A critical look at cinema

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Girl power.
Lukas Moodysson, the Swedish director back from the dead
By Ryan Gilbey - 18 April 9:00

Lukas Moodysson, director of Lilya 4-Eva and Container talks about his new (and most accomplished) film We Are the Best! in which three Stockholm teenagers form a punk bank.

Ursula Bedena as Edwige.
The Strange Colour of Your Body's Tears: Giallo shots
By Ryan Gilbey - 11 April 11:00

Husband and wife duo Hélène Cattet and Bruno Forzani's have created a new giallo film with all the necessary beauty and depravity expected of the genre, but without the intelligence and terror of a classic.

Andrew Garfield.
Thank goodness for Andrew Garfield, saviour of the Amazing Spider-Man 2
By Ryan Gilbey - 10 April 17:22

Fans cannot live on special effects alone. It is Andrew Garfield's super powers, as Peter Parker without the mask, that justify the explosions and non sequiturs that follow as soon as he puts it on.

Man in the mirror: Jesse Eisenberg as Simon/James
A case of homage overload: The Double by Richard Ayoade
By Ryan Gilbey - 03 April 12:30

Two films into his directing career, the former star of the IT Crowd  has yet to exhibit an original voice.

The dog might be a metaphor, but it also has real teeth.
White Dog: Sam Fuller’s gritty, uneasy thriller gets a much-deserved re-release
By Ryan Gilbey - 28 March 12:54

The 1982 film about racism and prejudice is back – and its grittiness and conscientiousness is still there.

Faraway, so close: Bérénice Bejo and Ali Mosaffa in The Past
In Asghar Farhadi’s The Past, it’s only feelings that get hurt
By Ryan Gilbey - 27 March 18:53

The director of the Oscar-winning A Separation returns with a new family drama, this time set in a Parisian suburb.

Scarlett Johannson at the premier of Under the Skin at the Venice Film Festival 2013. (Photo: Getty)
Alien landscape: Under the Skin by Jonathan Glazer
By Ryan Gilbey - 14 March 15:30

Scarlett Johansson stars as the otherworldly, predatory protagonist in this unsettling sci-fi thriller.

Scarlett Johansson.
Isserley, Penélope Cruz and the slow gestation of Jonathan Glazer's Under the Skin
By Ryan Gilbey - 11 March 16:47

Jonathan Glazer's new film Under the Skin, starring Scarlett Johansson, took fourteen years to make it to the big screen. Novelist and screenwriter Alexander Stuart recalls the project's early days.

Ring for reception: Tony Revolori as Zero (centre) in Wes Anderson's artfully fake hotel
Travelling light: The Grand Budapest Hotel by Wes Anderson
By Ryan Gilbey - 06 March 18:06

Anderson’s style became paralysed around the time of The Royal Tenenbaums and this is no exception.

Orbit Ever After.
Bafta Shorts 2014: Eight small wonders, stocked with infinite space
By Ryan Gilbey - 27 February 16:00

The short film, unlike the short story, is a stray with no home - which is why a cinema release of the eight short films that competed at the Baftas is a joyous subversion of the norm.

Oscars.
So who will clean up at the Oscars? Nobody, most likely
By Ryan Gilbey - 27 February 15:32

If I had my way, David O Russell's complex, sublime American Hustle would sweep the board - but the fact is no single film is likely to take the whole haul, and the smart money's on the earnest and populist.

Richard Linklater's Boyhood leads the pack in Berlin
By Ryan Gilbey - 14 February 15:23

As the Berlinale draws to a close, Ryan Gilbey savours a couple of gems, while questioning how some films earned their spots at the festival.

Unknown pleasures at the Berlinale, the young upstart of the film festival world
By Ryan Gilbey - 14 February 13:00

Ryan Gilbey reports from the Berlin Film Festival 2014, where a viscous thriller about a soldier separated from his unit in 1970s Belfast rubs shoulders with a tender comic-drama starring John Lithgow and Alfred Molina.

Spike Jonze’s Her and Alain Guiraudie’s Stranger by the Lake: intimacy issues
By Ryan Gilbey - 10 February 11:46

They may seem like an odd pairing, but Spike Jonze's film about a man who falls in love with his operating system and Alain Guiraudie's tale of a murder at a secluded cruising spot show the lengths people will travel to forge a connection.

Dallas Buyers Club: the unwilling drugstore cowboy
By Ryan Gilbey - 07 February 13:00

Tipped for Oscars success in the US, this humanistic portrayal of two Texans importing HIV medication from Mexico is played expertly by Matthew McConaughey and Jared Leto.

Louie CK's 1998 film Tomorrow Night: a portrait of the comedian in black and white
By Ryan Gilbey - 31 January 16:33

Louis CK's early film Tomorrow Night has been made available for $5 on the comedian's website - and it's well worth checking out.

Jai Ho: Bollywood bizarre at the multiplex
By Ryan Gilbey - 30 January 17:35

The theme of an ordinary Joe, or Jai, fighting bribery and political corruption permeates Indian action cinema.

Christian Bale in Out of the Furnace: a rotten enterprise
By Ryan Gilbey - 29 January 10:15

The film aspires to mimic the qualities that make a movie stand out during the pre-Oscars rush - but despite a highly qualified cast and credible producers, it falls well short of the mark.

The good, the bad and the Coen Brothers: Inside Llewyn Davis
By Ryan Gilbey - 23 January 13:19

The smug and stylish directors suffer from a tendency to promote mood over story. Their best films are a canny pairing of the two, but their worst are whimsical and affected.

Margot Robbie and Leonardo DiCaprio.
The Wolf of Wall Street: Beyond the boiler room
By Ryan Gilbey - 17 January 11:30

Leonard DiCaprio's "bestial, carnivalesque performance" dominates The Wolf of Wall Street - Martin Scorsese's flashy indictment of corporate culture, with a disappointingly two-dimensional supporting cast.

Leonardo DiCaprio.
Why all the aggression over The Wolf of Wall Street?
By Ryan Gilbey - 14 January 14:59

The debate over whether Scorsese glorifies or condemns the activities of US stockbrokers in the 1980s and 1990s has tipped into something much uglier - something personal. This is not criticism, it's just petty.

Lupita Nyong'o and Chiwetel Ejiofor.
Against nature: The abrasive brilliance of 12 Years a Slave
By Ryan Gilbey - 09 January 12:30

Director Steve McQueen and his impressive cast give their all in a story of anguish, brutality and defiance.

Idris Elba.
Long Walk to Hollywood: Why has Nelson Mandela been so badly served by cinema?
By Ryan Gilbey - 07 January 11:19

A subject as complex as Mandela deserves a film that will weigh into the grey areas, and while Idris Elba is the best Mandela yet, there's still some way to go in telling the story of his life.

Chiwetel Ejiofor and Benedict Cumberbatch in 12 Years a Slave
A preview of 2014 on the big screen
By Ryan Gilbey - 30 December 12:59

Steve McQueen’s raging and compassionate film about Solomon Northup will be the first hit of the year.

American Hustle.
David O Russell's American Hustle: Back to reality
By Ryan Gilbey - 20 December 10:30

In styling his new film like a hard-edged Scorsese crime thriller, Silver Linings Playbook director David O Russell has lent gravity and depth to an otherwise gentle romantic comedy.

Peter O'Toole.
From Lawrence of Arabia to Dean Spanley: the many faces of Peter O'Toole
By Ryan Gilbey - 19 December 11:26

Since Peter O'Toole died on 14 December there has been an outpouring of opinion and anecdote - but the best way to appreciate him as an actor, is to watch how he transformed himself over the years.

Martin Freeman.
The Desolation of Smaug: How to portray your dragon
By Ryan Gilbey - 13 December 13:00

The second film in Peter Jackson's Hobbit trilogy is a revelation - which shows a director in command of his medium, and offers a succinct answer to his critics.

Lumini?a Gheorghiu.
Child’s Pose: The Romanian family drama with a grotesque view of family life
By Ryan Gilbey - 12 December 17:23

Luminiţa Gheorghiu stars as Cornelia, the challenging anti-hero in Child's Pose, the latest in a wave of intense dramatic cinema from Romania.

Josh Brolin.
Carrie and Oldboy may lack spark - but there's nothing wrong with remaking horror classics
By Ryan Gilbey - 05 December 11:59

Remakes always happen for a reason, even if that reason is obscure. Horror and sci-fi director John Carpenter puts it down to a perpetual "nostalgia cycle" inherent in American pop culture.

On the road again, this time in "Nebraska"
By Ryan Gilbey - 04 December 13:12

Director Alexander Payne's switch to black-and-white suggests aspirations to join a loftier heritage.

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