The ArcelorMittal Orbit: London’s Eiffel Tower?

The two towers are closer in ideology than iconography, but still worlds apart.

“The Eiffel Tower was hated by everybody for a good many years – 50 years or something like that – and now it’s a mainstay of how we understand Paris.” So Anish Kapoor told BBC Radio 4’s Today programme when discussing criticisms of the ArcelorMittal Orbit, which he co-designed with Cecil Balmond, and which stands outside Stratford’s Olympic Stadium, first opening to visitors during the Games. “It’s controversial and that’s a place to start.”

Kapoor is right that fin-de-siècle Parisian tastemakers hated the Eiffel Tower, opened in 1889 for the Exposition Universelle (World’s Fair) to commemorate the centenary of the storming of the Bastille and showcase modern Paris. Author Guy de Maupassant dismissed it as “a high and skinny pyramid of iron ladders”, claiming to eat in its restaurant every day as this was the only place where he could not see it.

Despite this opposition, the Third Republic government decided not to dismantle the tower popular with the fair’s international audience, as planned, and it took less than half a century for Paris’s writers, artists and filmmakers to embrace it. Joining the Army and declaring his love of the French capital to prove his patriotism, émigré Modernist poet Guillaume Apollinaire used a representation of the tower in "2d Gunnery Driver", a typographical experiment in Calligrammes: Poems of Peace and War 1913-1916, the words at its base reading "Oh Paris sticks out and always will AT THE GERMANS". Later becoming central to the plots of films from René Clair’s Paris qui dort (1925) to Louis Malle’s Zazie dans le Métro (1960), the tower is now widely accepted as a masterpiece. Its move from embodiment of the destruction of the Parisian arcades to symbol of the artistic freedom and political libertarianism under fire from the Kaiser and then Hitler’s Germany has often been forgotten: Kapoor asks the Orbit’s critics to compare the structures on an aesthetic level (and many have, unfavourably) but to examine the political impulses behind them is more instructive.

Then the world’s tallest building, designed to dwarf Paris’s religious buildings as the secular government fought to separate church and state, the Eiffel Tower showed the Republic’s commitment to technological advance. After the radical council in Bourganeuf electrified the town as a physical representation of the Enlightenment, Paris followed suit; the government also named streets after Louis Pasteur and, under President Jules Ferry, introduced compulsory primary education and worked towards universal literacy.

However, with no parties, just elected deputies, the Republic’s succession of short-lived (and notoriously corrupt) administrations were awkward mixes of radicalism and conservatism, rarely satisfying radicals or conservatives. Just before the Fair, the Republic survived General Boulanger’s botched far-Right coup, but it came into being amidst the defeat in the Franco-Prussian War and the suppression of the Paris Commune in 1871, the most socialistic of the revolutions and counter-revolutions that followed 1789. Neither the Commune and the army’s brutal response nor the Republic’s victory over Boulanger could have happened without the autocratic Second Empire that preceded it and especially the Empire’s reshaping of Paris, directed by Georges-Eugène Haussmann.

The 1848 revolution swiftly deposed the restored monarchy but when most French men were enfranchised, 400,000 voted for Louis-Napoléon Bonaparte to become President of the Second Republic. Four years later, he declared himself Emperor Napoléon III, scrapping all elections, and in 1853 asked Haussmann to cut through Paris’s medieval centre with a network of boulevards that would clear slums, allowing green areas like those fashioned in Victorian London and unbroken movement across the city. The aim was to stimulate expansion of local businesses, which would cover the demolition, construction and compensation costs, and manage the city’s population, which had doubled from 500,000 in 1789 to over a million by 1835, and continued to grow, with municipal buildings and luxury homes reducing housing stock. As well as facilitating modern traffic, the restructuring pushed the poor to bigger slums further into Paris’s expanded boundaries and provided broad corridors where troops could more easily destroy insurrectionary barricades.

Haussmann’s plans met little resistance. Paris’s poor had endured typhus, syphilis, tuberculosis and cholera – an outbreak of which killed 19,000 in 1832 – and welcomed the large-scale public building works, including a city-wide sewer system, which addressed their unemployment. But although novelist Émile Zola and others saw in these reforms the destruction of architectural relics and the intent to silence dissent, they had unforeseen consequences. In All That is Solid Melts Into Air, Marshall Berman noted that the boulevards ‘inadvertently broke down the self-enclosed and hermetically sealed world of traditional urban poverty’ and created a new ‘primal scene’ where social classes mixed freely for the first time. This led artists and writers to integrate with popular culture rather than remaining detached from it, giving rise to new perspectives in poetry, painting and politics.

Some of Haussmann’s projects continued after the Franco-Prussian War, the collapse of the Empire and the crushing of the Commune, with the Fair aiming to present the progressive elements of the Republic’s heritage to the world. The modern Olympic Games are a product of this period, with global sporting competition being proposed by Pierre de Coubertin in 1889, but besides this, the main links between Eiffel’s Tower and Kapoor’s are the gentrification, social cleansing and militarisation that provide their cultural contexts – the ideas behind them are otherwise very different.

Unlike the Eiffel Tower, the ArcelorMittal Orbit has been built with eyes on its own legacy. One press release used the word "iconic" six times: but London is already full of distinctive landmarks, including the Eye that, as John Graham-Cumming pointed out in The Guardian, already offers panoramic views of the city, fulfilling the Orbit’s main role for tourists. Cumming also explained how the Eiffel Tower had unique utilitarian potential, being used for early radio experiments, and how Eiffel’s awareness of the problem of wind resistance influenced his design, leading to a sense of integration with its environment.

Considering its incongruity with its surroundings, architecture critic Douglas Murphy has written on how the Orbit signifies "nothing but its own potential to be iconic". Britain’s largest piece of public art, the Orbit references (or pastiches) not just Eiffel but also Vladimir Tatlin’s Monumental to the Third International, a Constructivist hymn to the revolution chosen to become the Comintern headquarters but too ambitious to be built. With its funding and name coming mostly from billionaire Lakshmi Mittal’s integrated steel company, who provided up to £19.2m towards its costs, with the rest given by the London Development Agency, the Orbit is less a radical structure than an utterly conservative one. In saying that it would pay for itself through the renting of private dining spaces at its summit, Boris Johnson may have said more about its legacy than he planned when he described it as a “corporate money-making venture”. In that, Kapoor and Balmond’s Orbit captures the spirit of its time and place as much as Eiffel or Tatlin’s designs – but perhaps not quite as they intended.

 

The ArcelorMittal Orbit sculpture in front of the Olympic Stadium: Photograph: Getty Images

Juliet Jacques is a freelance journalist and writer who covers gender, sexuality, literature, film, art and football. Her writing can be found on her blog at and she can be contacted on Twitter @julietjacques.

Photo: Getty
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Ken Livingstone says publicly what many are saying privately: tomorrow belongs to John McDonnell

The Shadow Chancellor has emerged as a frontrunner should another Labour leadership election happen. 

“It would be John.” Ken Livingstone, one of Jeremy Corbyn’s most vocal allies in the media, has said publicly what many are saying privately: if something does happen to Corbyn, or should he choose to step down, place your bets on John McDonnell. Livingstone, speaking to Russia Today, said that if Corbyn were "pushed under a bus", John McDonnell, the shadow chancellor, would be the preferred candidate to replace him.

Even among the Labour leader’s allies, speculation is rife as to if the Islington North MP will lead the party into the 2020 election. Corbyn would be 71 in 2020 – the oldest candidate for Prime Minister since Clement Attlee lost the 1955 election aged 72.

While Corbyn is said to be enjoying the role at present, he still resents the intrusion of much of the press and dislikes many of the duties of the party leader. McDonnell, however, has impressed even some critics with his increasingly polished TV performances and has wowed a few sceptical donors. One big donor, who was thinking of pulling their money, confided that a one-on-one chat with the shadow chancellor had left them feeling much happier than a similar chat with Ed Miliband.

The issue of the succession is widely discussed on the left. For many, having waited decades to achieve a position of power, pinning their hopes on the health of one man would be unforgivably foolish. One historically-minded trade union official points out that Hugh Gaitskell, at 56, and John Smith, at 55, were 10 and 11 years younger than Corbyn when they died. In 1994, the right was ready and had two natural successors in the shape of Tony Blair and Gordon Brown in place. In 1963, the right was unprepared and lost the leadership to Harold Wilson, from the party's centre. "If something happens, or he just decides to call it a day, [we have to make sure] it will be '94 not '63," they observed.

While McDonnell is just two years younger than Corbyn, his closest ally in politics and a close personal friend, he is seen by some as considerably more vigorous. His increasingly frequent outings on television have seen him emerge as one of the most adept media performers from the Labour left, and he has won internal plaudits for his recent tussles with George Osborne over the tax bill.

The left’s hopes of securing a non-Corbyn candidate on the ballot have been boosted in recent weeks. The parliamentary Labour party’s successful attempt to boot Steve Rotheram off the party’s ruling NEC, while superficially a victory for the party’s Corbynsceptics, revealed that the numbers are still there for a candidate of the left to make the ballot. 30 MPs voted to keep Rotheram in place, with many MPs from the left of the party, including McDonnell, Corbyn, Diane Abbott and John Trickett, abstaining.

The ballot threshold has risen due to a little-noticed rule change, agreed over the summer, to give members of the European Parliament equal rights with members of the Westminster Parliament. However, Labour’s MEPs are more leftwing, on the whole, than the party in Westminster . In addition, party members vote on the order that Labour MEPs appear on the party list, increasing (or decreasing) their chances of being re-elected, making them more likely to be susceptible to an organised campaign to secure a place for a leftwinger on the ballot.

That makes it – in the views of many key players – incredibly likely that the necessary 51 nominations to secure a place on the ballot are well within reach for the left, particularly if by-election selections in Ogmore, where the sitting MP, is standing down to run for the Welsh Assembly, and Sheffield Brightside, where Harry Harpham has died, return candidates from the party’s left.

McDonnell’s rivals on the left of the party are believed to have fallen short for one reason or another. Clive Lewis, who many party activists believe could provide Corbynism without the historical baggage of the man himself, is unlikely to be able to secure the nominations necessary to make the ballot.

Any left candidate’s route to the ballot paper runs through the 2015 intake, who are on the whole more leftwing than their predecessors. But Lewis has alienated many of his potential allies, with his antics in the 2015 intake’s WhatsApp group a sore point for many. “He has brought too much politics into it,” complained one MP who is also on the left of the party. (The group is usually used for blowing off steam and arranging social events.)

Lisa Nandy, who is from the soft left rather than the left of the party, is widely believed to be in the running also, despite her ruling out any leadership ambitions in a recent interview with the New Statesman.However, she would represent a break from the Corbynite approach, albeit a more leftwing one than Dan Jarvis or Hilary Benn.

Local party chairs in no doubt that the shadow chancellor is profiling should another leadership election arise. One constituency chair noted to the New Statesman that: “you could tell who was going for it [last time], because they were desperate to speak [at events]”. Tom Watson, Caroline Flint, Chuka Umunna, Yvette Cooper, Andy Burnham and Liz Kendall all visited local parties across the country in preparation for their election bids in 2015.

Now, speaking to local party activists, four names are mentioned more than any other: Dan Jarvis, currently on the backbenches, but in whom the hopes – and the donations – of many who are disillusioned by the current leadership are invested, Gloria De Piero, who is touring the country as part of the party’s voter registration drive, her close ally Jon Ashworth, and John McDonnell.

Another close ally of Corbyn and McDonnell, who worked closely on the leadership election, is in no doubt that the shadow chancellor is gearing up for a run should the need arise.  “You remember when that nice Mr Watson went touring the country? Well, pay attention to John’s movements.”

As for his chances of success, McDonnell may well be even more popular among members than Corbyn himself. He is regularly at or near the top of LabourList's shadow cabinet rankings, and is frequently praised by members. Should he be able to secure the nominations to get on the ballot, an even bigger victory than that secured by Corbyn in September is not out of the question.

Stephen Bush is editor of the Staggers, the New Statesman’s political blog. He usually writes about politics.