Gerald Barry’s take on Alice in Wonderland proves that opera is still alive and awake
Alice’s Adventures Under Ground has vitality, inventiveness and – as Barry likes to insist – tunes coming out of its ears.
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Simon Callow
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Kát’a Kabanova at the Royal Opera House reminds us of what it is to be human
This production reminds one that opera can be the supremely expressive performing art.
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Too many Tchaikovskys: The Queen of Spades at the Royal Opera House leaves you cold
It is inconceivable that anyone unfamiliar with the work could have the slightest idea what is going on.
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The night that changed my life: Simon Callow on his first opera
It was 1965; I was a 16-year-old schoolboy besotted by classical music but only, so far, on record.
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Through seven works in seven cities, how Europe bared its soul through opera
The V&A's exhibition is not only a celebration, but a cause for celebration.
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Returning to Prague, a brush with Nazi history and the rise of Czech populism
My week in Prague sent me back to the past, from shooting Amadeus to my own Catholic upbringing.
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