Matthew Bourne’s The Car Man brings the heat
The sultry ballet adaptation of Carmen is wild with energy, betrayal and lust
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Bad Bunny’s global party shakes London
The rapper filled a stadium with inclusive politics and wild dance
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The fertility rituals of the Blackheath Morris Men
“You’re never more than 20 feet from a Morris dancer in London!”
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Choreographer Wayne McGregor: Art should not fear technology
The Royal Ballet innovator talks about his bold idea for the age of AI: physical intelligence
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Deaf Republic is a celebration of life amongst war
A new play explores the migrant experience through spoken English, sign language and a visual vernacular.
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Miyako Yoshida’s Giselle is a transfixing triumph
The UK debut of the National Ballet of Japan’s production filled the Royal Opera House with applause.
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