“It started with the narrowest of hairline fractures, so small I didn’t see what it would become”

Seeing the Nigella Lawson photographs everywhere, Sarah Pinborough remembers her own experience of a relationship that turned abusive.

Sometimes time folds in on itself. A picture, a word, a passing scent can trigger a visit to the graveyard of the past. This week, for me, those pictures and words are everywhere. Attached to them are so much advice. So much opinion. It makes me feel strange inside and I want to say, "You know what, just shhh. You’re not helping. You’re making her ground more unsteady."

That thought in turn makes me wonder if all these years on a small part of me still doesn’t always know where to put my feet.

One night when I was 19, at maybe three in the morning, he wrote "I love you" on an empty wine bottle and waited for me to notice it. And there it began. Boy kisses girl. I was wild and free and loved to laugh and dance and stay up all night. He was wild and talented and clever and funny. He was charismatic. He was also put together wrong.

Over the next 18 months he would slowly deconstruct me.

We loved each other very much, I think. At first. Too much. I loved him for the places where the ground was steady. I was too young to know that so much intensity was not necessarily a good thing. I loved his passion. I loved his talent. We could laugh for hours. The sex was great. He was wrapped up in me and I liked that. We were one against the world. And then, after a little while, the world shifted. There was only our world. And the ground was full of cracks that moved suddenly under my feet.

It started with the narrowest of hairline fractures, so small I didn’t see what it would become. Hours of silence and accusations after he’d seen me laughing with an ex-boyfriend on the college campus. The first bottle thrown. Not at me. Not then. But thrown all the same.

I slowly stopped talking to my friends. It was easier than the knot in my stomach that worried he might see me. I loved him. I just wanted him to be happy. I didn’t want to "do anything wrong".

We started living together. The cracks appeared more frequently. I flirted too much. I laughed too much with his friends. I realised things were very badly awry when I got home from college and chucked my cigarettes and lighter down on the table rather then placing them precisely at the right angle. He threw me down on the floor, knelt on my chest and squeezed my eyes into my head while spitting in my face. Afterwards he cried. I tried to make it better.

Of course there was no better. I just learned to put my cigarettes down properly.

The ground is never steady when you live with someone like that. It shifts with the moods. Where to put your feet becomes an OBSESSION. One day he shoved me against the wall by my throat and threw me down the stairs for putting a ribbon in my hair on the first day of a new term. Why? Who is it for? Who do you want looking at you? You’re so ugly and stupid no one would look at you anyway. The next week the problem was that I hadn’t put any make-up on or a short skirt to go to his gig and he wanted everyone to see his gorgeous girlfriend. I learned then that the cracks had no logic.

By the end of a year, watching the ground was all I did. My friends had stopped talking to me and inviting me to things. I only saw his friends and only briefly. If he went out he’d call every hour to check I was still at home. I tied my hair back every time I cooked (yeah, I even cooked back then) just in case one got in the food. I remember being curled up under the bathroom sink while he pressed my face hard into the wall. I can’t even remember what I’d done. The reasons blur. The outcomes don’t.

And then, for a while, it would all be fine. The knots would unfurl. We would laugh all night. I could do no wrong. It was magic that felt all the stronger for the times I got stuck in the cracks. It was love again. For a while.

One night, I was in the bath and didn’t answer the ringing phone. When he got back he pinned me down so hard he broke both our bed and the top rib under my collarbone. I think he even scared himself a little bit then.

At 41, looking back, reading this back, I can’t believe I didn’t get a bag and walk right out. Even some of his friends, young as we all were, had started looking at me searchingly and asking me if things were okay. I can’t even remember why I didn’t. I was worried about the lease on our flat that our parents had guaranteed. I didn’t want to talk to my parents about it – they still hadn’t forgiven me for my ridiculous adventure the previous year. I didn’t want to talk about it AT ALL.

The crunch came about two weeks later when I was on the phone to his mother – his not mine – and he threw a beer bottle at my head. She told me to get out. She told me not to worry about the rent.

And finally, I did. I was young and the young recover quickly and leave their baggage behind. Sometimes it’s too heavy to carry anyway.

Maybe those pictures are Nigella’s phonecall/beerbottle moment. I hope they are. There are lots of ‘yay she’s moved out’ comments in the papers and on the internet.

Still, it all makes me feel very quiet inside. All I can see in my head is a woman sitting in a corner somewhere wishing everyone would just be quiet about it because it’s all her fault and she doesn’t know where the fuck she’s going to put her feet.

Sarah Pinborough is a critically acclaimed horror, thriller and YA author. She tweets as @sarahpinborough. This post first appeared on her blog, and is crossposted here with her permission

It's hard to walk away from a home, no matter the circumstances. Photograph: Getty Images
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Snakebites and body parts

The city at the edge of an apocalypse: a love letter to Los Angeles.

I was emailing with Kenneth Anger, the film-maker, when the coyotes across the street in Griffith Park started howling.

That’s partially true.

I was emailing him to ask if he’d direct a music video for me. Maybe Lucifer Rising 2.0. Or anything.

Just him in the kitchen making tea, as recorded on his iPhone.

Kenneth Anger is alive and well in Santa Monica, so why not ask him to direct a video for me? Hopefully, he’ll respond. We’ve never met, so I sent an email to him, not with him. That’s the partial truth.

But the coyotes did start howling.

It’s the single best sound in Los Angeles, or any city. Is there another city where you can email an 89-year-old devotee of Aleister Crowley while listening to a few dozen coyotes screaming and howling and ripping the night into little pieces?

No. Just here. This oddness by the sea and an inch from a billion acres of Arrakis.

I never thought I’d end up living in Los Angeles, but I’ve ended up living in Los Angeles. This dirtiest, strangest paradise.

Yesterday I went hiking in a two-million-acre state park that’s 30 minutes from my house. A state park bigger than all of New York City. And it’s 30 minutes away. With no people. Just bears and pumas and coyotes and snakes.

And other things. Abandoned bridges. An observatory where Albert Einstein used to go to watch space.

What a strange city.

A perfect city. Perfect for humans at the edge of this strangely unfolding apocalypse. A gentle apocalypse with trade winds and Santa Ana winds and the biannual vicious storm that rips eucalyptus trees up by their roots.

What a strange city. And it’s my home.

Today I hiked to the back of the Hollywood sign. This was before Kenneth Anger and the coyotes.

The tourists were dropping like flies on the long, hot mountain trail, not aware that this isn’t a city with the safe European ­infrastructure that keeps them happy
and/or alive.

Every now and then, a tourist dies in the hills, bitten by a snake or lost at night. The emergency rooms are full of tourists with snakebites and heatstroke.

Where are the European safeguards?

Fuck us if we need safeguards. Go live in a place like this gentle wasteland where you’re not at the top of the food chain. If you’re not in danger of being eaten at some point in the day, you’re probably not breathing right.

I hope Kenneth Anger writes back.

 

22 May

I drove some friends around my neighbourhood. They want to live here. Why wouldn’t they? Pee-wee Herman and Thom Yorke live up the street.

David Fincher lives a block away. It’s blocks and blocks of jasmine-scented name-
dropping.

It’s warm in the winter and it’s weird all year round.

And there’s a Frank Lloyd Wright that looks like a lunatic Mayan spaceship.

And there go the coyotes again, howling like adorable delegates of death.

They’re so smart, I wish they would make me their king.

You hate Los Angeles? Who cares? You made a mistake, you judged it like you’d judge a city. Where’s the centre?

There’s no centre. You want a centre? The centre cannot hold. Slouching towards Bethlehem. Things fall apart.

Amazing how many titles can come from one poem. What’s a gyre?

Yeats and Kenneth Anger and Aleister Crowley. All these patterns.

Then we had brunch in my art deco pine-tree-themed restaurant, which used to sell cars and now sells organic white tea and things.

The centre cannot hold. I still have no idea what a gyre is.

Maybe something Irish or Celtic.

It’s nice that they asked me to write this journal.

Things fall apart.

So you hate Los Angeles? Ha. It still loves you, like the sandy golden retriever it is. Tell me again how you hate the city loved by David Lynch and where David Bowie made his best album? Listen to LA Woman by the Doors and watch Lynch’s Lost Highway and read some Joan Didion – and maybe for fun watch Nightcrawler – and tell me again how you hate LA.

I fucking love this sprawling inchoate pile of everything.

Even at its worst, it’s hiding something baffling or remarkable.

Ironic that the city of the notoriously ­vapid is the city of deceiving appearance.

After brunch, we went hiking.

Am I a cliché? Yes. I hike. I do yoga. I’m a vegan. I even meditate. As far as clichés go, I prefer this to the hungover, cynical, ruined, sad, grey cliché I was a decade ago.

“You’re not going to live for ever.”

Of course not.

But why not have a few bouncy decades that otherwise would’ve been spent in a hospital or trailing an oxygen tank through a damp supermarket?

 

24 May

A friend said: “The last time I had sex, it was warm and sunny.”

Well, that’s helpful.

October? June? February?

No kidding, the coyotes are howling again. I still love them. Have you ever heard a pack of howling coyotes?

Imagine a gaggle of drunk college girls who also happened to be canine demons. Screaming with blood on their teeth.

It’s such a beautiful sound but it also kind of makes you want to hide in a closet.

No Kenneth Anger.

Maybe I’m spam.

Vegan spam.

Come on, Kenneth, just make a video for me, OK?

I’ll take anything.

Even three minutes of a plant on a radiator.

I just received the hardcover copy of my autobiography, Porcelain. And, like anyone, I skimmed the pictures. I’m so classy, eating an old sandwich in my underpants.

A friend’s dad had got an advance copy and was reading it. I had to issue the cautious caveat: “Well, I hope he’s not too freaked out by me dancing in my own semen while surrounded by a roomful of cross-dressing Stevie Nicks-es.”

If I ever have kids, I might have one simple rule. Or a few simple rules.

Dear future children of mine:

1) Don’t vote Republican.

2) Don’t get facial tattoos.

3) Don’t read my memoir.

I don’t need my currently unmade children to be reading about their dear dad during his brief foray into the world of professional dominatrixing, even if it was brief.

The first poem I loved was by Yeats: “When You Are Old”. I sent it to my high-school non-girlfriend. The girl I longed for, unrequitedly. I’m guessing I’m not the first person to have sent “When You Are Old” to an unrequited love.

Today the sky was so strangely clear. I mean, the sky is almost always clear. We live in a desert. But today it felt strangely clear, like something was missing. The sun felt magnified.

And then, at dusk, I noticed the gold light slanting through some oak trees and hitting the green sides of the mountains (they were green as we actually had rain over the winter). The wild flowers catch the slanting gold light and you wonder, this is a city? What the fuck is this baffling place?

I add the “fuck” for street cred. Or trail cred, as I’m probably hiking. As I’m a cliché.

You hike, or I hike, in the middle of a city of almost 20 million people and you’re alone. Just the crows and the spiralling hawks and the slanting gold light touching the oak trees and the soon-to-go-away
wild flowers.

The end of the world just feels closer here, but it’s nice, somehow. Maybe the actual end of the world won’t be so nice but the temporal proximity can be OK. In the slanting gold light. You have to see it, the canyons in shadow and the tops of the hills in one last soft glow.

What a strange non-city.

 

25 May

They asked for only four journal entries, so here’s the last one.

And why is # a “hashtag”?

Hash? Like weird meat or weird marijuana? Tag, like the game?

At least “blog” has an etymology, even if, as a word, it sounds like a fat clog in a drain.

A friend who works in an emergency room had a patient delivered to her who had a croquet ball in his lower intestine. I guess there’s a lesson there: always have friends who work in emergency rooms, as they have the best stories.

No coyotes tonight. But there’s a long, lonesome, faraway train whistle or horn. Where?

Where in LA would there be a long, lonesome, faraway train whistle or horn?

It’s such a faraway sound. Lonesome hoboes watching the desert from an empty train car. Going where?

I met a woman recently who found human body parts in some bags while she
was hiking.

Technically, her dogs found them.

Then she found the dogs.

And then the sky was full of helicopters, as even in LA it’s unusual to have human hands and things left in bags near a hiking trail a few hundred yards from Brad Pitt’s house.

What is this place?

When I used to visit LA, I marvelled at the simple things, like gas stations and guest bedrooms.

I was a New Yorker.

And the gas stations took credit cards. At. The. Pumps.

What was this magic?

And people had Donald Judd beds in their living rooms, just slightly too small for actual sleeping – but, still, there’s your Donald Judd bed. In your living room at the top of the hill somewhere, with an ocean a dozen miles away but so clear you can see Catalina.

They drained the reservoir and now don’t know what to do with it.

Good old LA, confused by things like empty reservoirs in the middle of the city.

Maybe that’s where the lonesome train lives. And it only comes out at night, to make the sound of a lonesome train whistle, echoing from the empty concrete reservoir that’s left the city nonplussed.

“We’ve never had an empty reservoir in the city before.”

So . . . Do something great with it. I know, it’s a burden being given a huge gift of ­empty real estate in the middle of the city.

Tomorrow I’m meeting some more friends who’ve moved here from New York.

“We have a guest bedroom!” they crow.

A century ago, the Griffith Park planners planted redwoods across the street. And now the moon is waning but shining, far away but soft, through the redwoods.

No coyotes, but a waning moon through some towering redwoods is still really OK. As it’s a city that isn’t a city, and it’s my home.

Goodnight.

Moby’s memoir, “Porcelain”, is published by Faber & Faber

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad