How Brexit changed us: We have tangled up artists in the red tape the Tories pretend to dislike
For every industry, the break has involved one big cat’s cradle of statist bureaucracy.
By
David Hare is a playwright, screenwriter and theatre and film director. His work includes the plays Plenty (1978) and Skylight (1997), and screenplays for The Hours (2002) and The Reader (2008).
For every industry, the break has involved one big cat’s cradle of statist bureaucracy.
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