Special Feature Newstatesman Gibraltar 14 October 2014 Watch: Jazz comes to Gibraltar Bebop on the Rock: performers at the upcoming Gibraltar Jazz Festival (20 – 25 October) share their favourite artists, albums and tracks of all time Jazz comes to Gibraltar from 20 - 25 October (Getty) Sign UpGet the New Statesman\'s Morning Call email. Sign-up George Posso, president of the Gibraltar Jazz Society “What’s the history of the Gibraltar Jazz Society, and who’s your favourite jazz artist?” The first Jazz Appreciation Society was formed in 1998 by Paul Riley, Dennis Mander and Liz Carr to promote jazz in Gibraltar and I was assigned to organise jazz nights. I started getting musicians together and organising a weekly jazz night. By 2000 I had formed the Gibraltar Jazz Society and started jazz nights at the O'Callaghan Eliott Hotel every Thursday. I also started hosting jazz workshops in secondary schools. I have now been organising the Gibraltar Jazz festival in conjunction with the Gibraltar Ministry of Culture since 2012. This year’s festival it our third. The jazz workshops provided during the jazz festivals have generated a lot of interest amongst young music students, and have even resulted in one local school student going off to Berklee College of Music in Boston to further his musical education in jazz. I have kept the weekly jazz sessions going at the O'Callaghan Eliott Hotel now for almost 15 years and with the addition of the yearly festival with expect the interest for jazz to keep growing. My favourite artists? It's late and I'm lost for words, but I can say that amongst my many favourites Eliane Elias is definitely top of the list along with Marc Johnson, who has been a great influence on many upright bassists and formed part of the Bill Evans Trio, along with Randy Brecker's distinctive horn sounds and groove and immense background with the Brecker Brothers. What could be better than having these three greats for our third Gibraltar International Jazz Festival? Eliane Elias, pianist, singer and songwriter “Favourite jazz album?” I have been asked this question dozens of times and my answer has always been the same. There are way too many for me. One of my favourite albums is “Seven Steps to Heaven” by Miles Davis, and one of my favourite tracks is “Maxine” on Bill Evans' album “New Conversations”. Randy Brecker, trumpet and flugelhornist “Favourite jazz track?” My favourite jazz track of all time is my own track “Some Skunk Funk”, recorded on The Brecker Brothers Band's first record in 1975. It's also featured on our album “Heavy Metal Bebop”, a best-selling record which recently won a JazzPoll in Japan as the best horn record of all time. There are over 4,000 versions of this song on YouTube, and it's a kick every time we play it live and watch the audience's reaction when we start playing it. Sorry, but I'm my biggest fan! Craig Philbin, band leader of the Soulmates “Favourite jazz album?” My favourite jazz album of all time would have to be the GRP All-Star Big Band live in concert. Every member of the band are exceptional solo artists in their own right and together they make what has to be the greatest big band of all time. Two tracks that really stand out for me are “Cherokee” and “S'wonderful”. George and Ira Gershwin's much loved tune “S'wonderful” is performed on two pianos by Dave Grusin and Russell Ferrante. The interplay between them is simply amazing and well worth a listen. Ray Noble's classic composition “Cherokee” is played by the trumpet section featuring some awesome trade-offs between Arturo Sandoval, Randy Brecker, Byron Stripling and Chuck Findley - who between them deliver a master class in jazz improvisation. Sandoval utilises his trademark screaming upper register, hitting notes that trumpet players across the world can only ever dream of. Being a trumpet player myself, I never tire of listening to this track and I can't wait to meet the legend that is Randy Brecker in person when he visits Gibraltar! Peter Martinez, from Levanter Breeze “Favourite jazz artist?” John Mclaughlin. Recommended by other musicians, I first started to listen to John Mclaughlin’s work around 1978/9. What captivated me was his sound and his unique, particular style of playing. Fusing jazz with flamenco and other ethnic sounds certainly gave me ideas about how to approach jazz in a different way, which that at the time seemed impossible as it was usually presented in the traditional manner. Today, I still reinforce my work with his influences. “Favourite jazz album?” “Electric Guitarist”. This is the first album or contact with Mclaughlin’s work. Again, his capability to fuse so many influences is a true reference for any jazz guitarist who wants to perform something different. Click here to read more about the Gibraltar Jazz Festival. › Alone in the border town, I got a bit too nifty with the Spanish phrasebook Subscribe For more great writing from our award-winning journalists subscribe for just £1 per month!