Trans role models: Janet Mock, Paris Lees, CN Lester and Luke Anderson

You may not have heard of them, but popular culture has its fair share of trans people in public life braving the slurs - living examples of what trans people can achieve.

Historically, there have always been trans people, and in the past hundred and twenty years it is easy to notice them blasting their way through popular culture – from Billy Tipton, a jazz musician from the 1930s-1970s, through Calpernia Addams, a transgender author, actress and musician from the 1990s onwards, to cultural icons such as Eddie Izzard. Even now, we know about plenty of trans people making their way onto the big stage of popular culture, with the awareness that there are probably several more remaining stealth.

If you’re not involved in the trans community you might not have heard of these people, or you might not have heard of all of them, but they’re a collection of just a few of the trans people from all ages, cultures and backgrounds, who are part of the "media glitterati" – people who are living their lives in the public eye, and using their history of transition to help others. Sometimes this is done through visibility, being open about their trans status alongside their media career. Other times, activism comes into it as well – whether this is through working with television companies to improve their trans coverage (like Paris Lees), or designing the trans program at a high school for LGBT students (like Janet Mock).

Last year, for the second time, a trans person won Big Brother in the UK – this time a trans man called Luke Anderson, last time a trans woman called Nadia Almada, who won in 2004. When Luke went into the house he didn’t mention that he had transitioned to male, and over time he chose to share his history. The courage that this took him won him many friends both inside and outside the house, and when he won Big Brother, in a nationwide vote, the viewers were saying “we stand behind him, we want him to have the prize money” – a statement of support for a trans man from a significant swathe of the population.

Janet Mock, the former staff editor of People magazine’s website, came out as trans in 2011, disclosing her history in an article in Marie Claire. This set her up as an inspirational figure for a whole new generation of younger trans people. Her career had always been relatively prominent, and as a result, seeing a beautiful, accomplished woman in a position of relative power who had a history similar to theirs was a seminal moment for many younger trans women of my acquaintance. Last year, she also began the Twitter hashtag #GirlsLikeUs, designed to empower trans women of colour, a group of people living at the challenging intersection of transphobia, misogyny, and racism.

Equally stunning, Paris Lees is a UK journalist, and winner of the LGBT positive role model award at the National Diversity Awards 2012 – following her work with Trans Media Watch – most notably persuading Channel Four to commit to trying to remove all transphobic material from broadcast. Her appearances on television have, so far, primarily been brief, but nonetheless her incredible writing skill and untouchable confidence have won her quite a cult following, and in her newer positions of Editor (and founder) of META magazine, a glossy magazine aimed at the trans community, and channel four consultant, as well as her columns in Gay Times and Diva, she is the absolute definition of a rising star.

Finally, the unmatchable CN Lester. CN is a classically trained singer, who navigates the music world as an out genderqueer pianist and singer. Finding people who identify as genderqueer and are able to be open about that in every part of their life is rare, due to the oppressive and binarist culture in which we live, and finding one in popular culture would be expected to be even harder, but in reality CN has managed to combine their identity and their career remarkably, and has just released their first classical album – following their debut indie album in 2012.

Celebrities who try to make the world a better place are often lauded for that, and these people are certainly doing so – whether through the direct activism of Paris and Janet, or the openness about their history and identities, despite the costs and risks this could impose, of CN and Luke. By being out in popular culture, you will always be labelled “the trans one”. Slurs will be levelled at you the second you misstep, or simply because someone dislikes you. These four people have made the decision that that risk is worth it, to continue their careers, and to place their lives out there as examples of what trans people can achieve.
To all the people mentioned, and to all the trans people who live their lives with that level of honesty, integrity, and confidence - you are role models.

Matthew Reuben is a disability and trans rights activist, and a languages student.

Janet Mock, a journalist who came out as trans in 2011. Photograph: Getty Images

Matthew Reuben is a disability and trans rights activist, and a languages student.

Photo: Getty
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Why the past 12 months have been the worst of my lifetime

We desperately need a return to calm and moderation.

Twitter is a weird phenomenon: a deeply selective, wholly unreliable Survation or YouGov in your pocket, with an even bigger margin for error. I’ve been tweeting for a year now, but I’m still useless at guessing what is likely to attract attention; so I was taken completely by surprise at the end of last week when a comment I jotted down received thousands of Likes and retweets. “It’s a year since Jo Cox was murdered,” I wrote: “the worst year for Britain in my lifetime. We badly need a return to Jo’s concept of moderation now.”

Fairly anodyne, you would have thought, but it seems to have touched a nerve. Clearly many other people feel that the past year, with its violence and disasters and wholesale political instability, has been a bad one. For days afterwards, my phone kept buzzing as more people retweeted it. There were, as always, a few contrarians who objected that other years since 1944 must have been worse; some said “much worse”. But that isn’t really true.

After D-Day, we knew the war was going to be won. Despite the bombs, the country was proud of itself and pulling together, and the likes of my father were hoping for a better world as soon as it was finished. The year of the Suez crisis, 1956, was pretty bad, but Anthony Eden was gone directly, and Harold Macmillan’s phoney self-confidence convinced people that things would be all right – and anyway the economy was growing impressively.

The period of the Heath government had awful moments: 1972, the year of Bloody Sunday and IRA attacks, was especially bad. Yet there was nothing like the appalling Grenfell Tower fire to divide the nation. And 1974 was humiliating for the government, but our membership of the European Economic Community offered a certain stability. We had a different, more forelock-tugging relationship with our political leaders then. The news bulletins used to talk reverently of “the prime minister, Mr Wilson”; now they just say “Theresa May”.

Today we have a prime minister who is held to have been mortally wounded by a series of personal failures and miscalculations; a governing party that has been self-harming for years over the question of ­Europe; an opposition that, until just recently, was regarded as hopelessly incompetent and naive; an economy that could be damaged by an ill-judged Brexit agreement; and a new vulnerability to terrorism, in which one atrocity quickly overlays the memory of the last.

There’s a newly hysterical tone in British society, which had always seemed so reassuringly reliable and sensible. The crowd that stormed Kensington Town Hall as though it were the Bastille or the Winter Palace mistook a man in a suit for a Tory councillor and beat him up. It transpired that he was an outside contractor who had spent much of the week helping the Grenfell Tower victims.

Above all, what was until recently the world’s fifth-largest economy has suddenly found itself on the edge of a trapdoor in the dark. “Back to the Thirties”, some people are saying. “Venezuela”, say others. Even Brexiteers who feel liberated and excited at the prospect of getting out of the EU can’t know if it’s going to work. Friends of mine who voted Leave because they were fed up with David Cameron or thought things needed a shake-up now show a degree of buyer’s remorse. Perhaps, like Boris Johnson in the BBC2 drama Theresa vs Boris, they thought the country was so stable that nothing bad would actually happen.

We’ve entered a period of sudden, neurotic mood swings. The opinion polls, unable to cope, tell us at one moment that Jeremy Corbyn is regarded as dangerous and useless, and at the next that a growing number of people see him as the national saviour. The Prime Minister’s “safe pair of hands” are now deemed too shaky to carry the country’s china. Ukip polled over 10 per cent in 450 seats in 2015, and in only two seats in 2017.

If any further evidence of neuroticism is needed, there is the longing that people have to be enfolded in the arms of a comforting authority figure. For some, it was the Queen, calming everyone down with a message of unity, or Prince William, hugging a grieving woman after the Grenfell Tower fire. For others, it was Corbyn doing the right human things while Theresa May walked past the tower ruins awkwardly, not knowing what to say.

It feels like being back in 1997, with the huge crowds in the Mall or outside Kensington Palace demanding to be comforted after the death of Diana. Then, the Queen was blamed for not being the mother figure we seemed, disturbingly, to want. Tony Blair had the right words at that time, and no doubt he would have had the right words after Grenfell Tower. But is it merely words and gestures we need?

It’s a bad sign when countries feel that they need an individual to sort them out. It’s because of its system, based on openness, inclusiveness and the rule of law, that Britain has grown strong and wealthy. Jo Cox said in her maiden speech in June 2015: “While we celebrate our diversity, what surprises me time and time again as I travel around the constituency is that we are far more united and have far more in common than that which divides us.”

She was murdered by a fanatic who screamed, “This is for Britain! Britain will always come first!” The year that those words ushered in has indeed been the worst in my lifetime. The government slogan “Keep calm and carry on” was invented in 1939, when all-out German bombing seemed imminent. It is easy to lampoon but when it was rediscovered a few years ago it became popular, because it spoke directly to our national consciousness. We’ve never had more need of calmness than now.

John Simpson is World Affairs Editor of BBC News, having worked for the corporation since the beginning of his career in 1970. He has reported from more than 120 countries, including 30 war zones, and interviewed many world leaders.

This article first appeared in the 22 June 2017 issue of the New Statesman, The zombie PM

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