The final table at the 2009 World Series of Poker. Photo: Getty Images
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Las Vegas: the last honest place on earth

Poker is pure social Darwinism – a revelation of character as well as capacity. And where better to play it than Las Vegas, a city that is brutally upfront about its desire to separate you from your money?

I once knew a girl who had grown up in a small town on the North Island of New Zealand. The town was populated by descendants of Scottish Protestants, who had established a place of sober, hard-working respectability. On Friday and Saturday nights, the young people would go to a barn outside the town limits, where there would be music and dancing and the young men would get drunk and fight each other. None of this spilled over back into the town: no one would say anything about the bruises on the butcher boy’s face; and if a couple had found an intimacy at a dance, that wouldn’t alter the formality of their relations during the rest of the week.

This is how Protestant countries work. Civic spaces are designed for polite, hard-working respectability, and young people let off steam and the sinners do their sinning in self-contained places outside town limits. The US is a very Protestant country, and Las Vegas is its barn.
Actually it’s two barns, a couple of miles away from each other. The original one, Fremont Street, Downtown, is a ramshackle place. Apart from the slickly remodelled Golden Nugget, the one-time Glitter Gulch is a couple of shabby blocks of casinos and bars and souvenir shops covered by a canopy and blasted at night with music and air-conditioning and lights (“The Fabulous Fremont Street Experience!”), surrounded by slums and bail bondsmen storefronts. The other, the Strip, is the gaudy place of postcards and movies and the “Welcome to Las Vegas” sign, where high-rise casino-resorts stretch out along Las Vegas Boulevard.
 
It all began with a 1930s gambling roadhouse. The Club Pair-O-Dice was built up in the 1940s and 1950s with oil and Mafia money, and properly established itself after the Cuban Revolution of 1959 shut down America’s playground. The mountains behind, and the intolerable heat, remind any summer visitor who is foolish enough to stray too far from air-conditioning that this is a place in the middle of the desert without any reason to be, except for cupidity, profit, pleasure and need.
 
In July, I’d driven in from LA in the company of two old friends. We followed Interstate 15 through the Mojave Desert shimmer of heat, truck stops and Joshua trees and the occasional sun-blasted forsaken town. Both of my companions are Londoners who have been living in Los Angeles for about 15 years. One has made it big in Hollywood as a writer and producer of network television shows. The other is a professor of the history of science at California State University.
 
The Money and I had planned this trip some months ago. The Professor had joined us at short notice, leaving his wife and two small children behind. The Professor’s wife had been unresisting, maybe even encouraging. Because this is America, it is understood that men need to get together, to drive through the desert, that men need to drink cocktails and argue about politics in the Bellagio bar. But I wasn’t here to let off steam. I’d come to Vegas for a meeting of the board of the UK Poker Federation, and to take part in the World Series of Poker (WSOP).
 
The WSOP began in 1970 as a publicity stunt, as so many things in Vegas do. The Downtown casino owner Benny Binion invited the six best players in the world – most of them Texan – to compete against each other in cash games in several variants of poker, after which they voted on who had played the best. Most voted for themselves but after the second-place votes were tallied, Johnny Moss was declared the champion. The following year, seven players returned for a freeze-out tournament, in which players put up $5,000, received the same number of chips and the player who had all the chips at the end was the winner. This was again Johnny Moss.
 
The game that was played was Texas Hold ’em (“the Cadillac of poker games”). Each player is dealt two hole cards, followed by a round 
of betting, after which the “flop” of three communal cards is dealt, followed by a fourth card, the “turn”, and then the final communal card, the “river”, with a round of betting after the reveal of each communal card. The player makes the best five-card hand available out of any combination of his or her hidden hole cards and the five communal cards of the “board”. It’s a game of discipline and nerve and courage, which has become by far the most commonly played variant of poker. As the cliché goes, the tournament version is “hours and hours of boredom punctuated by moments of sheer terror”.
 
In the World Series of 1972, eight players took part, this time putting up $10,000 as the entry fee. The winner was “Amarillo Slim” Preston, who had a genius for self-publicity that exceeded even Benny Binion’s; and with this, the Main Event, the Big One, took off in the American imagination.
The modern era of poker began in 2003 when the appropriately named Chris Moneymaker, an accountant from Tennessee, qualified for the Main Event on the internet site PokerStars for a $39 investment and beat 838 other competitors for the first prize of $2.5m. When I first played the Main Event, in 2006, there were 8,773 entrants, many thousands of whom were online qualifiers.
 
The lobbies and bars and streets of Vegas were filled with tribes of online players wearing their website-branded caps and T-shirts and hoodies. (We’re now in the postmodern era, ever since the US government, in one of its typical reflexes of puritanism and economic protectionism, shut down online poker in America in April last year.)
 
The WSOP events are no longer at Binion’s Horseshoe Casino. The casino chain Harrah’s (now Caesars Entertainment) bought the Horseshoe in 2004 just for the World Series brand and moved the event from Fremont Street to just off the Strip, in the Rio Casino’s convention centre. This was all part of Downtown’s dwindling. There is no economic or legal connection between the city of Las Vegas and the Strip, which is incorporated into Clark County rather than the city. Strip casinos are superbly well-engineered machines for separating people from their money. None of those proceeds goes to the city.
 
Five years ago, Las Vegas was the fastest-growing city in the United States, with an unemployment rate of 4.7 per cent. The unemployment rate now is above 12 per cent. The crime rate is high, and getting higher. This year, the projected figures are for 130 killings and 16,500 cases of violent crime, which is two and a half times the national average.
 
The biggest police anti-crime initiative that I saw when I was there in July was the clampdown on pedlars selling bottles of drinking water without a licence. They are a common street sight, almost as common as the Mexican families flicking cards advertising erotic services on Las Vegas Boulevard, and the tourists traipsing along the Strip in the desert heat are grateful. But as the Las Vegas Review-Journal reported of one family group that had been warned off by a security guard outside Planet Hollywood, “Dolores Smith, 20, acknowledges that the water she and her cousins are selling for $1 is un-fair to licensed businesses that overcharge.” This is an interesting and very Vegas usage of the word “unfair”.
 
The journalist Marc Cooper published a very good book about the city nearly ten years ago that was called The Last Honest Place in America. Its thesis was that Las Vegas is brutal but self-evident: it’s all about money. Anyone can wander into the high-end casino-resorts, and people do, streams and streams of them, looking for bars and nightclubs and adrenalin adventure, drinking luminous cocktails from giant glasses, girls in tiny skirts and high heels, boys trying to act like high rollers, the prostitutes waiting in the casino bars, with the looks they send out that manage to be both candid and modest, You’re a discerning and attractive gentleman. You and I maybe could . . . ? and the disabled people rolling slowly through the aisles between slot machines in wheelchairs and mobility scooters – because, as the recession deepens, the proportion of disabled people in Vegas has risen noticeably: Mammon has finally found its Lourdes. And, if you’ve got a dollar in your pocket, you’re entitled to play. But Cooper’s book was published when Vegas was indisputably the gambling capital of the world. It’s lost some of its swagger recently. It has become more expensive. Profits from the casinos of Macau now exceed those of Las Vegas, which need to protect their income stream from the likes of Dolores Smith.
Nonetheless, I still love Vegas, its calculated gaudiness, its relentlessness, the haven it has made for smokers and gamblers and pleasure-seekers. In other contexts, I might find it decadent rather than magnificent that a resort in the desert has more championship golf courses than anywhere else in the world. The water comes from the Hoover Dam and, I’m sure, is also diverted from helplessly thirsty towns in southern California. As the journalist and president of the International Federation of Poker, Anthony Holden, says, “I love its nerve and its boldness and that every year something new happens.”
 
The conversations with cab drivers here are better than any you’ll find anywhere else, such as when the ex-marine explained to me the difference between gay and straight couples travelling in the back of his cab: “They want to give each other blow jobs? The straight couples ask you first. The gays just do it.”
 
And I love that you can play poker here all of the time, with many hundreds of games to choose from at any moment in the day. Every cash table, it seems, has at least one of the following: a cocky young man wearing enormous headphones, an implacable white-haired gentleman, an American Oriental who’s a dangerous opponent and a ferocious old lady with dyed red hair who bets aggressively, and whose ancient hands are covered with heavy jewellery and raised veins.
 
This is what I was here to do. In a fog of jet lag, I set about trying to raise my stake for the Main Event. I spent my days and nights in Vegas, as the Money and the Professor sampled cocktails and swimming pools and Vegas steaks, playing poker tournaments.
The Money, who has a slightly inflated opinion of my poker capacities because I managed to make it into the prize money in the 2007 Main Event, backed me in a couple of smaller WSOP tournaments. Staking arrangements are common in poker, with the player, as the phrase goes, selling off pieces of him or herself.
 
I had a meal with the Money and the Professor after I was knocked out of my first WSOP tournament this year after about six hours of play. Glumly, I apologised for the failure of his $1,500 investment and reported back on my exit hand (ace-ten, both diamonds, on an ace-king-jack flop with two diamonds: the subsequent two cards didn’t bring me my flush or my straight and I had to make the long walk out 
of the tournament room). We were eating at a very fancy steak joint at the Bellagio where, somewhat giddy with the food and the wine and Vegas, the Money ordered the best grappa in the house to finish off the meal. The waiter mildly observed, “That’s a dangerous thing to say in a place like this,” and fetched the order. 
 
I never did see the bill. They wished me luck on getting to the Main Event. All the top poker players in the world play the Main Event. Even some of the worst do, along with many visiting celebrities. Shane Warne and Teddy Sheringham play the Main Event. Even Jason Alexander (“George” from Seinfeld) plays the Main Event. I was having trouble accommodating myself to the likelihood that I might not be part of it.
 
Several days later, I was back at the Rio playing WSOP event number 59, a $1,000 buy-in. After the first 20 minutes or so, I was, as they say, in the zone. I knew where I was in pots; I knew which players I could bluff, which would find it unable to steer away from confrontations. It was clear who the good players at the table were and, therefore, which other players I needed to target, whose chips were up for grabs. I felt like I’d done five years before, the last time I’d played the Main Event, when I was at the top of my game and my form – when I proved, at least to myself, that I could function, even thrive, at this level and in this company.
 
Poker is a revelation of character, as well as capacity. As Al Alvarez reminds us, it is “social Darwinism in its purest, most brutal form: the weak go under and the fittest survive through calculation, insight, self-control, deception, plus an unwavering determination never to give a sucker an even break”. I was feeling so in control that I even had space in my heart to feel sorry for the gentleman at the other end of the table.
 
He was thickset with a kindly face and a white goatee that matched the colour of his dapper little cap. He was shaking, unmanned by nerves. 
I never found out how he had ended up in this tournament; maybe he was a wealthy tourist who had entered it on a whim, but he had neither the stomach for it nor the skill. Any time he forced himself to play a hand, the agony of the event was written on his face and body. He gave his chips away, some to me, some to the clever, taciturn Australian on my right, and when he had lost them all, when his tournament life was over, the relief of it returned him to some kind of version of himself.
 
There were over 4,500 entrants to this event. It would last for four days, with a first prize of $654,000. I wasn’t dreaming of this yet, nor even really of surviving long enough to get past 90 per cent of the field and into the money. At this stage the plan was to accumulate chips, with the thought of having enough to put me in some kind of decent position going into day two. I felt confident; I was on top of things.
 
And then my composure failed me. A new player arrived at our table, a glowering young man wearing enormous headphones and a baseball cap who sat down with towers of chips in front of him. I raised in middle position with pocket tens. He reraised in the dealer position. The flop came down jack high. I checked, he bet, I raised, and he reraised, putting me all in for the rest of my chips. I looked at him. He glowered back at me. I had put him on ace-king. Possibly he had a big pocket pair, higher than my tens. He might have had ace-jack. Or, he was playing position. The later you act in a betting round, the stronger your hand becomes. When you’re the last to act, you have leverage. If you have mountains of chips, you have greater leverage. 
 
I suspected I was winning. I asked for time. My instincts told me to call. I folded.
 
Poker is perhaps unique in that you are betting on an event that has already happened: the deck of cards has been shuffled and dealt; as more cards are revealed, more information is available. In playing a game of incomplete information, part of the agony is when you never find out the answer to the question that has been posed. I suspected that I had the better hand against the heavy-set aggressive kid, but I would never know. Even if I were to have asked him, dragged him out from under his headphones, he would probably have lied. Crucially, poker is also a test of the processing power of the brain and the emotional discipline of the player in response to new information and fresh stimuli. I was still beating myself up over the previous hand when I overplayed the subsequent one, committed all my chips in a toing and froing of action with the Aussie; and when it was over, I had two pairs, he had three jacks and I was out of the tournament. I had felt where I was, I had known where I was, but I was still off-balance from the earlier skirmish, and committed a kind of suicide. It takes only a moment to switch from being on top of things to taking the shameful walk away to the exit door. It happens all the time. I didn’t like that it was happening to me.
 
The day before, while I was playing a tour­nament at Caesars Palace, television screens were showing the final table of the Big One for One Drop. This was the inaugural run of a dizzying, $1m buy-in tournament, the winner receiving over $18m, by far the richest prize in sport, with 11 per cent of the entry money, suitably for Vegas, going to a water charity, the One Drop Foundation. (This year’s Main Event will have a first prize of “only” $8.5m.) The Big One was set up by the founder of Cirque du Soleil, Guy Laliberté, who is a high-stakes cash player as well as a circus magnate. The 2012 Main Event had 6,598 runners, of whom I was not going to be one. With its entry fee still at the 1972 level of $10,000, it’s no longer known as the Big One. Laliberté’s event had 48 entrants, including Laliberté. It was rumoured that he had paid the buy-in for 15 other players. Nonetheless, the event attracted, or enticed, all the best players in the world, along with a few deep-pocketed businessmen. It is probably the closest poker now comes to a true world championship.
 
The British player Sam Trickett came second (with over $10m to console him) to the American Antonio Esfandiari, but he deserved to win. Fearless, poised, always aggressive, always putting the question to his opponents (and we should remember here the origin of the phrase “putting the question”, which was a euphem­ism for interrogation under torture), he played poker of the very highest standard, under extreme emotional duress, for 12-hour days. He made audacious bluffs (some got through, others didn’t), he lost chips, he gathered them again. I lost my composure in under eight hours; he maintained his throughout three days.
 
I can point to the luck that let me down in the various tournaments I played in Vegas. In my exit hand from the $1,500 event, I was only a slight underdog on the flop (approximately 44 per cent to 56 per cent). In one $240 event at Caesars Palace, when we were getting close to the money (with a first prize of $61,000), I was all in, committing all my chips before the flop, with ace-king of spades against my outplayed opponent’s king-nine of clubs. The chances of my winning the hand were slightly more than 72 per cent. My opponent made his flush on the flop.
 
But all poker players, at whatever level, are used to bad beat stories. Like dreams, the only reason you put up with other people telling you theirs is that it then gives you the right to bore them with yours.
 
One of the effects of all this is to remind me how tough it is to be a poker player. Not just the world-class types like Trickett, but any of the ones who can call themselves professionals. In my week in Vegas, I played five tournaments, with entry fees of $1,500, $1,000, $350, $240, and $200. My prize winnings were $732, of which I donated $20 for dealer tips. Add to the buy-in costs the expenses of living and travel that the pros need to find. And the runs of bad luck that they have to deal with. In the poker world, it’s called “variance”. I tried to explain this to the Money before the grappa finished us off. His intelligently Vegas response was to reach into his pocket for his billfold. As Jason Alexander tweeted after his Main Event elimination: “The poker agony is over. Going home. But thrilled for the chance. Next year!” 
 
David Flusfeder is the author of “A Film by Spencer Ludwig” (Fourth Estate, £11.99)

This article first appeared in the 20 August 2012 issue of the New Statesman, Back To Reality

CLIVE BARDA
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The lost magic of England

The great conservative journalist Peregrine Worsthorne reflects on a long life at the heart of the establishment.

In a recent editorial meeting, our subscriptions manager happened to mention that Peregrine Worsthorne was still a New Statesman subscriber. A former editor of the Sunday Telegraph and, during a long Fleet Street career, a self-styled “romantic reactionary” scourge of liberals and liberalism, Worsthorne used to be something of a pantomime villain for the left, a role he delighted in. He had close friends among the “Peterhouse right”, the group of High Tory intellectuals who gathered around Maurice Cowling at the small, conspiratorial Cambridge college. He was a frequent contributor to Encounter (which turned out to be funded by the CIA) and an ardent cold warrior. His social conservatism and lofty affectations offended lefty Islingtonian sensibilities. On several occasions he was the Guardian’s reviewer of choice for its annual collection of journalism, The Bedside Guardian, and he invariably delivered the required scornful appraisal while praising its witty television critic, Nancy Banks-Smith. There is no suggestion, he wrote in 1981, that the “Guardian ever sees itself as part of the problem; itself as having some responsibility for the evils its writers described so well”.

His prose style was Oxbridge high table, more Walter Pater than George Orwell. It was essential not to take Worsthorne too seriously, because he delighted in mischief-making and wilful provocation – one of his targets for remorseless ridicule was Andrew Neil, when Neil edited the abrasively Thatcherite Sunday Times. He ended up suing Worsthorne, who was famous for his silk shirts and Garrick Club lunches, for libel; he was awarded damages of £1, the then cover price of the Sunday Times.

“I wrote that in the old days editors of distinguished Sunday papers could be found dining at All Souls, and something must have changed when they’re caught with their trousers down in a nightclub,” Worsthorne told me when we met recently. “I had no idea he was going to sue. I was teasing. I occasionally run into him and we smile at each other, so it’s all forgotten and forgiven.”

After his retirement in 1989, Worsthorne, although he remained a resolute defender of aristocracy, seemed to mellow, and even mischievously suggested that the Guardian had replaced the Times as the newspaper of record. In the 1990s he began writing occasionally for the New Statesman – the then literary editor, Peter Wilby, commissioned book reviews from him, as I did after I succeeded Wilby. Like most journalists of his generation, Worsthorne was a joy to work with; he wrote to length, delivered his copy on time and was never precious about being edited. (Bill Deedes and Tony Howard were the same.) He might have had the mannerisms of an old-style toff but he was also a tradesman, who understood that journalism was a craft.

Shortly before Christmas, I rang Wors­thorne at the home in Buckinghamshire he shares with his second wife, Lucinda Lambton, the charming architectural writer. I asked how he was. “I’m like a squeezed lemon: all used up,” he said. Lucy described him as being “frail but not ill”. I told him that I would visit, so one recent morning I did. Home is a Grade II-listed old rectory in the village of Hedgerley. It is grand but dishevelled and eccentrically furnished. A sign on the main gates warns you to “Beware of the Dog”. But the dog turns out to be blind and moves around the house uneasily, poignantly bumping into objects and walls. At lunch, a small replica mosque in the dining room issues repeated mechanised calls to prayer. “Why does it keep doing that?” Perry asks. “Isn’t it fun,” Lucy says. She then turns to me: “Have some more duck pâté.”

As a student, I used to read Worsthorne’s columns and essays with pleasure. I did not share his positions and prejudices but I admired the style in which he articulated them. “The job of journalism is not to be scholarly,” he wrote in 1989. “The most that can be achieved by an individual newspaper or journalist is the articulation of an intelligent, well-thought-out, coherent set of prejudices – ie, a moral position.”

His Sunday Telegraph, which he edited from 1986 to 1989, was like no other newspaper. The recondite and reactionary comment pages (the focus of his energies) were unapologetically High Tory, contrary to the prevailing Thatcherite orthodoxies of the time, but were mostly well written and historically literate. Bruce Anderson was one of the columnists. “You never knew what you were going to get when you opened the paper,” he told me. “Perry was a dandy, a popinjay, and of course he didn’t lack self-esteem. He had a nostalgia for Young England. In all the time I wrote for him, however, I never took his approval for granted. I always felt a tightening of the stomach muscles when I showed him something.”

***

Worsthorne is 92 now and, though his memory is failing, he remains a lucid and engaging conversationalist. Moving slowly, in short, shuffling steps, he has a long beard and retains a certain dandyish glamour. His silver hair is swept back from a high, smooth forehead. He remains a stubborn defender of the aristocracy – “Superiority is a dread word, but we are in very short supply of superiority because no one likes the word” – but the old hauteur has gone, replaced by humility and a kind of wonder and bafflement that he has endured so long and seen so much: a journalistic Lear, but one who is not raging against the dying of the light.

On arrival, I am shown through to the drawing room, where Perry sits quietly near an open fire, a copy of that morning’s Times before him. He moves to a corner armchair and passes me a copy of his book Democracy Needs Aristocracy (2005). “It’s all in there,” he says. “I’ve always thought the English aristocracy so marvellous compared to other ruling classes. It seemed to me that we had got a ruling class of such extraordinary historical excellence, which is rooted in England
almost since the Norman Conquest.

“Just read the 18th-century speeches – the great period – they’re all Whig or Tory, but all come from that [the aristocracy]. If they didn’t come directly from the aristocracy, they turned themselves very quickly into people who talk in its language. Poetic. If you read Burke, who’s the best in my view, it’s difficult not to be tempted to think what he says has a lot of truth in it . . .”

His voice fades. He has lost his way and asks what we were talking about. “Oh, yes,” he says. “It survived when others – the French and Russians and so on – were having revolutions. It was absolutely crazy to set about destroying that. There was something magical . . . the parliamentary speeches made by Burke and so on – this is a miracle! No other country has it apart from America in the early days. And I thought to get rid of it, to undermine it, was a mistake.”

I ask how exactly the aristocracy was undermined. Even today, because of the concentration of the ownership of so much land among so few and because of the enduring influence of the old families, the great schools and Oxbridge, Britain remains a peculiar hybrid: part populist hyper-democracy and part quasi-feudal state. The Tory benches are no longer filled by aristocrats but the old class structures remain.

“Equality was the order of the day after the war,” Worsthorne replies. “And in a way it did a lot of good, equalising people’s chances in the world. But it didn’t really get anywhere; the ruling class went happily on. But slowly, and I think unnecessarily dangerously, it was destroyed – and now there are no superior people around [in politics]. The Cecil family – Lord Salisbury, he was chucked out of politics. The Cecil family is being told they are not wanted. The institutions are falling apart . . .

“But there were people who had natural authority, like Denis Healey. I’m not saying it’s only aristocrats – a lot of Labour people had it. But now we haven’t got any Denis Healeys.”

Born in 1923, the younger son of Alexander Koch de Gooreynd, a Belgian banker, Worsthorne (the family anglicised its name) was educated at Stowe and was an undergraduate at both Cambridge (Peterhouse, where he studied under the historian Herbert Butterfield, the author of The Whig Interpretation of History) and Oxford (Magdalen College). “I have always felt slightly underprivileged and de-classed by having gone to Stowe, unlike my father who went to Eton,” Worsthorne wrote in 1985.

Yet his memories of Stowe remain pellucid. There he fell under the influence of the belle-lettrist John Davenport, who later became a close friend of Dylan Thomas. “He was a marvellous man, a famous intellectual of the 1930s, an ex-boxer, too. But in the war he came to Stowe and he was preparing me for a scholarship to Cambridge. He told me to read three books, and find something to alleviate the boredom of an examiner, some little thing you’ll pick up. And I duly did and got the scholarship.”

Can you remember which three books he recommended?

“Tawney. Something by Connolly, um . . . that’s the terrible thing about getting old, extremely old – you forget. And by the time you die you can’t remember your brother’s name. It’s a terrible shock. I used to think old age could be a joy because you’d have more time to read. But if you push your luck and get too far, and last too long, you start finding reading really quite difficult. The connections go, I suppose.”

Was the Connolly book Enemies of Promise (1938)?

“Yes, that’s right. It was. And the other one was . . . Hang on, the writer of the book . . . What’s the country invaded by Russia, next to Russia?

Finland, I say. Edmund Wilson’s To the Finland Station (1940)?

“Yes. Wilson. How did you get that?”

We both laugh.

***

Worsthorne is saddened but not surprised that so many Scots voted for independence and his preference is for Britain to remain a member of the European Union. “What’s happening is part of the hopelessness of English politics. It’s horrible. I can’t think why the Scots would want to be on their own but it might happen. The youth will vote [for independence]. This is part of my central theme: the Scots no longer think it’s worthwhile belonging to England. The magic of England has gone – and it’s the perversity of the Tory party to want to get us out of the European Union when of course we’re much more than ever unlikely to be able to look after ourselves as an independent state because of the quality of our political system.

“The people who want to get us out are obviously of an undesirable kind. That the future should depend on [Nigel] Farage is part of the sickness. I mean the real horror is for him to have any influence at all. And when you think of the great days of the Labour Party, the giants who strode the stage – famous, lasting historical figures, some of them: Healey, Attlee, who was probably the greatest, [Ernest] Bevin. I’m well aware that Labour in the good days produced people who were superior.”

He digresses to reflect on his wartime experience as a soldier – he served in Phantom, the special reconnaissance unit, alongside Michael Oakeshott, the philosopher of English conservatism who became a close friend, and the actor David Niven, our “prize colleague”.

“I remember Harold Macmillan saying to me, after the Second World War, the British people needed their belt enlarged; they’d done their job and they deserved a reward. And that’s what he set about doing. And he wasn’t a right-wing, unsympathetic man at all. But he didn’t – and this is what is good about conservatism – he didn’t turn it into an ‘ism’. It was a sympathetic feel, an instinctive feel, and of course people in the trenches felt it, too: solidarity with the rest of England and not just their own brotherhood. Of course he didn’t get on with Margaret Thatcher at all.”

Worsthorne admired Thatcher and believed that the “Conservatives required a dictator woman” to shake things up, though he was not a Thatcherite and denounced what he called her “bourgeois triumphalism”. He expresses regret at how the miners were treated during the bitter strike of 1984-85. “I quarrelled with her about the miners’ strike, and the people she got around her to conduct it were a pretty ropey lot.

“I liked her as a person. I was with her that last night when she wasn’t prime minister any more, but she was still in Downing Street and had everything cut off. The pressman [Bernard Ingham] got several of us to try to take her mind off her miseries that night. There’s a photograph of me standing at the top of the stairs.”

In the summer of 1989, Peregrine Wors­thorne was sacked as the editor of the Sunday Telegraph by Andrew Knight, a former journalist-turned-management enforcer, over breakfast at Claridge’s. He wrote about the experience in an elegant diary for the Spectator: “I remember well the exact moment when this thunderbolt, coming out of a blue sky, hit me. It was when the waiter had just served two perfectly poached eggs on buttered toast . . . In my mind I knew that the information just imparted was a paralysingly painful blow: pretty well a professional death sentence.”

He no longer reads the Telegraph.

“Politically they don’t have much to say of interest. But I can’t put the finger on exactly what it is I don’t like about it. Boredom, I think!”

You must read Charles Moore?

“He is my favourite. Interesting fellow. He converted to Catholicism and started riding to hounds in the same week.”

He has no regrets about pursuing a long career in journalism rather than, say, as a full-time writer or academic, like his friends Cowling and Oakeshott. “I was incredibly lucky to do journalism. What people don’t realise – and perhaps you don’t agree – but it’s really a very easy life, compared to many others. And you have good company in other journalists and so on. I was an apprentice on the Times, after working [as a sub-editor] on the Glasgow Herald.”

How does he spend the days?

“Living, I suppose. It takes an hour to get dressed because all the muscles go. Then I read the Times and get bored with it halfway through. Then there’s a meal to eat. The ­answer is, the days go. I used to go for walks but I can’t do that now. But Lucy’s getting me all kinds of instruments to facilitate people with no muscles, to help you walk. I’m very sceptical about it working, but then again, better than the alternative.”

He does not read as much as he would wish. He takes the Statesman, the Spectator and the Times but no longer the Guardian. He is reading Niall Ferguson’s biography of Kissinger, The Maisky Diaries by Ivan Maisky, Stalin’s ambassador to London from 1932 to 1943, and Living on Paper, a selection of letters by Iris Murdoch, whom he knew. “I get these massive books, thinking of a rainy day, but once I pick them up they are too heavy, physically, so they’re stacked up, begging to be read.”

He watches television – the news (we speak about Isis and the Syrian tragedy), the Marr show on Sunday mornings, and he has been enjoying War and Peace on BBC1. “Andrew Marr gave my book a very good review. He’s come back. He’s survived [a stroke] through a degree of hard willpower to get back to that job, almost as soon as he came out of surgery. But I don’t know him; he was a Guardian man.” (In fact, Marr is more closely associated with the Independent.)

Of the celebrated Peterhouse historians, both Herbert Butterfield (who was a Methodist) and Maurice Cowling were devout Christians. For High Tories, who believe in and accept natural inequalities and the organic theory of society, Christianity was a binding force that held together all social classes, as some believe was the order in late-Victorian England.

“I was a very hardened Catholic,” Worsthorne says, when I mention Cowling’s book Religion and Public Doctrine in Modern England. “My mother was divorced [her second marriage was to Montagu Norman, then the governor of the Bank of England] and she didn’t want my brother and me to be Catholic, so she sent us to Stowe. And I used to annoy her because I read [Hilaire] Belloc. I tried to annoy the history master teaching us Queen Elizabeth I. I said to him: ‘Are you covering up on her behalf: don’t you know she had syphilis?’

“Once I felt very angry about not being made Catholic. But then I went to Cambridge and there was a very Catholic chaplain and he was very snobbish. And in confession I had to tell him I masturbated twice that morning or something, and so it embarrassed me when half an hour later I had to sit next to him at breakfast. I literally gave up going to Mass to get out of this embarrassing situation. But recently I’ve started again. I haven’t actually gone to church but I’ve made my confessions, to a friendly bishop who came to the house.”

So you are a believer?

“Yes. I don’t know which bit I believe. But as Voltaire said: ‘Don’t take a risk.’”

He smiles and lowers his head. We are ready for lunch. 

Jason Cowley is editor of the New Statesman. He has been the editor of Granta, a senior editor at the Observer and a staff writer at the Times.

This article first appeared in the 11 February 2016 issue of the New Statesman, The legacy of Europe's worst battle