Leo Robson is the lead fiction reviewer for the New Statesman.
Over the past 30 years, virtually all of Kundera’s innovations have been either imitated or overtaken. Kundera's challenge is to outlive his own novelty.
They crossed paths while living close together in Reno - but the two heavyweights differed more than shared.
Today, Hitchcock is revered for his contribution to cinema. But his reputation as a "serious" director came late, as new biographies from Michael Wood and Peter Ackroyd reveal.
Repeitition is the default mode in The Discreet Hero - an abberation in Llosa's career which confuses quantity with literary quality.
Kazuo Ishiguro's The Buried Giant and Tom McCarthy's Satin Island have opposite problems: one too little stretched long, the other overstuffed.
Leo Robson looks at the traditions underpinning Ian Rankin's The Beat Goes On and George Pelecanos' The Martini Shot and Other Stories.
Conceived by Zola and sullied by Jonathan Franzen, the modern saga is in poor health. But Anne Tyler might be its saviour.
Michel Houellebecq’s novel imagining his country under Islamic rule featured on the cover of Charlie Hebdo. But it’s not the satire you’d expect.
On Stephen Sondheim’s 85th birthday, he will be revered as the genius of musical theatre. But his failures are just as fascinating as his successes.
Leo Robson reviews the double-Booker Prize-winning author’s new novel about Australian identity.
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