Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.
Jack Reacher: Never Go Back is the title of the latest film. It’s also a transparent piece of misdirection.
New films American Honey and I, Daniel Blake show society’s “left behind” with grit, wit and a touch of the absurd.
If a movie is stripped down to its plot, the logic had better be watertight. This is transparently not the case here.
The writer-director John Michael McDonagh’s dark comedy isn’t half as clever as it thinks it is.
Radcliffe is dead good in Swiss Army Man – meaning he is both good, and dead. Plus: Deepwater Horizon.
Little Men reminds us that Sachs is the the cinematic poet laureate of the gentrification drama.
Some of the most-celebrated films on at the 60th year of the BFI London Film Festival are sold out. Here are the ones that are still available – and worth seeing.
Two new films set out to recapture the magic of their classic originals. One of them achieves it.
Looking back at the 1986 biopic’s typically British mix of the real and surreal – and its rather unusual origins.
Viggo Mortensen and the rest of the cast try their best, but they're no match for a script so lacking in nuance.
From Trump to Brexit, the world is changing fast - and we need intelligent, incisive journalism more than ever.
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