Why Cameron must not abolish the culture department

The abolition of the DCMS would be a disaster for the creative industries.

As we approach the Olympics, rumours that the government is planning to abolish the Department of Culture, Media and Sport (DCMS) – the creative industries' place at the cabinet table (as well as heritage, the arts, libraries, sport, the media and tourism to name just a few) – are becoming more widespread, and more grounded.

Anyone who works in the arts and the creative industries understands their worth – not only in terms of the value they provide to us as consumers, but the value they add to our economy; 1.5 million jobs and more than 10% of the UK’s exports – this is not a sector which should be underestimated or sidelined. A recent report by the Institute of Economic Affairs claimed that closing DCMS would save £1.6bn, a figure which will appeal to this government as they plan policy based on short-term savings, rather than long-term strategy. This figure is based almost wholly on funding which is distributed to other organisations such as the Arts Council. To make these savings in their entirety would mean abolishing schemes such as free museum entry.

The other, more likely, option which it is rumoured the government is actively considering, would be the redistribution of the elements of DCMS to other, beefed-up, Whitehall departments: the creative industries to Business, Innovation and Skills, Sport to Health or Education and Heritage perhaps to Communities and Local Government. To do this would be very, very short sighted.

The arts and creative industries provide both massive cultural and economic benefit. A decade of free entry to our museums and galleries has seen visitor numbers more than double from seven million to 18 million a year; a child at school in Britain today rightly has free access to learn about our important heritage and history.

Through the flagship creative partnership scheme, which Labour introduced, a young person had the opportunity to develop their creative skills and learn about work in the creative industries; a scheme which has been cut by this government. We are now able to enjoy festivals which embrace our unique identity, and our ability to lead in the world of culture – the Manchester International Festival, Animation Exeter, Sheffield Doc/Fest; all of these are the result of the championing of the DCMS during the Labour years.

Labour also understands that the arts and creative industries more than earn their worth. Free entry to museums has meant that not only have visitor numbers increased, they also earn Britain over £1bn a year in revenue from overseas tourists.

Creative industries rely on three elements which, although not perfect, were successfully fine-tuned in the last decade; a strong intellectual property framework (although this could be made stronger), a wide variety of skills with leading universities such as Central St Martin’s and the University of Brighton, and incentives to encourage exports, and inward investment. Fashion, for example, recruits heavily from UK graduates and contributes nearly £21bn to the UK economy. Since 1999, this vibrant sector has grown by an average annual rate of 3.3% and shows no sign of slowing down, despite the double-dip recession made in Downing Street.

But our position as a world leader becomes threatened without a department which champions the arts and creative industries and represents them at the government’s top table. We have already seen the disregard in which David Cameron and George Osborne hold these important sectors with the budget announcement on the heritage tax, and the misguided philanthropy cap. Thanks to a strong campaign from arts and heritage organisations, the latter has now been one of many U-turns, and the former has seen a partial U-turn but still leaves 93% of listed buildings in danger. The proof remains – we cannot allow the creative industries, the arts, heritage, libraries, tourism, sport and the media to be without a champion at the heart of government. 

Labour’s shadow secretary of state for culture, media and sport, Harriet Harman, raised concerns at the potential abolition of the Department in April this year, at which point Number 10 stated that “it did not recognise” the reports, and yet these rumours persist. If David Cameron is serious about the arts and creative Industries, he should give a categorical assurance that he will not abolish this important department - unlikely to be forthcoming in the short term.

Last week, Labour held a reception with over 150 figures from the creative industries to demonstrate the immense talent and potential which these industries hold. The reception was attended by not only the shadow DCMS team, but also members of the shadow treasury, business, innovation and skills and education teams. Hundreds of people are feeding into our report A Vision for Jobs and Growth in the Creative Industries which focuses on what the government should be doing to provide much needed support – not one person has advocated the abolition of DCMS.

We know that the success of these vibrant industries relies not just on the continued existence of the department, but also on a department which champions it across government, and fights its corner. The abolition of DCMS would be a disaster for one of Britain’s true success stories, and we must not allow that to happen.

Will Culture Secretary Jeremy Hunt's department survive the reshuffle? Photograph: Getty Images.

Dan Jarvis is the Labour MP for Barnsley Central and a former Major in the Parachute Regiment.

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Why the Labour rebels have delayed their leadership challenge

MPs hope that Jeremy Corbyn may yet resign, while Owen Smith is competing with Angela Eagle to be the candidate.

The Eagle has hovered but not yet landed. Yesterday evening Angela Eagle's team briefed that she would launch her leadership challenge at 3pm today. A senior MP told me: "the overwhelming view of the PLP is that she is the one to unite Labour." But by this lunchtime it had become clear that Eagle wouldn't declare today.

The delay is partly due to the hope that Jeremy Corbyn may yet be persuaded to resign. Four members of his shadow cabinet - Clive Lewis, Rachel Maskell, Cat Smith and Andy McDonald - were said by sources to want the Labour leader to stand down. When they denied that this was the case, I was told: "Then they're lying to their colleagues". There is also increasing speculation that Corbyn has come close to departing. "JC was five minutes away from resigning yesterday," an insider said. "But Seumas [Milne] torpedoed the discussions he was having with Tom Watson." 

Some speak of a potential deal under which Corbyn would resign in return for a guarantee that an ally, such as John McDonnell or Lewis, would make the ballot. But others say there is not now, never has there ever been, any prospect of Corbyn departing. "The obligation he feels to his supporters is what sustains him," a senior ally told me. Corbyn's supporters, who are confident they can win a new leadership contest, were cheered by Eagle's delay. "The fact even Angela isn't sure she should be leader is telling, JC hasn't wavered once," a source said. But her supporters say she is merely waiting for him to "do the decent thing". 

Another reason for the postponement is a rival bid by Owen Smith. Like Eagle, the former shadow work and pensions secrtary is said to have collected the 51 MP/MEP nominations required to stand. Smith, who first revealed his leadership ambitions to me in an interview in January, is regarded by some as the stronger candidate. His supporters fear that Eagle's votes in favour of the Iraq war and Syria air strikes (which Smith opposed) would be fatal to her bid. 

On one point Labour MPs are agreed: there must be just one "unity candidate". But after today's delay, a challenger may not be agreed until Monday. In the meantime, the rebels' faint hope that Corbyn may depart endures. 

George Eaton is political editor of the New Statesman.