Books Andrew Miller’s eighth novel is an exploration of culpability, written in singing prose By Fiona Sampson
Twilight zone: Fiona Sampson on John Burnside’s double life John Burnside as a poet and novelist. By Fiona Sampson
Why the class of ’94 still rules British poetry The message of the 1990s generation - that seeing clearly is not as simple as we think - comes… By Fiona Sampson
“Field”: a new poem by Fiona Sampson "And through its stems the creatures/track their errands" By Fiona Sampson
“West London“: a new poem by Fiona Sampson Behind each window is a tableau like in an advent calendar – or a vitrine – where each room… By Fiona Sampson
Spain is not merely a cultural museum for outsiders One book that recognises this, and one that fails to do so. By Fiona Sampson
Macedonia: pay attention to the Balkans’ early-warning system Straddling the fault-line between Islam and Christianity, this country's changing fortunes are important. By Fiona Sampson
The Divine Comedy translated by Clive James: Writing as reparation Dante turned his non-relationship with Beatrice into a story of passionate significance in La Vita Nuova. Likewise, Clive James… By Fiona Sampson