Yo Zushi is a sub-editor of the New Statesman. His work as a musician is released by Eidola Records.
The latest novel by the author of Morvern Callar is set in a boozy, 1980s student London.
Recent torture pornographers such as Eli Roth arguably have aligned themselves with 1970s American horror auteurs not only to legitimise their work but to cash in on their rebel credibility.
Two recent graphic novels tackle subjects from feminist history.
By the mid-1980s, Dylan had long been playing down the notion that he was the “voice of a generation”. Such strategies failed in the long run.
We notice you have ad blocking software enabled. Support the New Statesman’s quality, independent journalism by contributing now — and this message will disappear for the next 30 days.
If we cannot support the site on advertising revenue, we will have to introduce a pay wall — meaning fewer readers will have access to our incisive analysis, comprehensive culture coverage and groundbreaking long reads.