Why are Indian farmers committing suicide over their debts?

Cotton farming has such narrow margins that finding cash to hold a family together can prove too much.

Every day, I Google “farmer suicides” and every day I see a new entry. I have a mantra which riffs on this: “Nearly 300,000 Indian farmers have committed suicide to get out of debt since 1995. In the state of Maharashtra in 2006, 4,453 people committed suicide. That’s one every eight hours.”

If you close your eyes and wiggle your finger over a map of India near the middle you’ll land on Maharashtra. You’ll probably not be far from a town called Wardha in Vidarbha. Nestled between the cities of Amravati and Nagpur it’s got a population of just over a million people – most of them farmers. Specifically, cotton farmers. This is known as the “cotton suicide state”.

Farmers being in debt isn’t new and neither is suicide. What shocked me wasn’t that people did it but how many people did it and why. It was like a swathe of indebted farmers were trying to push the reset button because they felt they couldn’t make something work properly.

There’s a tendency to appear dismissive of the real life struggles of the Indian agrarian class with two words – “go organic”. As an ideal, it’s perfect. No chemical use so no nasty cancers, working with a seed that isn’t sterile and 95 per cent controlled by Monsanto and cheaper for the farmer. Yet it’s not that simple. A farm that’s been hammered with years of chemical abuse needs some detox time in order to qualify for an organic standard certificate. That means three years of farming organically without the perks of selling at organic prices. The fear of lower yield for farmers who are oftentimes below the poverty line is enough to keep them on the smack.

I met a farmer called Hanuman who borrowed 80,000 rupees from the bank so he could farm his five to six acres of land with cotton. A father of two, he spent 70,000 rupees on boxes of bt (bacillius thuringienis) cotton seed and pesticides. The technology for bt is owned by Monsanto and it is licensed to seed companies for use and sale across a range of crops. The seed Hanuman uses costs 950 rupees per kg – Monsanto gets around 180 rupees per box. What’s more, he has to buy fertilisers to help it grow and chemicals to keep the bugs away. He hires labourers at 100 rupees a day to spray those chemicals. In an average season, he’d spray 8-10 times.

This year, the monsoons came late and the wells were running dry. Hanuman doesn’t know how much yield he’ll get from his crop. He won’t know what money it will fetch until he takes it to market. Buyers there pay the same price for bt cotton (which starts off producing higher yield but slowly declines and is grown with pesticide) as they would for organic (lower yield, no pesticides, more manual work on the farm). Hanuman says the only reason he’d resort to a bit of organic farming is to cut back on the costs of chemicals. He’s scared he’d lose too much money.

Bt seeds are sterile – so that means he has to buy a fresh batch of seeds the next time around. When we last spoke, he said he’d have to borrow more money to buy more pesticides and pay for his sons’ schooling. Somewhere in that narrow margin of debt he has to find cash to keep his family together.

I befriended Prathiba, a widow whose daughter found her husband hanging inside their one-room house in 2007. Now sweeping floors for a living, she lives with one other daughter. She sent her son away because she couldn’t afford to keep him. She didn’t know her husband was in debt until she found a note in his pocket.

We also found Kantibai. Her husband drank the poison he used to farm on 09 August 2012. Like Prathiba, she didn’t know her family was in debt until someone brought her husband – dying from poisoning himself – to the house. He told her to look after their two sons and daughter and was whisked off in a rikshaw towards hospital. He never made it. We met her a month later in a state of blank desperation that will always stick with me. She really had no idea where her life would go from there.

Ignoring journalistic pretentions at impartiality, the team and I chased down Kishore Jagtap – a man who runs a local NGO with a widows and women’s empowerment programme. Kantibai’s village was an hour away from his usual patch but we drove him to meet her anyway. He taught her what she needed to do in order to apply for compensation, what sort of help was available to her and taught her sons how to sign on to a welfare work scheme. He also gave her his direct contact details and said to call him anytime. Kishore didn’t have to come with us. But he did. And for the first time, as we were leaving, Kantibai smiled.

India is around 60 per cent agrarian so we started at the bottom – with the farmers on whom the whole economy relies. We found that they were the first to give of themselves and yet the first to be abandoned as India runs headlong into the dizzying ether of free market economics (or as free as you can get when you’re bound to the World Trade Organisation and dole out corporate subsidies).

We found stories that challenge preconceived notions of poverty and need. We spent a day looking for the poorest farmer in a village only to be welcomed into his house and greeted with a brand new television with a dodgy colour tube. He’d spent a week’s wages on it. We saw farmers who grew chickpeas and sold them at the market for 30 rupees a kilo…and then went down the road to buy chickpeas for dinner at 50 rupees a kilo.

We saw gaps in basic education and farmers who had no one to teach them how to farm apart from the men who sold them the seeds and the chemicals.

We met economists, intellectuals, activists and scientists who lived lives dancing on dualities. Like the man who runs an organic seed bank but farms bt cotton to fund it. Or the etymologist developing a GM cottonseed that thrives in drought, can be farmed using organic methods and will undercut major seed companies if he’s allowed to open-source the technology.

We were met with enthusiasm, apathy and hostility. Sometimes within the same sentence. And we’ve only just started. We need to work our way up the cotton supply chain and get to know the workers, the brokers, the manufacturers, the buyers, the dealers, the designers, the retailers and the consumers.

I struggled with my privileged Western “let’s buy organic” idealism. It’s great if everybody plays ball but in a country that’s mired in corruption and kickbacks at the top and desperate penury at the bottom you feel a bit of a dick even suggesting it. Being treated to a show of women making organic insecticide out of cow piss and leaves in the dark of the night while their neighbours whispered “I don’t know why we always do this for visitors, it doesn’t work and no one actually uses it” didn’t help either.

It’s a journey. I’m aware what I come back with at the end may be different from what I expect to find. I’m exploring science and the idea of open-sourcing technology to take power away from corporations and anyone who makes a killing out of suicides. I want to see if we can make ethics and sustainability the norm in the fashion industry because people don’t have to die for the stuff we wear. It seems we may have to ruffle some very important feathers while we do that. Bring it on.

Leah Borromeo is making a film about cotton farmers in India, entitled "The Cotton Film : Dirty White Gold". You can watch a trailer for it here.

A worker holds cotton at a cotton factory near the town of Yavatmal in the Vidarbha region of Maharashtra state. Photograph: Getty Images
Photo: Getty
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Sean Spicer's Emmys love-in shows how little those with power fear Donald Trump

There's tolerance for Trump and his minions from those who have little to lose from his presidency.

He actually did it. Sean Spicer managed to fritter away any residual fondness anyone had for him (see here, as predicted), by not having the dignity to slip away quietly from public life and instead trying to write off his tenure under Trump as some big joke.

At yesterday’s Emmys, as a chaser to host Stephen Colbert’s jokes about Donald Trump, Sean Spicer rolled onto the stage on his SNL parody podium and declared, “This will be the largest audience to witness an Emmys, period.” Get it? Because the former communications director lied about the Trump inauguration crowd being the largest in history? Hilarious! What is he like? You can’t take him anywhere without him dropping a lie about a grave political matter and insulting the gravity of the moment and the intelligence of the American people and the world. 

Celebs gasped when they saw him come out. The audience rolled in the aisles. I bet the organisers were thrilled. We got a real live enabler, folks!

It is a soul-crushing sign of the times that obvious things need to be constantly re-stated, but re-state them we must, as every day we wake up and another little bit of horror has been prettified with some TV make-up, or flattering glossy magazine profile lighting.

Spicer upheld Trump's lies and dissimulations for months. He repeatedly bullied journalists and promoted White House values of misogyny, racism, and unabashed dishonesty. The fact that he was clearly bad at his job and not slick enough to execute it with polished mendacity doesn't mean he didn't have a choice. Just because he was a joke doesn't mean he's funny.

And yet here we are. The pictures of Spicer's grotesque glee at the Emmy after-party suggested a person who actually can't quite believe it. His face has written upon it the relief and ecstasy of someone who has just realised that not only has he got away with it, he seems to have been rewarded for it.

And it doesn't stop there. The rehabilitation of Sean Spicer doesn't only get to be some high class clown, popping out of the wedding cake on a motorised podium delivering one liners. He also gets invited to Harvard to be a fellow. He gets intellectual gravitas and a social profile.

This isn’t just a moment we roll our eyes at and dismiss as Hollywood japes. Spicer’s celebration gives us a glimpse into post-Trump life. Prepare for not only utter impunity, but a fete.

We don’t even need to look as far as Spicer, Steve Bannon’s normalisation didn’t even wait until he left the White House. We were subjected to so many profiles and breathless fascinations with the dark lord that by the time he left, he was almost banal. Just your run of the mill bar room bore white supremacist who is on talk show Charlie Rose and already hitting the lucrative speaker’s circuit.

You can almost understand and resign yourself to Harvard’s courting of Spicer; it is after all, the seat of the establishment, where this year’s freshman intake is one third legacy, and where Jared Kushner literally paid to play, but Hollywood? The liberal progressive Hollywood that took against Trump from the start? There is something more sinister, more revealing going here. 

The truth is, despite the pearl clutching, there is a great deal of relative tolerance for Trump because power resides in the hands of those who have little to lose from a Trump presidency. There are not enough who are genuinely threatened by him – women, people of colour, immigrants, populating the halls of decision making, to bring the requisite and proportional sense of anger that would have been in the room when the suggestion to “hear me out, Sean Spicer, on SNL’s motorised podium” was made.

Stephen Colbert is woke enough to make a joke at Bill Maher’s use of the N-word, but not so much that he refused to share a stage with Spicer, who worked at the white supremacy head office.

This is the performative half-wokeness of the enablers who smugly have the optics of political correctness down, but never really internalised its values. The awkward knot at the heart of the Trump calamity is that of casual liberal complicity. The elephant in the room is the fact that the country is a most imperfect democracy, where people voted for Trump but the skew of power and capital in society, towards the male and the white and the immune, elevated him to the candidacy in the first place.

Yes he had the money, but throw in some star quality and a bit of novelty, and you’re all set. In a way what really is working against Hillary Clinton’s book tour, where some are constantly asking that she just go away, is that she’s old hat and kind of boring in a world where attention spans are the length of another ridiculous Trump tweet.

Preaching the merits of competence and centrism in a pantsuit? Yawn. You’re competing for attention with a White House that is a revolving door of volatile man-children. Trump just retweeted a video mock up where he knocks you over with a golf ball, Hillary. What have you got to say about that? Bet you haven’t got a nifty Vaclav Havel quote to cover this political badinage.

This is how Trump continues to hold the political culture of the country hostage, by being ultra-present and yet also totally irrelevant to the more prosaic business of nation building. It is a hack that goes to the heart of, as Hillary's new book puts it, What Happened.

The Trump phenomenon is hardwired into the American DNA. Once your name becomes recognisable you’re a Name. Once you’ve done a thing you are a Thing. It doesn’t matter what you’re known for or what you’ve done.

It is the utter complacency of the establishment and its pathetic default setting that is in thrall to any mediocre male who, down to a combination of privilege and happenstance, ended up with some media profile. That is the currency that got Trump into the White House, and it is the currency that will keep him there. As Spicer’s Emmy celebration proves, What Happened is still happening.