To enjoy all the benefits of our website
Father-son relationship problems aren’t enough to drive this film forward.
In a luxury hotel, we see a compartmentalised world where wealthy guests are oblivious to those who make their detritus, and their problems, disappear.
In 2019 Britain, this is what a cat looks like.
From Colette to The Favourite, Vita and Virginia to Gentleman Jack: why are filmmakers turning to the past to explore relationships between women?
Disney's photorealistic remake leaves the new cast with nothing to play with, no meat on the bone.
The 1969 moon landing has inspired countless films, books and TV shows – but on the 50th anniversary of Apollo 11, the mission’s cultural legacy is shadowed with a darker hue.
Ari Aster’s film Midsommar turns Swedish summer celebrations into a sinister cult. But at a real solstice gathering, a more banal nightmare awaited me.
The Dead Don’t Die has nothing to add to the accomplishments of Shaun of the Dead and Zombieland
Misinformation is thriving on our blind outrage.
With plenty of narrative slaloming, each new twist revealing another switcheroo, the film ultimately falls flat.
The villain of Strickland's latest film is an unusual one: a spectral, floating red dress.