Caroline Crampton is assistant editor of the New Statesman. She writes a weekly podcast column.
A new exhibition at Lille's Palais des Beaux-Arts reveals the life of an ancient image-maker.
It looks like the second series of ITV’s popular thriller is going to be far more interesting than we can usually expect from such a highly-anticipated follow-up.
After decades of wrangling, the Church of England has finally appointed its first woman bishop. Caroline Crampton went to meet Reverend Libby Lane, the new Bishop of Stockport.
The piece is an attempt to see the Passion through the eyes of the women who surrounded Jesus, with particular emphasis on Mary Magdalene.
Young British composer James McCarthy and Pakistani writer Bina Shah have collaborated to produce Malala, a dramatic work for choir and orchestra that attempts to capture the spirit of her story.
Superficially, women who write fiction today seem to get equal billing with their male counterparts. Yet their work will never get the kind of avid coverage given to men.
Lasting 100 minutes and requiring an orchestra, dozens of singers, cello and vocal soloists, the piece assaults the senses, deliberately seeking to encompass the listener within the scope of its sound.
Thompson is best known for playing complicated intellectual women, often in period dramas. But at the outset, sketch comedy was where she saw herself.
The thorny issue of “English votes for English laws”.
We’ll be here all night!
Across the political spectrum, the New Statesman introduces you to the personalities who shape our world. Where else would you find Jeremy Corbyn, Tony Blair and Theresa May in the same place?