Michael Prodger is an Assistant Editor at the New Statesman. He is an art historian, Senior Research Fellow at the University of Buckingham, and a former literary editor.
Miller’s new novel is beautiful, but I confess, it had me stumped.
The Ben Uri gallery's latest exhibition explores 100 years of Jewish art in London.
The artist on Kate Moss, time travel and life after the YBAs.
Richard Dadd painted some dazzling visions abroad but found peace within the walls of Broadmoor.
This is Louis-Victor Baillot, the oldest surviving combatant from Waterloo. The photograph was taken a year before his death.
Michael Prodger on new books from Julian Barnes and Michael Craig-Martin.
Cult figure Grayson Perry has won over the locals with his eccentric House for Essex.
With her monstrous phallus and pendulous balls, Britain's Sarah Lucas has sunk to the occasion.
Goya is better known for his portraiture and group paintings. But a restoration of the artist's private notebooks show a different side, where ghosts and witches abound in profoundly unnerving sketches.
History Is Now: 7 Artists Take on Britain is a confused hotch-potch of ideas.
From Trump to Brexit, the world is changing fast - and we need intelligent, incisive journalism more than ever.
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