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Volaire witnessed most of the major volcanic events of the second half of the 18th century and, in his paintings, he made Vesuvius his own.
It was tapestry, not landscape painting, that first brought the outdoors indoors.
In the world of Atkinson Grimshaw it is always autumn or winter, always evening, and the rain has just passed through.
To depict the elements properly, Eardley immersed herself in them.
Kauffer eventually gave up on being a great modern artist and followed the money into advertising. But if he was going to design posters, at least he’d ensure they were art.
The unconventional “tomboy” lived and painted with the animals in the open air.
Smithson’s once-submerged Utah sculpture Spiral Jetty is a richly metaphorical work.
How the Flemish painter Paul Bril forged a new form of landscape art in baroque Rome.
How the popular artist flattered his country with an image of itself as an American Aracadia.
In the only landscapes he painted, the Romantic artist was unable to hide his many troubles.
The striking works of the German expressionist, founding member of Das Blaue Reiter and fiancée of Kandinsky.