Mark Lawson is a journalist and broadcaster, best known for presenting Front Row on Radio 4 for 16 years. He writes a weekly column in the critics section of the New Statesman.
Labour's “Gang of Four” are brought to life brilliantly at the Donmar Warehouse.
This melancholy comedy has always been notable for what is now known as gender fluidity. The National Theatre's new gender-swapped version brings an added depth.
Most theatre about children is uplifting, feel-good fare. Carly Wijs's show bucks the trend.
As Bowie seems to have known his terminal cancer prognosis for much of the period of working on the show, there is a grave fascination to Lazarus.
A misremembered anecdote about James Joyce is at the centre of this wittily-revived play.
No Man’s Land reminds us of Harold Pinter's enduring genius – these two actors bring a new richness to it.
Tim Minchin’s Groundhog Day uses its own predictability to great effect.
Mark Lawson talks to the director about hope, despair and why he wants to make a sequel to Deadpool.
From a Dutch mash-up at the Barbican to a promenade theatre piece at the V&A – with a thousand miles in between.
Adaptations are often lamented for not living up to their source material, but the Young Vic production of Eimear McBride's novel brilliantly bucks the trend.
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