From Duncan Hamilton to Lydia Kiesling: new books reviewed in short
Also featuring The Story of Scandinavia by Stein Ringen and Big Meg by Tim and Emma Flannery.
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Discover the best contemporary literature with the New Statesman’s expert reviews. From debut novels to short stories and literary veterans, get inspired here.
Also featuring The Story of Scandinavia by Stein Ringen and Big Meg by Tim and Emma Flannery.
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Also featuring Land of Milk and Honey by C Pam Zhang and Stay True by Hua Hsu.
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How did the TV presenter’s terminally twee stories of death and Waitrose become the bestselling novels in the UK?
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In The Wren, The Wren, the Irish author rigorously traces the line between love and trauma.
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Everyone can, and should, be a critic. But the reviews website is having a sinister effect on books.
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Moralising critics forget the importance of fiction holding up a mirror to society’s flaws.
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In his career-defining Border Trilogy, the late novelist summoned the ghosts of America’s bloody history.
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Also featuring Anna Metcalfe’s Chrysalis and Octavia Bright’s This Ragged Grace.
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In inventing a figure who rubbed shoulders with David Bowie and Susan Sontag, the American novelist thrillingly subverts the conventions…
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The year’s publishing highlights, including new novels by Salman Rushdie, Diana Evans and Eleanor Catton.
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Her new novel raises the question: is the genre code for a thriller that simply isn’t very thrilling?
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Rushdie’s new novel, completed before his attack, is a fable that displays his overweening faith in narrative.
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Also featuring Tomorrow Perhaps the Future by Sarah Watling and Away From Beloved Lover by Dee Peyok.
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The latest show to profit from our obsession with dystopia reveals the limits of the genre.
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Also featuring Pegasus by Laurent Richard and Sandrine Rigaud and Sensational by Ashley Ward.
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The Shards, the author’s first novel in 13 years, is an Eighties-set autofiction thriller that plays on our cultural addiction…
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This under-powered story of a morbid teenage friendship in rural France cannot avoid comparisons to the Neapolitan Quartet.
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In The Passenger, his first novel for 16 years, the great American writer offers a study of living without answers.
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Also featuring titles by Lawrence Osborne and Matthew Yeomans.
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Marías’ masterful expression of his characters’ psychological weather, combined with Margaret Jull Costa’s gifted translation, makes for rewarding reading.
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