Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.
“Every relationship becomes a three-way,” July says of the new app, which launched yesterday at the Venice Film Festival.
In his new, Booker-longlisted novel, Joshua Ferris retains his title as the poet of the modern workplace, but his invented religion, Ulmism, proves to be a pretty dry excuse for a quest.
Geoff Dyer likes to take down “dim-witted academics”. So what happened when he turned up at a conference on . . . Geoff Dyer?
The publisher who brought John Williams’s Stoner to Random House believes he has found its successor: a “hillbilly” from the US coal belt with a precious talent.
When David Stuart MacLean woke up in India with amnesia he assumed he was an addict who had overdosed. In fact, the only chemical he’d been taking was the prescribed antimalarial drug Lariam.
In 2014, the distinction between work and life, office and home, is poised to collapse. Members of “Generation Y” desire greater flexibility, with the ability to work where and when they want.
Reforms set to take effect from September 2015 will see English literature become an optional subject, reserved for only the brightest students, which will not count to schools’ Ofstead rankings.
It took Akhil Sharma 13 years to write his second novel: a bildungsroman with a family tragedy at its core. It was worth the wait, writes Philip Maughan.
By twenty-two she had reached millions, written for the New York Times and campaigned for Obama. But then tragedy struck.
The 74-year-old poet and broadcaster, who is terminally ill, reads a new poem “Driftwood Houses” and reflects on his career, family and the power of “simple, ordinary things”.
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