Jerusalem, Jez Butterworth’s masterpiece, takes on new meaning in 2022
This stirring, slick play on Englishness returns 13 years later, with the same lead actors, Mark Rylance and Mackenzie Crook. In a new context, its message…
By
This stirring, slick play on Englishness returns 13 years later, with the same lead actors, Mark Rylance and Mackenzie Crook. In a new context, its message…
By Katherine CowlesThe Making of Oliver Cromwell by Hutton, The Daughters of Kobani by Tzemach Lemmon, The Women of Troy by Barker and…
By Michael Prodger, Anoosh Chakelian, Katherine Cowles and Rachel CunliffeAll In It Together by Turner, Two Girls, Fat and Thin by Gaitskill, The 32, edited by McVeigh and Notes on the…
By Ellen Peirson-Hagger, Leo Robson, Tom Gatti and Katherine CowlesThe Pay Off by Leibbrandt and de Terán, Connections: A Story of Human Feeling by Deisseroth, Should We Stay or Should…
By Katherine Cowles, Sophie McBain, Christiana Bishop and Michael ProdgerWhat is it like to be addicted to something that is not only socially acceptable, but encouraged by society?
By Katherine CowlesThe pandemic has taught us that we ignore the “Cinderella sense” at our peril.
By Katherine CowlesIt’s not about defending damsels in distress, but creating the conditions in which there’s no distress.
By Katherine Cowles