Why the novel matters
We can try to bend the novel to fit our politics or culture, but it will always go its own way, making itself anew.
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Eimear McBride
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Too close for comfort: Deborah Levy’s Hot Milk is very nearly greater than the sum of its parts
One of the most consistent pleasures of Levy’s fiction is her complete resistance to unthinking characters, unthinking female characters…
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1066 and all that: Eimear McBride on “The Wake” by Paul Kingsnorth
In The Wake, Paul Kingsnorth delicately loops the multifarious layers of English history together.
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How James Joyce’s Dubliners heralded the urban era
It is through Joyce’s intimate rummagings through the city’s yens and wardrobes that we come closest to identifying its…
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