UK 1 August 2014 In the housing crisis, blue carpet is a symbol of the landlord’s freedom to channel Ebenezer Scrooge The housing crisis has created a seller’s market in which landlords have the power to treat their tenants with as much contempt as they like, including installing carpet in shades never found in nature. Don't pretend this doesn't depress you. Photo: Matti Mattila on Flickr via Creative Commons Sign UpGet the New Statesman's Morning Call email. Sign-up Sometimes you find yourself browsing through £5m London houses on Zoopla. If you’re anything like me, you do so tearfully and at 3am, having realised long ago that you’ll never own a property. Throw a slice of fridge-cold leftover pizza, or a bowl of cereal into the mix and you’ve just Picassoed yourself a picture of me at nearly any given 3am. It’s probably quite telling that, these days, I fantasise more about wooden floors than I do about women. Telling of what exactly, I have no idea, but I somehow manage to make it dirty. A belt sander, a wall splattered with paint… “Hey, reasonably-priced flat, I’ve been a very naughty London-dwelling millennial…”. I’ve developed full-on objectophilia for Georgian houses in Islington, decked out in G-Plan furniture, and I blame the housing crisis. You want what you can’t have, right? So, this brings me to what I can have (if and when I ever earn enough to make London rent). I can have houses with blue carpets. Here’s a potted history of the Blue Carpet that I totally didn’t just make up: it was invented in the early 90s by a slum landlord called Clive Stench. Stench, a formidable bastard, spent 37 years developing a carpet that would make his tenants abandon all hope. The completed product, a work of evil genius worthy of the early Wernher von Braun, was blue. A completely new shade of blue, in fact. One so horrible that it can’t be found anywhere in nature, because nature took one look at it and said, “Yeah right”. This design was quickly distributed to the owners of shitty rentals all over the country, and there it remains, dotted with red wine stains and plainly malevolent in its blueness. When I look through affordable (ha!) rentals in London, the Blue Carpet is a running theme. It’s there to remind me, and millions of others like me, that a rented property in London isn’t somewhere you live; it’s somewhere you pass through on the way to death. A bit like a crap service station that doesn’t even have a Burger King. Blue Carpet simply does a spectacular job of saying, “You’re not welcome here”. Landlords want us to know that these aren’t homes they’re renting to us for ruinous stacks of cash, they’re dismal and faceless money factories. After all, a Blue Carpeted house is just a few dehumanisingly short pens away from pastiching the interior of a Jobcentre Plus. And woe betide anyone who spills something on a Blue Carpet. It doesn’t matter that it predates John Major’s prime-ministership and already looks like it’s been jizzed on repeatedly by anyone who’s ever trodden it; there goes your deposit. Here’s a game for a lonely night in, try and imagine all of the fluids, bodily or otherwise, that went into making your Blue Carpet so sticky that it practically clicks when you walk on it. The cruel genius of Blue Carpet is that nothing goes with it. The idea is that you take one look at it, say, “Fuck this”, deck out your bedroom with a stolen park bench and a rusty Morrisons trolley, and wait to shuffle off this mortal bedspring. The Blue Carpet was designed to break you. The housing crisis has created a seller’s market in which landlords have the power to treat their tenants with as much contempt as they like. The Blue Carpet is a symbol of the landlord’s freedom to channel Ebenezer Scrooge having an argument with a Poundland shop assistant over the price of a pack of felt tip pens. We’re truly living in an age of Blue Carpet tyranny. So, letting agents, please do us all one small favour and stop describing Blue Carpeted properties as “neutrally decorated”. They’re not. › Poem: “Peace” by Robert Graves Eleanor Margolis is a freelance journalist. Subscribe For daily analysis & more political coverage from Westminster and beyond subscribe for just £1 per month!