Show of strength

Hugo Chávez says he wants to bring peace to the warring factions in Colombia's cocaine wars but his

Squinting into the glare of the late-afternoon Caribbean sun, hundreds of pleated khaki-dressed soldiers and military dignitaries form orderly rows facing their chief of staff and head of state, Venezuelan president Hugo Chávez.

Positioned on stage and flanked by a few lines of tanks and helicopters in a military training ground in the provincial city of Valencia, western Venezuela, President Chávez waits for the roaring fighter jets to pass overhead before addressing the assembly.

"From Colombia, Venezuela is threatened," Chávez says, dismissing as "inventions" widespread allegations that his government has colluded with drug trafficking and arms sales to Colombian guerrillas.

The speech is being delivered to mark the 16th anniversary of the attempted coup led by the then-young Lieutenant Colonel Chávez on 4 February 1992. Although it ended in failure and Chávez and his cohorts were imprisoned, many believe the event - now commonly referred to as 4F - paved the way for his eventual democratic election to the presidency in 1998.

But while the Venezuelan president was commemorating his failed putsch, over a million protesters took to the streets in neighbouring Colombia and in cities across the world to voice their opposition to Chávez's hostage-taking rebel allies, the Revolutionary Armed Forces of Colombia (Farc).

In an almost implausible coincidence, anti-Farc campaigners chose 4 February to mobilise a global protest against the Marxist insurgents. They maintain that the event was entirely apolitical and directed only at the rebel fighters, but in a statement on their website they denounce Chávez's "interventions in the internal matters of Colombia and, particularly, his declarations which seek to justify the Farc as a representation of the Colombian people".

Chávez's inflammatory comments about the threat from Colombia came two days after he declared that the Venezuelan armed forces were "on alert" against possible aggressions from the neighbouring country. In a televised broadcast, the president had warned: "We don't know how far it could go. We don't want to hurt anybody, but no one should make a mistake with us."

He added: "One day things will change in Colombia," referring to the cocaine-fuelled civil war that has raged across the border for almost 60 years. "Theirs is a war in which we cannot participate except as peacemakers."

His words have further aggravated the deepening diplomatic crisis with Bogotá. After successfully negotiating the release of two hostages held by the Farc, he requested that these narco-rebels be removed from lists of international terrorist organisations and expressed an ideological affinity with their insurgent cause.

"The Farc and [National Liberation Army] ELN are not terrorist bodies. They are real armies that occupy space in Colombia. That must be recognised. They are insurgent forces with a Bolivarian political project, which here we respect," Chávez said in his yearly address to the National Assembly on 11 January.

As the anti-Farc movement gathered global momentum through social networking sites such as Facebook, it was quickly seized upon by the Colombian government. On the day of protest, Colombian president Álvaro Uribe even delivered a message of thanks to marchers in the city of Valledupar. "Our gratitude goes to all Colombians who today expressed with dignity and strength their rejection of kidnapping and kidnappers," Reuters reported him as saying.

Back at the Valencia barracks, Venezuelan officials reacted truculently. Jesús González, the strat egic commander of the armed forces, rejected it as a "political ploy to try to identify 4 February with opposition to the Farc".

President Chávez reminded his army and onlookers of the history behind the day's cele brations. "The events of 4 February [1992] swept Venezuela into the 21st century. It was when the Bolivarian revolution truly began," he declared.

In recent years, the flamboyant Venezuelan president has used 4F to demonstrate his increasing regional influence and to launch stinging verbal attacks on his enemies.

While critics maintain that it is hypocritical for a democratic country to celebrate a coup, albeit a failed one, Chávez's supporters see it as the day that planted the seeds for Venezuela's ongoing socialist transformation. Chavistas call it the "Dawn of Hope" and regard it as a stepping-stone to true democracy for the poverty-stricken masses.

"It was the lightning bolt that illuminated the darkness," Chávez said in an interview with the Chilean author Marta Harnecker in 2005.

Continuing his speech to the military, the president maintains that 4F is not finished. "It reminds us we need to be even more revolutionary. My government is a child of 4F," he says.

After two years in prison, Chávez and his allies were released by presidential pardon in 1994 and began a new effort to take over the government, this time through democratic means.

"We realised that another military insurrection would have been crazy," Chávez said in 2005. "A large part of the population did not want violence, but rather they expected that we would organise a political movement structured to take the country on the right path." He came to believe, he has said, that the Bolivarian revolution had to be a peaceful one.

However, some scholars consider the Venez uelan government's decision to actively celebrate 4F a rewriting of history intended to indoctrinate the population.

Néstor Luis Luengo, a professor of sociology and head of research at the Andrés Bello Catholic University in south-west Caracas, believes commemorating the failed coup is a key element in Chávez's broader socialist agenda. "There is an ideological battle taking place in this country. If [the government is] going to push for more reforms, they have to change the ideology of the country and the historical events celebrated." It is in their interests, he says, to make 4 February a patriotic day.

Opposition leaders also criticise Chávez for using the commemoration of the failed coup as an attempt to politicise the military. "For us, the important thing is to have an armed force that is apolitical, modern and at the service of the Venezuelan people, and one that does not become a political party," said Julio Borges, leader of the opposition party Primero Justicia.

Other Chávez opponents are concerned at the militarism: "This government prefers to celebrate a day of violence. They should instead be celebrating the day he was democratically elected president," said Armando Briquet, secretary general of Primero Justicia.

A violent act

Chávez's supporters obviously disagree. Cruz Elena Peligrón, a civilian participant in the 1992 coup and friend and neighbour of Chávez in the 1990s, says: "We have always celebrated our independence day and that was a violent act. The US military commemorates wars like Vietnam and the Second World War. They say you have to fight for peace and unfortunately that's true."

Since Chávez took office in 1999, he has survived an attempted coup, oil strikes and referendums on his presidency. Last December, a package of proposed reforms to the constitution, which would have allowed him to stand for indefinite re-election, was defeated at the polls - his first political loss in nine years.

With Chávez's opponents invigorated by their poll success, this year's 4F festivities were notably restrained, taking place in a small pro vincial barracks instead of the grand military base at Fuerte Tiuna.

Venezuela's ambassador to the UN and former coup plotter, Francisco Javier Arias Cárdenas, said political priorities have changed: "We are no longer going to support unconditionally any segment of the Colombian military that has the objective of destroying either the Farc or the peace process in Colombia. Venezuela is just a third party in the civil war."

He concluded: "Of course we don't support guerrilla warfare, kidnapping or drug trafficking. But to end the war you don't necessarily need to end the Farc - just end the poverty, misery and violence that occur in Colombia every day. Both sides should go to the table and talk peace."

President Uribe maintains an unwavering zero-tolerance stance against the Marxist rebels and has shown much support for paramilitary forces that have been responsible for a catalogue of human rights abuses throughout Colombia's intractable civil war.

Meanwhile, Chávez's flamboyant militarism and allegiances with the Farc make dialogue between Colombia's warring factions seem less and less likely.

This article first appeared in the 11 February 2008 issue of the New Statesman, Now it gets really dirty

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The darkening skies of the summer game

Cricket was once the English national sport – but, for many people today, it has become invisible.

In 1975 Roy Harper wrote an elegiac song called “When an Old Cricketer Leaves the Crease”. With its wistful recollection of “those fabled men” from the game’s golden age and its images of “a dusty pitch and two pound six of willow wood in the sun”, deepened by the melancholy cornets of the Grimethorpe Colliery Band, it evoked ancestral memories of distant summers.

Yet, with its nod towards “Geoff” (Boycott) and “John” (Snow), two dominant figures of the here and now, it wasn’t merely nostalgic. The song threw a hoop around a century of English cricket, whether seen or imagined, and pulled off the rare trick of sounding both old and new.

If you were seeking a pivotal year in postwar cricket, 1975 would do nicely. Colin Cowdrey, later Baron Cowdrey of Tonbridge, an amateur in spirit, played the last of his 114 Test matches in a career that had begun 21 years earlier. Graham Gooch, every inch a pro, won the first of his 118 Test caps, spread over the next two decades. Cowdrey, it might be said, with a bit of licence, was Guy Crouchback to Gooch’s Hooper.

In February that year, Sir Neville Cardus, whose romantic, not always factual writing in the old Manchester Guardian had shaped the way cricket-lovers thought about the game, died at the age of 86. Four months later, Clive Lloyd, then the captain of West Indies, scored a century of a brilliance that Cardus would have recognised against Australia’s fearsome fast bowlers as his team won the first and most enjoyable World Cup.

Something else happened that year. David Steele, a bespectacled, 33-year-old batsman (who looked ten years older), was plucked from the obscurity of Northamptonshire’s middle order to take on the mighty Australians at Lord’s. He made 50 dogged runs and added three more half-centuries, although the tourists won the series. Come December, this resolutely unfashionable plodder from the Potteries was voted Sports Personality of the Year by BBC viewers. Such was cricket’s power to capture the national mood, even in defeat.

Last year, when England actually beat the Australians, Joe Root of Yorkshire contributed two glowing centuries. No plodder, he. The cherubic Sheffielder was a member of the team that swiftly went on to win another series in South Africa. But when the BBC presented voters with a list of candidates for the award that Steele had won without any prompting, Root’s name was absent. Cricket simply didn’t figure.

It was an appalling slight on a cricketer who is already established in the annals of English batsmanship. Others also stand tall. The current team is led by Alastair Cook of Essex, who has made more runs in Test cricket than any other Englishman, while James Anderson, the Lancashire fast bowler, holds the English record for Test wickets. These are men of high talent and character, whose names will resonate through our game’s history. Yet, for many people, cricket has become invisible.

When England play Pakistan at Lord’s on Thursday, in the first match of a new series, the ground will be full. In the Coronation Garden behind the Victorian pavilion, there will be talk of “Kipper” Cowdrey, good old Goochie and maybe even the valiant Steele. Beyond the Grace Gate, named after the most celebrated of those fabled men whom Harper sang about, there will be ­indifference. The summer game, squeezed out of view this year by football’s European Championship, as well as the rituals of Wimbledon and the Open, is drifting towards insignificance.

How often do you now see children playing it in parks, or families improvising games on the beach? As for street cricket, with stumps chalked on walls, it has not been spotted in years. Public schools, which have wonderful playing fields and teachers who are prepared to devote to cricket the long hours that it demands, continue to do the game proud. The England team is full of public school boys, led by Cook, who attended Bedford. In state schools, alas, cricket is merely a rumour that many teachers don’t want their pupils to hear in case it gives them ideas.

At a recreational level, too, the story is changing. In “The Whitsun Weddings”, Philip Larkin described seeing from a train carriage the Odeon, a cooling tower and “someone running up to bowl”. Yet fewer people play the game these days – between 2013 and 2014, for instance, there was a 7 per cent fall in the number of players aged between 14 and 65 across England and Wales. As a result, there are fewer cricketers of Test standard. It can’t be ignored that, increasingly, England have to promote players from the swelling ranks of those born overseas. This month, for instance, England replaced Nick Compton (born in Durban, South Africa) with Gary Ballance (born in Harare, Zimbabwe). Both men went to Harrow.

As football becomes ever more newsworthy, even at the height of summer, cricket is banished to the margins of newspapers, including those that, until a few summers ago, served the game so loyally. Once there were dozens of broadsheet reporters, well known and much loved: Alan Gibson of the Times, who was forever changing trains at Didcot; David Foot, who wrote lyrical capsule essays for the Guardian; and Dicky Rutnagur of the Telegraph, who – uniquely – saw both Garry Sobers and Ravi Shastri hit six sixes in an over.

Now, unless there is hard news, or some celebrity dust to sprinkle, sports desks are not interested in cricket. One experienced reporter, who left his post at the paper where Cardus invented sportswriting, says, “I was fed up with having to answer the same question every morning: ‘What’s the Pietersen story today?’ That’s what it had come down to.”

The greatest loss by far has been the absence of Test cricket on terrestrial television. Since Channel 4 took over coverage from the BBC in 1999 and then passed the baton on to Sky after the Ashes series of 2005, a generation of young people has grown up without attachment to a game that their parents and grandparents took for granted. In Michael Atherton and Nasser Hussain, two former captains of England, Sky has outstanding performers, but their talents are not as widely known as they should be. The game may be millions of pounds richer for Sky’s bounty but cricket has suffered an immeasurable loss.

Meanwhile, on the wireless, where John Arlott and Christopher Martin-Jenkins made their reputations as supreme broadcasters, the BBC’s Test Match Special is mired in tittering mediocrity. It still has its moments – when Jonathan Agnew is in the box, or when Boycott is not talking about himself – but the show, hogged by adolescent show-offs, has lost its dignity.

Arlott, begging Rimbaud’s pardon, held the key to this savage parade, because he represented so long and so faithfully the spirit of English cricket. A Hampshire countryman who trod the beat as a Southampton copper before becoming a poetry producer at the BBC, he gave voice to all those “cricketers of the heart”, as he liked to call them, in honour of those people who followed the game. Summer in England meant, among other things, Arlott’s voice describing cricketers on the green.

Together with Cardus, an observer of a very different kind, he reinforced the idea of cricket as an essential feature of the English imagination. Neither created this mythology, which goes back to shepherds loafing on the Weald of Kent and emerged full-fledged in the glory of W G Grace and Ranjitsinhji. Yet these remarkable men certainly confirmed it in the eyes and ears of their readers and listeners.

Cardus, a distinguished music critic, belonged to the spirit world. Arlott, who had a shelf of first editions by Thomas Hardy (“the greatest of English novelists”), was a man of the soil. Neither was remotely interested in psychology but both knew quite a lot about human character. As Arlott reminded us, “A cricketer is showing you his character all the time.”

***

Cricket, they understood, was the most English of sports because it yoked together the rural and urban, north and south, young and old, men and women. The blacksmith, for an afternoon, stood on the same ground as the squire. L P Hartley caught something of this in The Go-Between and Harold Pinter, a great cricket lover, took delight in making the cricket match in that book a crucial part of his screenplay for Joseph Losey’s 1971 film adaptation, starring Alan Bates and Julie Christie.

By tradition, England teams have relied on cavaliers from the south and west for their runs: Frank Woolley, Wally Hammond, Denis Compton, Peter May, Tom Graveney, Ted Dexter. The north has usually supplied the fast bowlers: Harold Larwood of Nottinghamshire, Fred Trueman of Yorkshire, Brian Statham of Lancashire and another Lancastrian, Frank Tyson, who played for Northamptonshire. It is a cultural distinction that has no parallel in any other sport played in this country.

In terms of geography and temperament, cricket has always been the national game. Football may be more popular, but cricket tells us so much more about what kind of people we are. From Grace the bearded Victorian through Wilfred Rhodes the Yorkshire all-rounder and Douglas Jardine, the Old Wykehamist who created the ­“bodyline” strategy to defeat Don Bradman and Australia, to Trueman, Boycott, Ian Botham, Andrew Flintoff and now the ­imperturbable Cook, cricketers have revealed England to us.

Perhaps, given the sport’s capacity for renewal, we shouldn’t be too disheartened. There was a lot of boring cricket half a century ago before the one-day game, in the form of the Gillette Cup, arrived in 1963. The problem is, Twenty20, the bastard grandchild of the old Gillette, now holds the old-fashioned game at gunpoint. It titillates the easily bored, so it is “good” television, and has made millionaires of the leading players. It also makes many long-time cricket watchers wonder whether they understand the game any longer.

With Twenty20 has come a different sort of spectator, one that is new to cricket. These people are not cricket lovers in the old sense but “fans” who demonstrate tribal loyalties. As a consequence, the culture of a game that has never tolerated tribalism has been subverted by rowdy and sometimes intimidating behaviour.

Outside Lord’s, which retains a sense of fair play, it is clear that many people who attend Test matches know little about the men they are watching. The author Colin Shindler attended the Edgbaston Test in Birmingham against Australia last summer and observed that the spectators around him in the Eric Hollies stand “had no idea which counties the England players belonged to. All they wanted to do was drink, shout and draw attention to themselves. They couldn’t sit still even for an over.”

The Kulturkampf is complete and we are living in the ruins. The game’s rulers may not miss the old-fashioned spectators as they leave, never to return, because they want to connect with younger spectators, whatever the price – but cricket will. Who will pass on its lore, as Cardus, Arlott and CMJ did?

Last month it was reported that Yorkshire, the proudest tree in the forest of English cricket and county champions in the past two seasons, were preparing to sell their museum to help trim debts of almost £22m. This, from the club that gave us Rhodes and George Hirst; Herbert Sutcliffe and Leonard Hutton; Maurice Leyland and Hedley Verity; Trueman and Boycott; Brian Close and Raymond Illingworth; Michael Vaughan and young Root. Fabled men, indeed.

The English summer, wrote Cardus, ever the romantic, is inconceivable without cricket. He was right, but the skies are darkening and the air is full of those melancholy cornets.

This article first appeared in the 14 July 2016 issue of the New Statesman, The Brexit PM