Yo Zushi is a contributing writer for the New Statesman. His work as a musician is released by Eidola Records.
Does culture exist in a vacuum? This “love letter to creative thievery” would suggest not.
To dismiss him as a right-wing cigar-chomper would be to disregard that rare phenomenon – a true star, an embodiment of the aspirations of his time.
False or misleading reporting is nothing new, but in the digital age, errors spread fast - and are harder to debunk.
Lady Day, a century after her birth.
Scott McCloud's The Sculptor, Richard McGuire's Here and Joe Sacco's Bumf.
Another Soho landmark bites the dust.
Did Bourdin really cause a 20-year-old model to pass out when he covered her entire body with glue and pearls?
A pantomime villain imbued with the sophistication of Moriarty, Fu Manchu captured the imagination of a public already accustomed to lurid, exaggerated tales of vice among Britain’s Chinese population.
The latest novel by the author of Morvern Callar is set in a boozy, 1980s student London.
Recent torture pornographers such as Eli Roth arguably have aligned themselves with 1970s American horror auteurs not only to legitimise their work but to cash in on their rebel credibility.
Across the political spectrum, the New Statesman introduces you to the personalities who shape our world. Where else would you find Jeremy Corbyn, Tony Blair and Theresa May in the same place?