Trans role models: Janet Mock, Paris Lees, CN Lester and Luke Anderson

You may not have heard of them, but popular culture has its fair share of trans people in public life braving the slurs - living examples of what trans people can achieve.

Historically, there have always been trans people, and in the past hundred and twenty years it is easy to notice them blasting their way through popular culture – from Billy Tipton, a jazz musician from the 1930s-1970s, through Calpernia Addams, a transgender author, actress and musician from the 1990s onwards, to cultural icons such as Eddie Izzard. Even now, we know about plenty of trans people making their way onto the big stage of popular culture, with the awareness that there are probably several more remaining stealth.

If you’re not involved in the trans community you might not have heard of these people, or you might not have heard of all of them, but they’re a collection of just a few of the trans people from all ages, cultures and backgrounds, who are part of the "media glitterati" – people who are living their lives in the public eye, and using their history of transition to help others. Sometimes this is done through visibility, being open about their trans status alongside their media career. Other times, activism comes into it as well – whether this is through working with television companies to improve their trans coverage (like Paris Lees), or designing the trans program at a high school for LGBT students (like Janet Mock).

Last year, for the second time, a trans person won Big Brother in the UK – this time a trans man called Luke Anderson, last time a trans woman called Nadia Almada, who won in 2004. When Luke went into the house he didn’t mention that he had transitioned to male, and over time he chose to share his history. The courage that this took him won him many friends both inside and outside the house, and when he won Big Brother, in a nationwide vote, the viewers were saying “we stand behind him, we want him to have the prize money” – a statement of support for a trans man from a significant swathe of the population.

Janet Mock, the former staff editor of People magazine’s website, came out as trans in 2011, disclosing her history in an article in Marie Claire. This set her up as an inspirational figure for a whole new generation of younger trans people. Her career had always been relatively prominent, and as a result, seeing a beautiful, accomplished woman in a position of relative power who had a history similar to theirs was a seminal moment for many younger trans women of my acquaintance. Last year, she also began the Twitter hashtag #GirlsLikeUs, designed to empower trans women of colour, a group of people living at the challenging intersection of transphobia, misogyny, and racism.

Equally stunning, Paris Lees is a UK journalist, and winner of the LGBT positive role model award at the National Diversity Awards 2012 – following her work with Trans Media Watch – most notably persuading Channel Four to commit to trying to remove all transphobic material from broadcast. Her appearances on television have, so far, primarily been brief, but nonetheless her incredible writing skill and untouchable confidence have won her quite a cult following, and in her newer positions of Editor (and founder) of META magazine, a glossy magazine aimed at the trans community, and channel four consultant, as well as her columns in Gay Times and Diva, she is the absolute definition of a rising star.

Finally, the unmatchable CN Lester. CN is a classically trained singer, who navigates the music world as an out genderqueer pianist and singer. Finding people who identify as genderqueer and are able to be open about that in every part of their life is rare, due to the oppressive and binarist culture in which we live, and finding one in popular culture would be expected to be even harder, but in reality CN has managed to combine their identity and their career remarkably, and has just released their first classical album – following their debut indie album in 2012.

Celebrities who try to make the world a better place are often lauded for that, and these people are certainly doing so – whether through the direct activism of Paris and Janet, or the openness about their history and identities, despite the costs and risks this could impose, of CN and Luke. By being out in popular culture, you will always be labelled “the trans one”. Slurs will be levelled at you the second you misstep, or simply because someone dislikes you. These four people have made the decision that that risk is worth it, to continue their careers, and to place their lives out there as examples of what trans people can achieve.
To all the people mentioned, and to all the trans people who live their lives with that level of honesty, integrity, and confidence - you are role models.

Matthew Reuben is a disability and trans rights activist, and a languages student.

Janet Mock, a journalist who came out as trans in 2011. Photograph: Getty Images

Matthew Reuben is a disability and trans rights activist, and a languages student.

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Jamie Reed: What it's like to stop being an MP

As I approach the whips’ office through the tearoom staircase, a colleague shouts: “It’s Steve McQueen!”

Leaving parliament was never going to be easy. Having entered the Commons at a relatively young age – I was 31 – I knew that a parliamentary existence would be strange, even weird.

I knew that I would never be a “lifer”. A long Commons career followed by a sinecure in the Lords was never for me. This was informed by an aversion not to prolonged public service – the career in the nuclear industry for which I have departed parliament is just as dedicated to public service – but to the culture in which politics in Westminster is undertaken. There is a lot wrong with parliament. I arrived with a healthy contempt for its culture, behaviours and practices; I leave with the knowledge that this contempt was correct.

As a young MP, I felt like Carraway, never like Gatsby. Still, leaving the Commons has taken a huge mental and emotional effort.

21 December 2016

The news of my resignation breaks a few hours early because of a leak. The ­Guardian’s north of England editor, Helen Pidd, brings forward the publication of our interview as a result. Within minutes, my phone explodes. Twitter is unusable. My email server begins to creak. I watch with mounting ­anxiety. Ignoring calls from journalists – many of them friends – I talk instead with my fellow MP John Woodcock.

In politics, you acquire a sixth sense for who would be with you in the trenches at the worst moments. John is such a person. I don’t remember the conversation; I just remember hanging up and crying. I ­shower, dress and head for my in-laws’ farm. When I open the door, there are bottles of champagne on the step. That night, trying to avoid the news, I learn that I was young, popular, brilliant and talented. It’s like being at my own funeral. I drink the champagne.

24 December

I receive a text from Jeremy Corbyn wishing me and my family well. I thank him for his warm words on my resignation.

9 January 2017

I’m en route to the Vogtle nuclear power plant near Atlanta, Georgia, as a guest of NuGen. At Vogtle, Georgia Power is building two AP1000 reactors – the same type as will be built in Copeland. This is a project to which I have devoted 12 years of my life – from writing nuclear policy with the Blair government to making sure that Copeland was chosen as a nuclear new-build site and working to ensure that successive governments maintained the policies underpinning the nuclear renaissance that the Blair-Brown administration began.

Clement Attlee’s Labour government created the nuclear industry, the last Labour government created the nuclear renaissance and I am leaving parliament to return to the nuclear industry – yet Labour will be forced to fight the by-election in my former seat amid allegations of being anti-nuclear. There is nothing new in post-truth politics. Lies have always had the power to seduce.

23 January

It’s my last week in parliament and I’ve made arrangements to see the whips. As I approach the whips’ office through the tearoom staircase, a colleague shouts: “It’s Steve McQueen!”

1 February

I leave my home in Whitehaven for Sellafield at 6.45am. As I drive through the frost, an iridescent light appears on the horizon: a new dawn has broken, has it not?

I collect my pass and enter a whirlwind of meetings, inductions and instructions. Everyone is generous, welcoming and warm. It is at this point that, for the first time, I am faced with irrefutable proof that I am no longer an MP. I am reminded of my parliamentary induction. Chief Whip Hilary Armstrong told us, “Get in the chamber . . . Don’t hide . . . Sink or swim . . .” New Labour was no place for a snowflake. I am reminded, too, of my induction by the House payroll and expenses administrators. A year before the expenses scandal shook Westminster, they informed me: “All we ask is that you don’t buy any antiques . . .”

2 February

As when I entered parliament for the first time, I don’t have a desk. I’m hot-desking, or hot-podding, or hot-cubing. I remind myself that, for now, I remain the Crown steward and bailiff of the Manor of Northstead.

I bump into a colleague from my first time in the nuclear industry. “All right?” he asks.

“Getting there,” I reply.

“You know what they’re saying, don’t you?” he continues.

“No. What?”

“‘The bloody ego has landed.’”

I walk away wondering if it’s now my role in life to remind people of films set in the Second World War.

3 February

It’s a Friday and it strikes me that I have no constituency surgery. Everyone around me has their head down, meeting targets, solving problems. This is a £2bn-a-year operation. There’s no room for Gatsby here. This is why my new role excites me.

The self-immolating stupidity of Brexit, combined with the complex and growing needs of my family, contributed to my decision to leave parliament. Most of all, though, it was the opportunity to work in this organisation and help to drive change within it and my community that caused me to make the switch. My former constituency can and should be at the centre of one of the fastest-growing parts of the UK economy in the years to come. A changing Sellafield and a dynamic industry will be at the heart of this, and time is of the essence.

20 February

The by-election in my former seat draws near and my time as the Crown steward is running out.

I am repeatedly approached by the media for comment and I duck every request. This is for someone else now and I wish my successor well. None of us is indispensable. 

Jamie Reed is Labour MP for Copeland.

This article first appeared in the 24 February 2017 issue of the New Statesman, The world after Brexit