Cultural Capital 16 April 2013 Reviews round-up The critics' verdicts on Julian Barnes, Greg Bellow and David Goodhart. Sign UpGet the New Statesman's Morning Call email. Sign-up Levels of Life by Julian Barnes The three stages of love - euphoria, passion and grief - between two 19th-century balloonists sets the tone for the first two parts of Levels of Life. Barnes lost his wife of 30 years, Pat Kavanagh, to brain cancer in 2008. The third part of the book is an exploration of Barnes’s despair. Leyla Sanai in the Independent writes that this is “a book whose slimness belies its throbbing emotional power”. She sees the metaphors of flight and open skies standing in for the freedom and love that book details between the two balloonists, but also notices the personal feeling Barnes lets in: “there is no disguising the raw pain that pulses throughout; the solitary heartbeat of the one left behind”. According to Sam Leith in the Spectator the raw emotion makes it a hard book to read: “There’s a trace of the hesitancy a reviewer feels towards such obviously personal material, but it also seems to reflect something in the book itself. Levels of Life is much more hermetic than it at first appears. You find yourself hazarding guesses at things because — again, to hazard a guess — not all the material you need to decode this book is available to the reader.” The Guardian’s Blake Morrison, who knew Kavanagh personally for over 30 years describes the themes that run throughout the book: “The themes that preoccupy Barnes – love and ballooning (and grief and photography) – take a little longer to line up but discovering how they do is half the pleasure. We've work to do – not grief‑work such as the author's, but work all the same.” They come together in the end in a personal outpouring: “Where the first two sections portray life in the air and on the ground, the searing 50-page essay that concludes the book describes descent – no upper air, no perspective, just darkness and despair.” Saul Bellow’s Heart by Greg Bellow Reviewing your own father’s life is not an easy task, but for retired psychotherapist Greg Bellow describing Saul Bellow, a Pulitzer Prize winning author, the stakes are higher still. According to the Observer’s Adam Mars-Jones, Greg Bellow doesn't meet the challenge. He criticises the book for “lacking literary weight”, having a “suspect tone from the first paragraph” and showing an “unacknowledged hostility”. Jeremy Treglown in the Spectator is barely less pessimistic: “It isn’t the son’s fault that his powers of insight and articulation are less than Saul Bellow’s: whose aren’t? And of course if writing this narrative has proved helpful to him, fine. But publishing it wasn’t necessary, and reading it is frankly a struggle.” In the centenary issue of the New Statesman, Leo Robson takes a less critical stance: “Greg Bellow has quite a monument on his hands and to his credit he refrains from slinging mud or poking warts ... If Greg Bellow conforms to a character type, it isn’t the father-killer but the spurned first-born.” The British Dream by David Goodhart Immigration is a touchy subject in British politics. But it's a subject David Goodhart, previously editor of Prospect magazine has tackled full on in his new book The British Dream, reviewed at length by Labour MP Jon Cruddas in the centenary edition of the New Statesman. Peter Oborne in the Telegraph calls it an “exceptionally important” book in which Goodhart “has helped Britain end our long unhealthy period of silence about a great issue.” Ian Birrell in the Observer, by contrast, found the book “disappointing” and was surprised to find one of his own articles used as a foundation for one of the its arguments. Birrell says Goodhart “twisted [his] words absurdly". › Thatcher’s greatest legacy: the rewriting of the seventies The work of mourning: Julian Barnes (Photograph: Getty Images) Subscribe For the latest TV, art, films and book reviews subscribe for just £1 per month!