Christopher Nolan - New Statesman

The original poem is not as straightforward as Elon Musk and the Online Right might hope

By Rachel Cunliffe

Christopher Nolan’s film is an epic return to old-fashioned studio excess

By David Sexton

The Odyssey is the perfect canvas for the director’s obsession with power and time.

By Finn McRedmond

I spent eleven years writing a biography of Oppenheimer. Does Nolan’s film “capture” him in all his complexity?

By Ray Monk

The director is a mass entertainer with an elitist disdain for the masses. In his films, order and hierarchy reign…

By Will Lloyd

In this perspective-shifting biopic, Christopher Nolan frames the father of the atom bomb as a tortured Prometheus.

By Pippa Bailey

Kaufman’s I’m Thinking of Ending Things is a philosophical comedy-horror available on Netflix; while Nolan’s Tenet is an action spectacular…

By Ryan Gilbey

Despite proponents like the Dunkirk director, physical film is finding it tough in the modern age.

By Daniel Curtis

Christopher Nolan both stretches time and compresses it, creating suspense without horror.

By Ryan Gilbey

It’s hard to care about the future of civilisation when we meet so few members of it worth saving and…

By Ryan Gilbey