by saying, “I’m told I’m weird-sounding but suffice to say I’m a bit of country, a bit of ‘nigga’ and a little bit of Europe.”

And did that relax them?
Stand-up comedy is about breaking that wall of polite company – calling out the elephant in the room. The audience didn’t come to see you be nice; they can do that themselves. They came to see you do something they can’t do.

Select and enter your email address Your weekly guide to the best writing on ideas, politics, books and culture every Saturday. The best way to sign up for The Saturday Read is via saturdayread.substack.com The New Statesman's quick and essential guide to the news and politics of the day. The best way to sign up for Morning Call is via morningcall.substack.com Our Thursday ideas newsletter, delving into philosophy, criticism, and intellectual history. The best way to sign up for The Salvo is via thesalvo.substack.com Stay up to date with NS events, subscription offers & updates. Weekly analysis of the shift to a new economy from the New Statesman's Spotlight on Policy team.
  • Administration / Office
  • Arts and Culture
  • Board Member
  • Business / Corporate Services
  • Client / Customer Services
  • Communications
  • Construction, Works, Engineering
  • Education, Curriculum and Teaching
  • Environment, Conservation and NRM
  • Facility / Grounds Management and Maintenance
  • Finance Management
  • Health - Medical and Nursing Management
  • HR, Training and Organisational Development
  • Information and Communications Technology
  • Information Services, Statistics, Records, Archives
  • Infrastructure Management - Transport, Utilities
  • Legal Officers and Practitioners
  • Librarians and Library Management
  • Management
  • Marketing
  • OH&S, Risk Management
  • Operations Management
  • Planning, Policy, Strategy
  • Printing, Design, Publishing, Web
  • Projects, Programs and Advisors
  • Property, Assets and Fleet Management
  • Public Relations and Media
  • Purchasing and Procurement
  • Quality Management
  • Science and Technical Research and Development
  • Security and Law Enforcement
  • Service Delivery
  • Sport and Recreation
  • Travel, Accommodation, Tourism
  • Wellbeing, Community / Social Services
Visit our privacy Policy for more information about our services, how New Statesman Media Group may use, process and share your personal data, including information on your rights in respect of your personal data and how you can unsubscribe from future marketing communications.
THANK YOU

How do you gauge how far to go with that?
With comedy, you can talk about anything you like. The deftness lies in how you talk about it. If a joke moves you, then work backwards and find a way to say it to uptight people who want to hear it but don’t have the nerve to admit it.

You tour nine months of the year. What is that like?
In the US, I have to pull back on a lot of subject matter. Because of talk-show culture, we’re conditioned to talk a lot but we’re conditioned not to talk about anything. It’s one of the reasons why we haven’t made any headway with race issues. We talk in soundbites. There’s no discourse between races.

What do you think of the Republican Party’s challengers to Barack Obama?
The Republicans are suffering the aftermath of being infiltrated by something that looked like them, sounded like them and had a lot of money but didn’t share their core values. Genuine Republicans love a certain vision of America and, to that extent, they’re patriots. But something came into their churches and screamed, “Praise the Lord! More jails! The Mexicans are coming!” and it scared them. It happens in this country, too. Old people and middle-class people – if you scare the shit out of them, they vote.

So, you’re no fan of politicians.
The political process has become absurd: I can only reach the highest levels of office if I can prove I’ve never done anything wrong, never said anything wrong. There’s an insistence on getting perfect people to represent us, even though we admit we’re not perfect.

What was your first stand-up show like?
It was only as the MC announced me that I realised I didn’t have any jokes. All I had was an attitude and an accent. By the time I got to the microphone, I’d come up with my first joke: “I’m in Britain because I’ve gone against everything my family wanted me to do. They keep trying to control me. So I keep doing the opposite . . . That’s why I joined the Ku Klux Klan.” It got a big enough laugh to carry me through.

Do you have a comedy philosophy?
I see comedy as an art form. If you approach it with head, heart and balls, you’ll be OK.

That must be a problem for female comics.
Oh, I know some female comics with balls! One of the troubles is that women are socialised to want to be seen as nice. Also, women are more insistent on having a life, whereas men are more, “Fuck it, man, I’ll just tell jokes.”

How do you deal with hecklers?
The trick is trusting that you have an innate ability to handle assholes. Some people, you have to drop the hammer on them. For that moment, in the auditorium, you’re their dad.

Was there a plan?
I trained as an actor but I didn’t love it.

Do you love comedy?
Yes. It’s my religion. I feel like I’m part of an order of travelling monks.

Is there anything you’d like to forget?
Every night I’m alone in a hotel room, I’m remembering old gigs, jokes that fucked up.

Are we all doomed?
Systems are crashing all around the world – Islam, Christianity, even weather systems. I don’t think seven billion people are too much for the earth, but it’s too much for our social systems, and people haven’t made the connection with the right to create a human being just because they’re drunk and lonely.

Defining Moments

1969 Born in Albany, Georgia
1988 In court on shoplifting charges. His lawyer gets him acquitted, then hires him
1996 Travels to England to study at the Royal Academy of Dramatic Art
2002 Nominated for the Perrier Award
2005 Makes his television debut in Blackout, shown on Channel 4
2006 Wins Writers’ Guild Award for Pride and Prejudice . . . and Niggas. Posters for the show are banned from the Tube

Reginald D Hunter is appearing at the HMV Apollo in Hammersmith, London, on 24 and 25 June. Tickets here.

Content from our partners
Labour's health reforms can put patients first
Data science can help developers design future-proof infrastructure
How to tackle the UK's plastic pollution problem – with Coca-Cola

Select and enter your email address Your weekly guide to the best writing on ideas, politics, books and culture every Saturday. The best way to sign up for The Saturday Read is via saturdayread.substack.com The New Statesman's quick and essential guide to the news and politics of the day. The best way to sign up for Morning Call is via morningcall.substack.com Our Thursday ideas newsletter, delving into philosophy, criticism, and intellectual history. The best way to sign up for The Salvo is via thesalvo.substack.com Stay up to date with NS events, subscription offers & updates. Weekly analysis of the shift to a new economy from the New Statesman's Spotlight on Policy team.
  • Administration / Office
  • Arts and Culture
  • Board Member
  • Business / Corporate Services
  • Client / Customer Services
  • Communications
  • Construction, Works, Engineering
  • Education, Curriculum and Teaching
  • Environment, Conservation and NRM
  • Facility / Grounds Management and Maintenance
  • Finance Management
  • Health - Medical and Nursing Management
  • HR, Training and Organisational Development
  • Information and Communications Technology
  • Information Services, Statistics, Records, Archives
  • Infrastructure Management - Transport, Utilities
  • Legal Officers and Practitioners
  • Librarians and Library Management
  • Management
  • Marketing
  • OH&S, Risk Management
  • Operations Management
  • Planning, Policy, Strategy
  • Printing, Design, Publishing, Web
  • Projects, Programs and Advisors
  • Property, Assets and Fleet Management
  • Public Relations and Media
  • Purchasing and Procurement
  • Quality Management
  • Science and Technical Research and Development
  • Security and Law Enforcement
  • Service Delivery
  • Sport and Recreation
  • Travel, Accommodation, Tourism
  • Wellbeing, Community / Social Services
Visit our privacy Policy for more information about our services, how New Statesman Media Group may use, process and share your personal data, including information on your rights in respect of your personal data and how you can unsubscribe from future marketing communications.
THANK YOU