Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.
Cara Delevingne stars in the latest film from director Michael Winterbottom, which takes its inspiration from the murder of Meredith Kercher.
A Brooklyn-based comedy that's more than just jokes about avocado and almond-milk sorbet.
Japanese animation company Studio Ghibli favours contemplation over manufactured climaxes, and this film is no different.
BFI Southbank's LGBT film festival Flare has become more eye-catching. Now it dazzles.
Why has it taken us so long to realise that the strongest, most exciting voices, shaping our opinions of cinema are women?
Writer and director Desiree Akhavan has created an authentic, relatable story – with a heroine we hope will triumph.
Clever pacing and Julianne Moore's Oscar-winning performance can't disguise the hedged bets and risks not taken.
Ryan Gilbey reviews It Follows, directed by David Robert Mitchell.
Richard Linklater’s Boyhood is clearly the superior film, but the Academy isn’t considering long-term trends or trying to make a statement. Like an impetuous child, it just grabs the thing that feels good in that particular moment.
There was far more to the festival than Fifty Shades.
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