Kate Mossman is the New Statesman's arts editor and pop critic.
The Albarn-Coxon concoction sounds surprisingly robust.
From the Grateful Dead to Arnold Schoenberg, via Tossers Wood.
The Scottish trio tell Kate Mossman why they want racists to hear their music.
Girl in a Band reaps the rewards of its introspective author with a pan-American story that will engross fans and non-fans alike.
NS pop critic Kate Mossman talks to the former Sex Pistol about Ed Miliband, Ukip and “men’s dangly bits”.
In the next two decades there’ll be a mass departure of the people who brought us the best of rock’n’roll, but some bands are finding new ways to give their tunes eternal life.
In 2010, Jón Gnarr became mayor of Reykjavik by accident. Four years later, he’s relieved it’s over.
A concept album of sorts, this claims to chart the emotional experiences of an imaginary woman – from romantic activities to pain, deception and more.
Dinosaur 13, a forthcoming documentary, presents Larson and his team as underdogs battling against bad guys who’d rather see the T rex hidden away than on display in its home town.
A Letter Home was recorded in a Voice-O-Graph booth in Jack White’s “novelties lounge”. With cover songs and lo-fi crackles, it is an object study in the pros and cons of retro audio porn.
No country has ever left the EU before, so there's no map for where we're going.
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