Yara Rodrigues Fowler: “I wanted to disorient the Anglophone reader”
The author of the Goldsmiths Prize-shortlisted novel “there are more things” on revolutionary politics, Margery Kempe and cannibalising colonisers.
ByReviewing politics
and culture since 1913
Immerse yourself in the captivating world of literature with our collection of articles, offering literary analysis, book recommendations, author spotlights, and thought-provoking discussions that celebrate the written word.
The author of the Goldsmiths Prize-shortlisted novel “there are more things” on revolutionary politics, Margery Kempe and cannibalising colonisers.
By
In October, around 300 readers arrived in Hebden Bridge for the Sylvia Plath Literary Festival hoping to change perceptions of…
By
Against the “imperialism of the absolute” – a personal manifesto on the art of fiction.
By
The author of the Goldsmiths Prize-shortlisted novel Somebody Loves You discusses Antigone, Michaela Coel and putting language over a Bunsen…
By
The author of the Goldsmiths Prize-shortlisted novel Peaces on mongooses, Korean drama and “discipline in the pursuit of chaos”.
By
In The Passenger, his first novel for 16 years, the great American writer offers a study of living without answers.
By
The Booker Prize-winning author of The Seven Moons of Maali Almeida on an age of political upheaval and bloodshed.
By
In 1790s Jena a group of thinkers including Friedrich Schiller and Goethe built the intellectual foundations of today’s world.
By
John Boyne’s shameless sequel to The Boy in the Striped Pyjamas exemplifies a genre that expunges the genocide of its…
By
The author of Lincoln in the Bardo on US politics, his “limited talent”, and the curse of being seen as…
By
The author’s portrait of two women growing up in 1980s Karachi exposes the contempt that can often lie beneath love.
By
20 May 1977: Almost anybody afloat in a poem from Henry Wadsworth Longfellow’s complete works has reason to regret the…
By
His vexatious, evolving style demonstrates a capacity to face the world as sensitively and honestly as possible.
By
24 July 1920: The beautiful, mad drama which I had staged often in the dim recesses of my mind was…
By
With clinical precision and revelatory intimacy, the French memoirist reinvigorated the art of life-writing.
By
Ernaux understands that writing honestly about her parents is a form of betrayal – but she does it anyway.
By
The late novelist’s extraordinary talent was to take our collective history and make it new.
By
The author of His Dark Materials has spoken out against “gesture politics” – but he too adds fuel to the…
By
The writer’s exasperating new memoir offers a full dinner service of clichés and an insight into the glib fogeyism of…
By
Marías’ masterful expression of his characters’ psychological weather, combined with Margaret Jull Costa’s gifted translation, makes for rewarding reading.
By