Trans role models: Janet Mock, Paris Lees, CN Lester and Luke Anderson

You may not have heard of them, but popular culture has its fair share of trans people in public life braving the slurs - living examples of what trans people can achieve.

Historically, there have always been trans people, and in the past hundred and twenty years it is easy to notice them blasting their way through popular culture – from Billy Tipton, a jazz musician from the 1930s-1970s, through Calpernia Addams, a transgender author, actress and musician from the 1990s onwards, to cultural icons such as Eddie Izzard. Even now, we know about plenty of trans people making their way onto the big stage of popular culture, with the awareness that there are probably several more remaining stealth.

If you’re not involved in the trans community you might not have heard of these people, or you might not have heard of all of them, but they’re a collection of just a few of the trans people from all ages, cultures and backgrounds, who are part of the "media glitterati" – people who are living their lives in the public eye, and using their history of transition to help others. Sometimes this is done through visibility, being open about their trans status alongside their media career. Other times, activism comes into it as well – whether this is through working with television companies to improve their trans coverage (like Paris Lees), or designing the trans program at a high school for LGBT students (like Janet Mock).

Last year, for the second time, a trans person won Big Brother in the UK – this time a trans man called Luke Anderson, last time a trans woman called Nadia Almada, who won in 2004. When Luke went into the house he didn’t mention that he had transitioned to male, and over time he chose to share his history. The courage that this took him won him many friends both inside and outside the house, and when he won Big Brother, in a nationwide vote, the viewers were saying “we stand behind him, we want him to have the prize money” – a statement of support for a trans man from a significant swathe of the population.

Janet Mock, the former staff editor of People magazine’s website, came out as trans in 2011, disclosing her history in an article in Marie Claire. This set her up as an inspirational figure for a whole new generation of younger trans people. Her career had always been relatively prominent, and as a result, seeing a beautiful, accomplished woman in a position of relative power who had a history similar to theirs was a seminal moment for many younger trans women of my acquaintance. Last year, she also began the Twitter hashtag #GirlsLikeUs, designed to empower trans women of colour, a group of people living at the challenging intersection of transphobia, misogyny, and racism.

Equally stunning, Paris Lees is a UK journalist, and winner of the LGBT positive role model award at the National Diversity Awards 2012 – following her work with Trans Media Watch – most notably persuading Channel Four to commit to trying to remove all transphobic material from broadcast. Her appearances on television have, so far, primarily been brief, but nonetheless her incredible writing skill and untouchable confidence have won her quite a cult following, and in her newer positions of Editor (and founder) of META magazine, a glossy magazine aimed at the trans community, and channel four consultant, as well as her columns in Gay Times and Diva, she is the absolute definition of a rising star.

Finally, the unmatchable CN Lester. CN is a classically trained singer, who navigates the music world as an out genderqueer pianist and singer. Finding people who identify as genderqueer and are able to be open about that in every part of their life is rare, due to the oppressive and binarist culture in which we live, and finding one in popular culture would be expected to be even harder, but in reality CN has managed to combine their identity and their career remarkably, and has just released their first classical album – following their debut indie album in 2012.

Celebrities who try to make the world a better place are often lauded for that, and these people are certainly doing so – whether through the direct activism of Paris and Janet, or the openness about their history and identities, despite the costs and risks this could impose, of CN and Luke. By being out in popular culture, you will always be labelled “the trans one”. Slurs will be levelled at you the second you misstep, or simply because someone dislikes you. These four people have made the decision that that risk is worth it, to continue their careers, and to place their lives out there as examples of what trans people can achieve.
To all the people mentioned, and to all the trans people who live their lives with that level of honesty, integrity, and confidence - you are role models.

Matthew Reuben is a disability and trans rights activist, and a languages student.

Janet Mock, a journalist who came out as trans in 2011. Photograph: Getty Images

Matthew Reuben is a disability and trans rights activist, and a languages student.

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Let's face it: supporting Spurs is basically a form of charity

Now, for my biggest donation yet . . .

I gazed in awe at the new stadium, the future home of Spurs, wondering where my treasures will go. It is going to be one of the architectural wonders of the modern world (football stadia division), yet at the same time it seems ancient, archaic, a Roman ruin, very much like an amphitheatre I once saw in Croatia. It’s at the stage in a new construction when you can see all the bones and none of the flesh, with huge tiers soaring up into the sky. You can’t tell if it’s going or coming, a past perfect ruin or a perfect future model.

It has been so annoying at White Hart Lane this past year or so, having to walk round walkways and under awnings and dodge fences and hoardings, losing all sense of direction. Millions of pounds were being poured into what appeared to be a hole in the ground. The new stadium will replace part of one end of the present one, which was built in 1898. It has been hard not to be unaware of what’s going on, continually asking ourselves, as we take our seats: did the earth move for you?

Now, at long last, you can see what will be there, when it emerges from the scaffolding in another year. Awesome, of course. And, har, har, it will hold more people than Arsenal’s new home by 1,000 (61,000, as opposed to the puny Emirates, with only 60,000). At each home game, I am thinking about the future, wondering how my treasures will fare: will they be happy there?

No, I don’t mean Harry Kane, Danny Rose and Kyle Walker – local as well as national treasures. Not many Prem teams these days can boast quite as many English persons in their ranks. I mean my treasures, stuff wot I have been collecting these past 50 years.

About ten years ago, I went to a shareholders’ meeting at White Hart Lane when the embryonic plans for the new stadium were being announced. I stood up when questions were called for and asked the chairman, Daniel Levy, about having a museum in the new stadium. I told him that Man United had made £1m the previous year from their museum. Surely Spurs should make room for one in the brave new mega-stadium – to show off our long and proud history, delight the fans and all those interested in football history and make a few bob.

He mumbled something – fluent enough, as he did go to Cambridge – but gave nothing away, like the PM caught at Prime Minister’s Questions with an unexpected question.

But now it is going to happen. The people who are designing the museum are coming from Manchester to look at my treasures. They asked for a list but I said, “No chance.” I must have 2,000 items of Spurs memorabilia. I could be dead by the time I finish listing them. They’ll have to see them, in the flesh, and then they’ll be free to take away whatever they might consider worth having in the new museum.

I’m awfully kind that way, partly because I have always looked on supporting Spurs as a form of charity. You don’t expect any reward. Nor could you expect a great deal of pleasure, these past few decades, and certainly not the other day at Liverpool when they were shite. But you do want to help them, poor things.

I have been downsizing since my wife died, and since we sold our Loweswater house, and I’m now clearing out some of my treasures. I’ve donated a very rare Wordsworth book to Dove Cottage, five letters from Beatrix Potter to the Armitt Library in Ambleside, and handwritten Beatles lyrics to the British Library. If Beckham and I don’t get a knighthood in the next honours list, I will be spitting.

My Spurs stuff includes programmes going back to 1910, plus recent stuff like the Opus book, that monster publication, about the size of a black cab. Limited editions cost £8,000 a copy in 2007. I got mine free, as I did the introduction and loaned them photographs. I will be glad to get rid of it. It’s blocking the light in my room.

Perhaps, depending on what they want, and they might take nothing, I will ask for a small pourboire in return. Two free tickets in the new stadium. For life. Or longer . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times