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Rosie Millard

Rosie Millard

Rosie Millard has been writing for NS for more than five years and is now Theatre Critic, which suits her perfectly since she is never happier than when sitting in an auditorium waiting for the curtain to rise. She was the Arts Correspondent for BBC News for 10 years and is now a broadsheet columnist. She lives in London with heaps of small children, which may partially explain her love of going to the theatre.

Articles by Rosie Millard

Results 71 to 80 of 244

Lost in the moral maze

  • 17 July 2006

Two masterpieces pose brutal human dilemmas, but only one moves us
The Seagull
Lyttelton Theatre, London SE1
The Life of Galileo
Olivier Theatre, London SE1

Sesame Street grows up

  • 10 July 2006

A cynical, riotous adult puppet show is a tonic for anyone over 30
Avenue Q
Noël Coward Theatre, London WC2

Waiting for the Big Number

  • 03 July 2006

New production of a classic musical relies on a single, spellbinding song
Evita
Adelphi Theatre, London WC2

Where did it all go wrong?

  • 26 June 2006

European history gets a make-over in an uneasy marriage of politics and pop
Rock'n'Roll
Royal Court Theatre, London SW1

When Britain was true blue

  • 19 June 2006

A loving paean to the Eighties comes complete with snow-washed denim. By Rosie Millard
Market Boy
Olivier Theatre, London SE1

A night of severed limbs

  • 12 June 2006

A dark and thrilling new production is Shakespeare for the Post-Tarantino age. By Rosie Millard

Titus Andronicus
Shakespeare's Globe, London SE1

Notebook - Rosie Millard

  • 05 June 2006

The theme for the Tate's UBS party was May Day - but with little sign of the workers' red flag

Notebook - Rosie Millard

  • 29 May 2006

It must be tough, being a contemporary French artist. All that hinterland to cope with

Notebook - Rosie Millard

  • 22 May 2006

The revolution may have overtaken provincial Russia, but it never reached Chislehurst

Notebook - Rosie Millard

  • 15 May 2006

Do children get value from galleries? Or would a DVD and an ice cream work equally well, asks Rosie Millard

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