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A bloated, 18-track marathon means that to find Lover’s gems, you have to sift through your fair share of dull moments.
From high tea to, um, "stories from Uni", this anglophile just can't get enough of our lov-er-ly stuff.
Jules Buckley and the Metropole Orkest pay tribute to Nina Simone's life and work with singers Lisa Fischer and Ledisi.
The spirit of rave is back in music, film, art and even political protest. Could it be not just a re-enactment of the past, but a roadmap for the future?
At London's O2 Arena, fans of the pop superstar stand transfixed, united, and empowered in their adoration.
America Is Hard To See and It's True, It's True, It's True, are based on real-life events. But does that make them true?
Two shows at the Edinburgh Fringe Festival – Burgerz and Everything I See I Swallow – explore bodily autonomy in original ways.
Icke’s Oedipus sees its protagonist zooming towards his own downfall at supersonic speed: a 100-metre dash straight into a brick wall.
Across London, album listening events are becoming increasingly popular in an era of dwindling attention spans.
Bon Iver returns with a surprise digital album drop that feels like an amalgamation of all their previous work, but all the more powerful.
I think of that moment in August 1969, the sad autumnal undertow. And I think that was the end of the Sixties. Gone.
