Show Hide image

Laurie Penny trials Question Time drinking game ... and gets a political hangover

A new drinking game based on the ubiquitous programme gives much away about the robustness of political debate in Westminster.

Like the late, great Douglas Adams's towel-clutching anti-hero Arthur Dent, I never could get the hang of Thursdays. Somehow, most of them end up with me sitting by myself with a ready deadline and a drink of something horrible, shouting at the television. By myself but not, it seems, alone -- because thanks to the magic of the internet, the vicissitudes of modern politics and the boundless capacity of the British to creatively enable one another's alcohol consumption, we now have the cultural phenomenon that is the Question Time drinking game.

It happened like this: the tweeting classes realised that we were all drinking miserably in our living rooms in front of the same long-running political debate show at the same time and it would be much more fun if someone came up with some rules -- so someone did. You can imagine that by the time the show is broadcast -- it's recorded earlier in the evening -- most of the panellists and production team could already be sloshing their way to frantic oblivion, so it's all in good fun.

Dimble Dance

Enough with the preamble: here's how you play. You sit around in front of the telly with epic quantities of corner shop booze and a bunch of friends or, if you're a dynamic young gunslinger like me, by yourself with a bottle of Jameson's and your Twitter feed, and you watch Question Time and imbibe until the staid predictability of mainstream political debate is at all bearable. The rules are subject to amendment, but the principles of the game are sound. While the stirring theme music plays, you down your drink and attempt to do the Dimble Dance, which looks like a cabinet minister having a spasm in an Eighties disco, setting the tone nicely.

You then proceed to drink on the following occasions: every time the veteran chairman, David Dimblebly, attempts to crack a joke. Every time David Dimbleby confuses the gender of a questioner from the audience. Every time David Dimbleby says: "I'm afraid that's all we've got time for". Every time a contributor uses the phrase "political correctness gone mad". Every time a government panellist informs the audience that they "don't really understand what we're trying to do".

You drink again every time a minister blames anything on "the mess Labour left us in", and if the vanishing credibility of this sound bite as an excuse for imposed austerity elicits boos from the audience, which it usually does, you drink twice. This should leave you nicely battered by the time there's a break in questions for Dimbleby to say, with all the confident self-mastery of an Englishman attempting to buy condoms in a Croatian chemist's, "if you'd like to follow us on Twitter, here's our hashtag".

You get to down your drink whenever anyone echoes the sentiment "we're all in this together", or its less cheesy variant "we all have to tighten our belts". This is the most tiresomely enormous lie of our times -- the notion that we've all been living merrily beyond our means and deserve to suffer the consequences together. We may have all been to the same pre-crash party, but some were enjoying the free champagne while the rest of us stood serving drinks and smiling as our money was gambled away.

Now that the inevitable hangover has arrived, it's the rest of us who have to suffer. Meanwhile, our representatives shuffle and equivocate. Unfortunately, the fact that we can have a drinking game based on a few stock platitudes and still be proto-paralytic by the time the credits roll on Question Time says a great deal about the robustness of political debate in Westminster.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

Photo: Getty
Show Hide image

The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

0800 7318496