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Yo Zushi is a contributing writer for the New Statesman. His latest album, It Never Entered My Mind, is out now on Eidola Records and is on Spotify here.
Japan’s graphic artform is a vibrant pan-cultural medium. So why does the British Museum’s new exhibition fail to capture its dynamism?
In the decade since his death, the singer’s afterlife has been contested territory. But the revelations of a new film may dethrone the king of pop forever.
Most of us look back with a certain amount of longing. Two new graphic novels break with tradition.
With admirers including Zadie Smith, Drnaso’s uniformly bleak tale is the first comic to be longlisted for the Man Booker prize.
Comics were, until recently, deemed a marginal medium, at least in the sense that they were critically neglected. That’s what made them so free.
When it comes to the serving of justice, how appropriate is it to demand a quick fix?
The surprising thing about Dylan’s evangelical Christian period? It isn’t all bad.
Richard Lloyd Parry's book explores the damage to a community that had “suffered an exceptional tragedy”.
Like Happy Days, it was a period comedy – but dumb teenage boredom feels the same in any era.
The actor's reputation has been tarnished by multiple sexual assault allegations – but The Cosby Show remains a utopia of post-racial America.
