The mob mentality that prevents things improving for Pakistan's minorities

While politicians shy away from watering down official discrimination, the situation isn't going to improve.

By any standards, the last few days have been bleak for Pakistan’s persecuted minority communities.

It started on Saturday, when a century-old Hindu temple in Karachi’s busy Soldier Bazaar area was demolished with the help of police. The Shri Rama Pir Mandir (temple) was razed to the ground along with three or four houses, by a private builder acting with the assistance of the local administration. This was despite the fact that a court stay order protecting the site had been granted. The bulldozers arrived in the morning, and people were told to get out of their houses. They watched as their homes and possessions were destroyed, unable to do anything about it. In this poverty-ridden cantonment, people live in cramped conditions. Around four families lived in each house that was destroyed, meaning that some 40 people have been made homeless.

Perhaps even more distressing for residents was the wanton destruction of their place of worship. The scene was devastating. Hindu deities sat among the rubble; families wept and screamed “if you don’t want us, we’ll go to India”. Astonishingly, despite the physical evidence, the authorities have continued to claim that the temple was not destroyed and that they were only acting against illegal occupants. This blatant dishonesty demonstrates the impunity with which the authorities can operate, confident that the disenfranchised Hindu community will be unable to do much about it.

The next incident took place in Lahore in the early hours of Monday morning. A group of 12-15 masked men entered an Ahmadi graveyard in the Model Town area, bearing weapons and excavation tools. They tied up the guards at the compound and desecrated 100 graves, removing and breaking tombstones, saying that they should not bear religious inscriptions because Ahmadis are “infidels”. The Ahmadiyya community is regarded as heretical because it does not believe that Mohammed was the last prophet to be sent to earth. To become a citizen of Pakistan, one must sign an oath declaring Ahmadis to be non-Muslims. Although the men who desecrated the graves are thought to have been members of the Taliban or another militant group, it is easy to see how the backdrop of officially-entrenched discrimination allows such views to flourish.

In an unrelated episode later that day, it emerged that Nadeem Yousuf, a 22-year-old man accused of blasphemy, had died in police custody. He had been detained seven days previously in Nankana Sahib town, Punjab, suspected of burning the Quran. According to his family, he suffered from mental health problems. The circumstances of his death are murky. Police claim he became seriously ill in custody, implying that he was a drug addict and could have died from withdrawal. His family allege that he was tortured to death. Regardless of the exact truth – and answers will be hard to come by – his case is just another sad example of blasphemy accusations being a death sentence. Even before the sentence is handed down, the majority of the accused die in custody or at the hands of an angry mob.

Taken together, these ostensibly unrelated incidents provide a disturbing snapshot of the fault line running through Pakistani society. From the extremists who desecrated the graveyard, to the local authority who demolished the Hindu temple, to the police who at worst tortured a young man and at best failed to get him medical assistance, there is a troubling disregard for safeguarding minority rights and freedom of religion. The solutions? They can only be long-term: education, community cohesion work, proper legal protection for minorities rather than just empty condemnations. Politicians shy away from watering down official discrimination such as the blasphemy law and the Ahmadi clause due to widespread support for these measures. But unless this mob mentality is tackled head on, there is very little hope for fighting extremist elements. After all, on the face of it, what is there really to separate the two?

Pakistani students protest in Lahore earlier this month demanding the re-opening of their school after it was set on fire by a crowd claiming a teacher had insulted the Prophed Mohammed. Photograph: Getty Images

Samira Shackle is a freelance journalist, who tweets @samirashackle. She was formerly a staff writer for the New Statesman.

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Brexit confusion is scuppering my show – what next?

My week, from spinning records with Baconface, Brexit block and visiting comedy graves.

I am a stand-up comedian, and I am in the process of previewing a new live show, which I hope to tour until early 2018. It was supposed to be about how the digital, free-market society is reshaping the idea of the individual, but we are in the pre-Brexit events whirlpool, and there has never been a worse time to try to assemble a show that will still mean anything in 18 months’ time.



A joke written six weeks ago about dep­orting eastern Europeans, intended to be an exaggeration for comic effect, suddenly just reads like an Amber Rudd speech – or, as James O’Brien pointed out on LBC, an extract from Mein Kampf.

A rude riff on Sarah Vine and 2 Girls 1 Cup runs aground because there are fewer people now who remember Vine than recall the briefly notorious Brazilian video clip. I realise that something that gets a cheer on a Tuesday in Harrogate, or Glasgow, or Oxford, could get me lynched the next night in Lincoln. Perhaps I’ll go into the fruit-picking business. I hear there’s about to be some vacancies.



I sit and stare at blocks of text, wondering how to knit them into a homogeneous whole. But it’s Sunday afternoon, a time for supervising homework and finding sports kit. My 11-year-old daughter has a school project on the Victorians and she has decided to do it on dead 19th-century comedians, as we had recently been on a Music Hall Guild tour of their graves at the local cemetery. I wonder if, secretly, she wished I would join them.

I have found living with the background noise of this project depressing. The headstones that she photographed show that most of the performers – even the well-known Champagne Charlie – barely made it past 40, while the owners of the halls outlived them. Herbert Campbell’s obelisk is vast and has the word “comedian” written on it in gold leaf, but it’s in the bushes and he is no longer remembered. Neither are many of the acts I loved in the 1980s – Johnny Immaterial, Paul Ramone, the Iceman.



I would have liked to do some more work on the live show but, one Monday a month, I go to the studios of the largely volunteer-run arts radio station Resonance FM in Borough, south London. Each Wednesday night at 11pm, the masked Canadian stand-up comedian Baconface presents selections from his late brother’s collection of 1950s, 1960s and 1970s jazz, psychedelia, folk, blues and experimental music. I go in to help him pre-record the programmes.

Baconface is a fascinating character, whom I first met at the Cantaloupes Comedy Club in Kamloops in British Columbia in 1994. He sees the radio show as an attempt to atone for his part in his brother’s death, which was the result of a prank gone wrong involving nudity and bacon, though he is often unable to conceal his contempt for the music that he is compelled to play.

The show is recorded in a small, hot room and Baconface doesn’t change the bacon that his mask is made of very often, so the experience can be quite claustrophobic. Whenever we lose tapes or the old vinyl is too warped to play, he just sits back and utters his resigned, philosophical catchphrase, “It’s all bacon!” – which I now find myself using, as I watch the news, with ­depressing regularity.



After the kids go to sleep, I sit up alone and finally watch The Lady in the Van. Last year, I walked along the street in Camden where it was being filmed, and Alan Bennett talked to me, which was amazing.

About a month later, on the same street, we saw Jonathan Miller skirting some dog’s mess and he told me and the kids how annoyed it made him. I tried to explain to them afterwards who Jonathan Miller was, but to the five-year-old the satire pioneer will always be the Shouting Dog’s Mess Man.



I have the second of the final three preview shows at the intimate Leicester Square Theatre in London before the new show, Content Provider, does a week in big rooms around the country. Today, I was supposed to do a BBC Radio 3 show about improvised music but both of the kids were off school with a bug and I had to stay home mopping up. In between the vomiting, in the psychic shadow of the improvisers, I had something of a breakthrough. The guitarist Derek Bailey, for example, would embrace his problems and make them part of the performance.



I drank half a bottle of wine before going on stage, to give me the guts to take some risks. It’s not a long-term strategy for creative problem-solving, and that way lies wandering around Southend with a pet chicken. But by binning the words that I’d written and trying to repoint them, in the moment, to be about how the Brexit confusion is blocking my route to the show I wanted to write, I can suddenly see a way forward. The designer is in, with samples of a nice coat that she is making for me, intended to replicate the clothing of the central figure in Caspar David Friedrich’s 1818 German masterpiece Wanderer Above a Sea of Fog.



Richard Branson is on the internet and, just as I’d problem-solved my way around writing about it, he’s suggesting that Brexit might not happen. I drop the kids off and sit in a café reading Alan Moore’s new novel, Jerusalem. I am interviewing him about it for the Guardian in two weeks’ time. It’s 1,174 pages long, but what with the show falling apart I have read only 293 pages. Next week is half-term. I’ll nail it. It’s great, by the way, and seems to be about the small lives of undocumented individuals, buffeted by the random events of their times.

Stewart Lee’s show “Content Provider” will be on in London from 8 November. For more details, visit:

This article first appeared in the 27 October 2016 issue of the New Statesman, American Rage