The women of Gezi Park are protesters, not pin-up girls

Turkey's Prime Minister Erdogan wants to cast women as mothers, sisters and wives, and those who oppose him should be careful that their imagery doesn’t do the same.

On 31 May in Taksim Square, a photographer captured the moment a beautiful woman was drenched with tear gas at point blank range. Positioned somewhere between that Tiananmen Square photo and Delacroix’s "Liberty Leading the People", she quickly became the emblem of Turkish unrest – her image was reproduced on badges, graffitied on shop walls, and prompted a whole heap of marriage proposals from rebellious romantics. Travel south to the city of Izmir and you can fleetingly assume the revolutionary mantle yourself by sticking your head through a poster with her portrait on.

Ceyda Sungur is a reluctant icon at best; the academic-cum-pin-up girl politely reminded the world media in her one statement that she was not alone in getting gassed that day. Unsurprisingly, her modesty has had little impact. Whereas most portrayals of male protesters in Istanbul have hinted at borderline anarchistic tendencies (fists clenched, face covered, flag flying and preferably flames) women have been used to emphasise the occupation’s quasi-religious righteousness. A second photograph of a woman standing, arms outstretched, as the jet from a water canon hits her, has grown via social media into some similarly striking internet memes.

To be fair, it’s not just the young and beautiful who have captured hearts in Istanbul.  Last week, a picture of a line of middle-aged women holding hands went viral. According to the slogan, they had formed a human barricade to shield their children from the onslaught of the police. It was a rousing image, but ultimately a lie. These were indeed mothers, but the line was more of a euphoric conga than front line defense. I can say this with some certainty, because I was among the crowd who cheered them on their way. 

Is there anything wrong with a healthy dose of rousing iconography? Maybe not, but having spent time in the now dismantled Gezi Park occupation, it’s hard not to wonder whether the potency of its female symbols wasn’t at best a distraction, at worst an obstruction, when trying to grasp the impact women really made.

Speaking to women in the occupation, the lady in red was generally met with media savvy resignation. "This is just advertising," an exhausted looking videographer told me, "and advertising always uses beautiful women." Her friend agreed nonchalantly: "Every movement needs symbols, I guess."

When it comes to the idea of women as mothers, things are more ambiguous. While the lady in red was largely a symbol which popular culture picked up and ran away with, motherhood became a rallying cry within the occupation itself. And in doing so it split women’s opinion right down the middle.

Mothers joining their children in Taksim square undeniably provided some of the movement’s most rousing rallying cries. Erdogan besought mothers to take their children home, and so they chanted that the mothers of the police should take theirs home instead. Erdogan described the protesters as çapulcu (looters) and so they shouted "the mothers of the çapulcu are here with them." The applause was deafening, and it was hard not to feel moved. In fact many women I spoke with insisted that it was the strong presence of mothers which made this protest so hard to ignore. "It is because families are here that the government cannot say that this is just a protest by extremists,"one of the women leading the chanting later told me. "It means we’re not marginal."

The problem is that one of the main reasons people took issue with Erdogan’s government in the first place was his apparent inability to treat women as individuals outside of the family unit. If you’re rallying against a Prime Minister who is on record stating that all women should have three children, and who has done his upmost to ban the morning after pill and limit abortion, shouldn’t you be cautious about embracing mothering imagery? Evran Kocabıçak, who spent two weeks manning the camp’s feminist stand, thought so. "When the big mothers’ demonstration happened, people rushed over and asked us why we weren’t participating," she said with a wry smile. "I told them because I came here as an individual, not as a role."

Unless we’re going to bulldoze the Statue of Liberty, the heady symbolism of "woman as nation" isn’t going to lose its pulling power any time soon, but we shouldn’t let it eclipse issues of larger significance. This was a protest whose women should be remembered for being powerful, not pretty. When women raised concerns early on about possible harassment in the occupation, they organised a march and flyering campaign to make it clear it wouldn’t be tolerated, and it worked; in a camp crammed with over 1,000 adrenaline pumped rebels there was, women told me, an atmosphere of complete security and respect. When protest chants labelled Erdogan the son of a whore, women held seminars to explain the issues the insult prompted. And when similarly unimaginative graffiti surfaced, they methodically painted over it. It didn’t come back. "This is a new movement so created a new language for it," Rüya Kurtuluş told me, dismounting from the platform where she has just been issuing a televised rallying address to the crowds.

None of this would make for a particularly striking photo essay. Most likely, it’s pretty much impossible to capture a mood, still more an absence, on film. But we need to find some way to mark the achievements of the women in Gezi Park, because otherwise we do them the disservice of reducing their fortnight long struggle to an "any old icon" scrap book of aesthetically appealing dissent. "Here women fought with men, resisted with them, and changed their opinions," a woman wearing a teargas canister as a necklace told me. "I hope that is the lesson that people remember."

Harriet Fitch Little is a writer based in Beirut, with a focus on women's issues and social commentary. Follow her on Twitter @HarrietFL

The image of the "woman in red" being tear gassed went around the world.
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Emmanuel Macron's power struggle with the military

Reminding your subordinates that you are "their boss" doesn't go as far as listening to their problems, it may seem.

This is the sixth in a series looking at why Emmanuel Macron isn't the liberal hero he has been painted as. Each week, I examine an area of the new French president's politics that doesn't quite live up to the hype. Read the whole series.

It had started well between Macron and the army. He was the first president to chose a military vehicle to parade with troops on the Champs-Élysées at his inauguration, had made his first official visit a trip to Mali to meet French soldiers in the field, and had pulled a James Bond while visiting a submarine off the Brittany coast.

It’s all fun and games in submarines, until they ask you to pay to maintain the fleet.

“Macron wanted to appear as the head of armed forces, he was reaffirming the president’s link with the military after the François Hollande years, during which the defence minister Jean-Yves Le Drian had a lot of power,” Elie Tenenbaum, a defence research fellow at the French Institute for International Relations, told the New Statesman. The new president was originally viewed with distrust by the troops because he is a liberal, he says, but “surprised them positively” in his first weeks. Olivier de France, the research director at The French Institute for International and Strategic Affairs, agrees: “He sent good signals at first, gathering sympathy.” 

But the honeymoon ended in July, with what Tenenbaum describes as Macron’s first “real test” on defence: the announced cut of €850m from the army’s budget, despite Macron’s (very ambitious) campaign pledge to rise the defence budget to 2 per cent of the country’s GDP by 2025. A row ensued between the president and the French army’s chief of staff, general Pierre de Villiers, when the general complained publicly that the defence budget was “unbearable”. He told MPs: “I won’t let him [Macron] fuck me up like that!”

Macron replied in a speech he gave to military troops the day before Bastille Day, in which he called soldiers to honour their “sense of duty and discretion” and told them: “I have taken responsibilities. I am your boss.” After the general threatened to quit and wrote at length about “trust” in leadership, Macron added a few days later that “If something brings into conflict the army’s chief of staff and the president of the Republic, the chief of staff changes.” That, Tenenbaum says, was the real error: “On the content, he was cutting the budget, and on the form, he was straightening out a general in front of his troops”. This is the complete opposite of the military ethos, he says: “It showed a lack of tact.”

This brutal demonstration of power led to de Villiers’ resignation on 19 July – a first in modern French politics. (de Villiers had already protested over budget cuts and threatened to quit in 2014, but Hollande’s defence minister Jean-Yves Le Drian had backed down.)

Macron did his best to own up to his mistake, assuring the military that, although this year’s cuts were necessary to meet targets, the budget would be rised in 2018. “I want you to have the means to achieve your mission,” he said.

But the harm was done. “He should have introduced a long-term budget plan with a rise in the coming years right away,” says de France. “It was clumsy – of course he is the boss, everyone knows that. If he needs to say it, something is off.” The €850m will be taken out of the army’s “already suffering” equipment budget, says Tenenbaum. “There are pressures everywhere. Soldiers use equipment that is twice their age, they feel no one has their back." The 2 per cent GDP target Macron set himself during the campaign – a “precise” and “ambitious” one – would mean reaching a €50bn army budget by 2025, from this year’s €34m, he explains. “That’s €2bn added per year. It’s enormous.”

Read more: #5: On immigration, Macron's words draw borders

Macron has two choices ahead, De France explains: “Either France remains a big power and adapts its means to its ambitions” – which means honouring the 2 per cent by 2025 pledge – “or wants to be a medium power and adapts its ambitions to its means”, by reducing its army’s budget and, for instance, reinvesting more in European defence.

The military has good reason to doubt Macron will keep his promise: all recent presidents have set objectives that outlast their mandates, meaning the actual rise happens under someone else’s supervision. In short, the set goals aren’t always met. Hollande’s law on military programming planned a budget rise for the period 2018-19, which Macron has now inherited. “The question is whether Macron will give the army the means to maintain these ambitions, otherwise the forces’ capacities will crumble,” says Tenenbaum. “These €850m of cuts are a sign than he may not fulfill his commitments.”

If so, Macron’s row with the general may only be the beginning.  It didn’t help Macron’s popularity, which has been plummeting all summer. And the already distrustful troops may not forgive him: more than half of France’s forces of order may support Marine Le Pen’s Front national, according to one poll. “It’s hardly quantifiable and includes police officers,” Tenenbaum cautions. All the same, the army probably supports right-wing and hard-right politicians in higher numbers than the general population, he suggests.

James Bond would probably have known better than to irritate an entire army – but then again, Bond never was “their boss.”