JK Rowling’s latest film includes new plot details that change the events of the original seven books. Warning: contains spoilers.
Don’t be duped by anyone selling Outlaw King as earnest political drama: it’s silly, over the top and absurd.
He’s undergone a hideous transformation. Oh, and also, he’s a detective. Didn’t you see the deerstalker perched inexplicably on his remarkably flat head?
Guy Gunaratne on his Goldsmiths Prize-shortlisted novel In Our Mad And Furious City, “authenticity” in fiction, and why you can’t write about London today without understanding how the city sounds.
At times thematically heavy-handed, but nevertheless atmospheric, the film’s scaffolding is its three expansive central performances.
Little Mix, Selena Gomez, Demi Lovato, Cardi B, Lady Gaga and more are getting in on the action.
Olivia Laing discusses her Goldsmiths Prize-shortlisted novel Crudo, the unstable political moment, and the book that best describes how fascism rises.
Maisie Williams shines in this play of boy-meets-girl-with-serious-illness.
The channel won its first Bafta in May and was named the best UK broadcaster at the Edinburgh TV Awards in August.
How did the doll’s house, a potent image in fiction and literature for centuries, finally saturate film and television?
The show is more ambitious and cinematic than a straightforward, do-it-yourself cooking show, but more accessible than so much else on offer.