Ryan Gilbey reviews It Follows, directed by David Robert Mitchell.
Richard Linklater’s Boyhood is clearly the superior film, but the Academy isn’t considering long-term trends or trying to make a statement. Like an impetuous child, it just grabs the thing that feels good in that particular moment.
There was far more to the festival than Fifty Shades.
Terrence Malick’s Knight of Cups is insipid – but Andrew Heigh's 45 Years proves it's not all bad.
We can’t disparage these actors any more than we can blame a man in a hammerless world for failing to bang a nail into the wall.
The film, made by Winding Refn’s wife Liv Corfixen, is an intriguing contribution to the film-behind-the-films genre and a revealing study of ambition and vulnerability.
The civil rights drama and political farce could not seem more different. But David Oyelowo and James Franco share a dynamism sadly overlooked in awards season.
Thomas Pynchon's novel makes for a wistfully funny film adaptation.
Half-love letter, half-biopsy, Charlie Lyne's documentary analysis of teen movies is full of flashes of madness.
Oscar Isaac exploits his unique charisma and mutable appearance in two of the biggest films released this awards season.
There is little to surprise a seasoned awards-watcher in this year’s nominations – Ryan Gilbey gives his verdict.
Despite strikingly similar prodigies and deranged mentors, Whiplash and Foxcatcher offer two very different takes on the mentor/pupil relationship.
The paintings are anything but dry in Frederick Wiseman's documentary about the London gallery.
The smart, insightful and oddly underrated US actor Ethan Hawke on first meeting River Phoenix, the Sony hacking crisis and “the beauty of censorship”.
The new year already offers the promise of Tilda Swinton in a fetching wig and the scariest film since Halloween. What's not to like?
Ryan Gilbey casts an eye over the Christmas fare.
These are not politicians, or powerful corporations meddling with our data, they are Hollywood executives bickering like anyone else. The free speech argument just doesn’t add up.
The first two parts of Peter Jackson’s super-sized Hobbit trilogy held their own, but the director squanders all his best assets in this sorry mess of a final installment.
Cinemas are going to be full of biopics in the next couple of months – in preparation, Ryan Gilbey picks the best examples of the form from the past few years.
This gritty tale of eastern European rent boys in Paris might at first sound like Ken Loach gone gay. But the effect is more redolent of a Gus Van Sant spin on Oliver Twist.
The greatest offerings from the only new film genre to have emerged in the last 50 years.
The way Turing’s story is told is comparable to the montage in Big Brother when Davina McCall told evictees: “Let’s have a look at your best bits.” The Imitation Game is Alan Turing’s best bits.
Nineteen months after his death in April 2013, a new documentary tells the story of Chicago Sun-Times film critic Roger Ebert - his bravery in the face of illness, and his uniquely democratic approach to cinema.
It’s hard to care about the future of civilisation when we meet so few members of it worth saving and most of those behave like they know they’re in a movie.
Ryan Gilbey is chilled by new releases The Badabook, Annabelle and It Follows.
Meanwhile, the suspension of disbelief is getting harder and harder to pull off.
For every stab at dirty realism in Fury, there is a sanitising touch to make everything clean again.
The news that both a Dad’s Army film and Ghostbusters 3 are in the works is great for nostalgia fans. But how do you go about updating something well-loved without wrecking it?
Bhardwaj relocates the action to Kashmir in the mid-1990s. If the graft doesn’t quite take, it’s because the film is so persuasive in portraying the oppression of the Kashmiri people that the woes of Hamlet seem small beer.
The Motion Picture Association of America may have a poor track record on equality - but in the case of Pride their decision was just and correct.