How does the publishing industry reflect on such a politically momentous year? One urgent task is to tell us about our new leaders. Six months after the United Kingdom’s second female prime minister took office, Biteback supplies, on 24 January, her first serious biography, Theresa May: the Path to Power, by Rosa Prince. Given how little we know about this very private politician, it will be pored over for insights.
Sadiq Khan’s story is better known – I remember him saying something about being a “bus driver’s son” – but George Eaton, the New Statesman’s political editor, has delved deeper for his biography (Sadiq: the Making of a Mayor and London’s Rebirth, also from Biteback), based on exclusive access to Khan and more than 100 interviews with those around him. It is expected in May, to mark the one-year anniversary of Khan taking office as the first Muslim Mayor of London.
Since becoming a Labour MP in 1982 and joining a House of Commons that was 97 per cent male, Harriet Harman has fought for women’s rights and helped to drag parliamentary culture out of the Stone Age. Her account of those struggles, A Woman’s Work, will be published by Allen Lane next month. Jess Phillips, the 35-year-old self-described “gobby MP”, brings the feminist fight into the digital age with Everywoman (Hutchinson, March). At the “old guard” end, another Westminster memoir worth noting is Chris Patten’s First Confession (Allen Lane, June). And although it looked for a moment as if Vince Cable might have written a whole book about his time on Strictly, it turns out that Open Arms (Corvus, June) is a work of fiction: a political thriller about Westminster, India and big business.
Last year, Miles Cole assembled a cover for the NS in which Iain Duncan Smith, Douglas Carswell and Daniel Hannan figured as the three heads of a Brexit hydra. How blessed we are that the last two have books out: Hannan’s Europe primer What Next (out now) is joined by Carswell’s “radical manifesto” Rebel in April, both published – appropriately – by Head of Zeus.
What next, indeed? For the US, it’s too early to answer that question, but Melville House has put together a gutsy collection, What We Do Now: Standing Up for Your Values in Trump’s America, with contributions by 27 leading progressives, including Bernie Sanders and Gloria Steinem, suggesting paths of resistance. It’s due to be published on 17 January, just before the presidential inauguration.
Resistance will be in the air, not least because 2017 is the centenary of the two uprisings that became known as the Russian Revolution (in February and October). The avalanche that began last year will continue with Victor Sebestyen’s Lenin the Dictator: an Intimate Portrait (Weidenfeld & Nicolson, February), Robert Service’s The Last of the Tsars: Nicholas II and the Russian Revolution (Macmillan, also February) and China Miéville’s narrative take on the events of 1917, October: the Story of the Russian Revolution (Verso, May). Other books on Lenin are due from Tariq Ali (The Dilemmas of Lenin, Verso, April) and Slavoj Žižek (Lenin 2017, Verso, July). His ideas were built on those of Marx, so it’s neat that 2017 also marks the 150th anniversary of Das Kapital. New reflections on that work include Marx and Capital by David Harvey (Profile, July).
In 1917 Russia was in the grip of financial crisis, revolution and terror and a world war was raging. A century later, are we going the same way? It is clear, at least, that many of our liberal assumptions about progress are being upturned. Age of Anger: a History of the Present by Pankaj Mishra (Allen Lane, January) explores the origins of our “great wave of paranoid hatreds”, while populist politics and nationalism are examined in The Road to Somewhere (Hurst, March) by David Goodhart, The Rise of the Outsiders: the Anti-Establishment and Its March to Power (Atlantic, June) by Steve Richards and Grave New World: the End of Globalisation and the Return of Economic Conflict (Yale University Press, May) by Stephen D King. The former Economist editor Bill Emmott offers a slightly less gloomy spin in The Fate of the West, which considers the decline but also the possible “revival” of liberal democracy (Profile, March).
Having got his grandly titled history of the eurozone – And the Weak Suffer What They Must? – out of the way last year, the former Greek finance minister Yanis Varoufakis unleashes the gossip, telling the “extraordinary tale of brinkmanship and backstabbing” behind the 2015 EU negotiations in Adults in the Room (Bodley Head, May). A fellow economist, Evan Davis of Newsnight, adopts the phrase of 2016 for his book Post-Truth (Little, Brown, August), about how “bullshit” became “the communications strategy of our imes”.
There is plenty of “post-truth” written about Britain’s Muslims, as was illustrated last month when the Mail Online paid out £150,000 to a family that the columnist Katie Hopkins had accused groundlessly of having extremist links. Attempts to bring some honesty and clarity come from Sayeeda Warsi, Britain’s first Muslim cabinet minister, in The Enemy Within (Allen Lane, March), and Omar Saif Ghobash, in his Letters to a Young Muslim (Picador, January). Another counterblast to those who see Islam as incapable of modernising, The Islamic Enlightenment (Bodley Head, February) by Christopher de Bellaigue shows that, from the 19th century onwards, the faith has been transformed by progressive thinking.
These books will sadly be outweighed by writings on Islamic State, of which The Way of the Strangers by the Atlantic correspondent Graeme Wood (Allen Lane, January) is the most anticipated. Catherine Nixey has found a historical parallel with the destruction wreaked by IS: The Darkening Age (Macmillan, September) describes how a militant religion “comprehensively and deliberately extinguished” the teachings of the classical world, “ushering in centuries of unquestioning adherence to ‘one true faith’”. That religion was, of course, Christianity.
In biography, we will get two grand surrealists and two great engineers. The Surreal Life of Leonora Carrington by Joanna Moorhead (Virago, April) coincides with the centenary of the painter and writer, while Jenny Uglow takes on the author of “The Owl and the Pussy-Cat” in Edward Lear: a Life of Art and Nonsense (Faber & Faber, October). Bloomsbury pits two engineering geniuses, one Scottish and the other American, against each other, with Man of Iron: Thomas Telford and the Building of Britain by Julian Glover (January) – which celebrates the “colossus of roads” and designer of the 1826 Menai Suspension Bridge – and Chief Engineer: the Man Who Built the Brooklyn Bridge (June), in which the NS contributing writer Erica Wagner tells the story of Washington Roebling against a backdrop of civil war, family strife and superhuman achievement in construction. Peter Ackroyd is already London’s biographer laureate but in Queer City (Chatto & Windus, May), he views the capital through its gay population, from the pleasure-filled lupanaria (“wolf dens”) of Roman times to the present day.
Sexuality errs towards the non-binary these days and a raft of books reflects that. Trans Like Me by C N Lester (Virago, May) is joined by The Gender Games by Juno Dawson (Two Roads, July) and Man Alive by Thomas Page McBee (Canongate, May). There’s possibly more fun to be had in One of the Boys by the comic actor Robert Webb (Canongate, July), a coming-of-age memoir that builds on a piece he wrote for the NS in 2014: “How not to be a boy”.
Two other memoirs stand out. When the cultural theorist Stuart Hall died in 2014 he left behind a manuscript – Familiar Stranger: a Life Between Two Islands (Allen Lane, April) tells the story of his early life, from growing up in 1930s Jamaica to dealing with the thorny politics of 1950s and 1960s England. Glimpses of a great English institution are given in Balancing Acts: Behind the Scenes at the National Theatre (Jonathan Cape, May) by Nicholas Hytner, who stepped down as artistic director in 2015.
Beyond our cities, we have become a nation of dippers and 2017 is the year of the swim-moir. There’s Turning: a Swimming Memoir by Jessica J Lee (Virago, May), Leap In: a Woman, Some Waves and the Will to Swim by Alexandra Heminsley (Hutchinson, January) and I Found My Tribe by Ruth Fitzmaurice (Chatto & Windus, July), an Irish writer’s account of her “Tragic Wives’ Swimming Club”. In June Philip Hoare, the King Neptune of literature, returns with RisingTideFallingStar (Fourth Estate), a wide-ranging examination of our relationship with this watery planet.
On dry land, too, big ideas flourish. In Selfie (Picador, June) Will Storr traces the roots of our “age of perfectionism”, and Adam Alter’s Irresistible (Bodley Head, March) looks at addiction in the internet age. Bullshit Jobs: a Theory by David Graeber (Allen Lane, September) explains why we are trapped in a cycle of meaningless work, and in The Knowledge Illusion (Macmillan, April) the cognitive scientists Steven Sloman and Philip Fernbach claim that true intelligence “resides not in the individual but in the collective mind.”
The essay continues to enjoy a renaissance. There are offerings from the author of The Wake, Paul Kingsnorth (Confessions of a Recovering Environmentalist, Faber & Faber, April); Rebecca Solnit, whose Mother of All Questions (Granta, October) is a collection of “further feminist essays”; Teju Cole, whose “multimedia diary” Blind Spot, coming from Faber & Faber in July, pairs images with text; and Martin Amis, who has assembled his criticism and reportage from 1986 to 2016 in The Rub of Time (due from Jonathan Cape in the autumn). Amis is also working on a novel about three of his friends – Christopher Hitchens, Saul Bellow and Philip Larkin – all of whom have died since he began writing it. “That gives me a theme,” he said recently. “Death.”
In fiction, the year begins with Paul Auster’s first novel in seven years, 4 3 2 1 (Faber & Faber, January), charting a baby boomer’s four divergent life paths. From the US, too (now that an American has won the Man Booker Prize we’d better pay closer attention), there comes Lincoln in the Bardo (Bloomsbury, March), the debut novel by the short-story supremo George Saunders. Set in 1862 in a cemetery in Washington, it has drawn high praise from first readers. Also arriving with Stateside acclaim is Homegoing (Viking, January), a story of two sisters and the slave trade in the Gold Coast by the first-time novelist Yaa Gyasi.
If we are – pace Stephen D King and others – seeing the end of globalisation, it’s not showing in fiction, which in 2017 feels anything but insular. The Indian author Arundhati Roy returns to fiction, 20 years after The God of Small Things, with The Ministry of Utmost Happiness (Hamish Hamilton, June), described as “a love story and a provocation”, while the new novel by the Man Booker-shortlisted author Neel Mukherjee, A State of Freedom (Chatto & Windus, September), is a “fierce and often devastating portrayal of contemporary India”. From Turkey, Orhan Pamuk’s The Red-Haired Woman (Faber & Faber, September) is a short philosophical novel about a murder that took place 30 years ago near Istanbul. Emerging from the Iraq War is Spoils (Jonathan Cape, May), a debut novel by a former US sergeant, Brian Van Reet, centring on three characters: a young female soldier, a jihadi and a male tank crewman. Germany and the UK are the settings for the first novel by the prize-winning biographer (and contributor to these pages) Lucy Hughes-Hallett – Peculiar Ground (Fourth Estate, May), which spans the 17th and 20th centuries.
And here’s a rare event: the publication of fiction from North Korea. A cache of stories by the dissident writer “Bandi” has been smuggled out and translated by Deborah Smith, and will be published by Serpent’s Tail in March under the title The Accusation. (Smith also translates Han Kang, who won the Man Booker International Prize in 2016; a new novel by the South Korean writer is to come from Portobello in November.)
Elsewhere, strong literary names dot the lists. There are novels by Jon McGregor (Reservoir 13, Fourth Estate, April), Hari Kunzru (White Tears, Hamish Hamilton, April), Will Self (Phone, Viking, June), William Boyd (The Dreams of Bethany Mellmoth, Viking, September) and Ali Smith (Winter, Hamish Hamilton, November). We just have to hope that bookshops aren’t too busy ordering extra copies of Into the Water (Doubleday, May), Paula Hawkins’s follow-up to The Girl on the Train, to notice.