Anna Leszkiewicz is the New Statesman's deputy culture editor.
And all thanks to two fans, 50 volunteers and 28,000 pieces of paper.
Childbirth, a newborn’s cry, and volatile teenage emotions all become life-threatening: children are feared for their sheer vulnerability.
Louise Mothersole and Rebecca Biscuit, aka double act Sh!t Theatre, smuggle in hidden depths to their silly, morbid, and wonderful show.
The success of Cunk as a character is not thanks to her general persona as an ill-informed pundit, but her bizarre turns of phrase.
Steven Spielberg attended, with an acceptance speech applauding #TimesUp and celebrating the magic of the movie theatre.
Soccer Mommy’s debut album Clean is a record that insists on being heard on its own terms.
From Date Night to Horrible Bosses to Bad Neighbours to Game Night. Is anyone else noticing a pattern?
Embarrassed by her “trivial” career, Hedy Lamarr set about inventing technology to defeat the Nazis in WWII.
“The way time rushes forward is a theme of the film, one scene tumbling into the next. We can never hold on to it.”