We’re all complicit in the humour of humiliation

You can’t condemn the Australian DJs who prank called the Duchess of Cambridge’s hospital if you laughed at the results.

Hoaxes, whether you like them or hate them, have existed and will continue to exist as long as there are people around to create them, fall prey to them, and derive amusement from them.

The point of a hoax is to find humour in causing an unsuspecting target to respond to something false while believing it to be true.  It's the humour of humiliation, writ large.

When the target is pompous or high-ranking it's called punching up or “satire”. When the target is of equal or lower status, it's called punching down and at the very least this should make us uncomfortable.

Listening to the genuine disbelief and palpable regret of the two Australian DJs at the centre of the recent Royal phone hoax as they try to comprehend the tragic consequences - the death of Jacintha Saldanha - it's very difficult not to feel some sympathy for them.

We feel sympathy too attempting to imagine the torment of Jacintha's family, who will now have to continue without her. No one directly involved in this will ever be able to completely move on from it. Nor would we expect them to.

The truth is that we can observe or, as I'm doing here, give our opinions, but we can’t begin to know. However, we can and should reflect, because we must take responsibility for our share in the thirst for the comedy of cruelty that has seemingly led to the death of a much-loved wife and mother.

If comedy is a hierarchy, prank calls and all hoaxes lie pretty near the bottom. Its premise is laughing at people for behaving in a way more often stemming from kindness and tolerance than anything else. Mocking people for attempting patience amid confusion seems odd as a premise, but if the butt of the joke is arrogant or pompous then it can be deemed satire. If all humour is subjective then this applies to hoax calls particularly - if you've ever been the person being laughed at you may perceive its value somewhat differently.

It's about power. The person making the call and the one in receipt of the call are at the opposite ends of a very different spectrum. One is in full possession of the facts and the other simply going about their daily life.

We the audience are complicit in the deceit and I think it's probably time for us to ask ourselves a very serious question. Where does this threshold for humiliation take us?

You may not like this type of humour, but vilifying the perpetrators is only one part of a complex jigsaw of responsibility. I think the danger lies in laughing at someone for something that they cannot help. Whether on the grounds of ethnicity or race, sexual orientation or disability or for simply being in the wrong place at the wrong time, we need to examine ourselves as an audience because without us there would be no mileage in the humour of humiliation.

The fact that it's humiliating someone else does not give it any justification, simply popularity. We laugh and then we blame and then we move on. Fortunately we can. My heart goes out to those who reap the whirlwind of all unforeseen consequences. We all should take our portion of the blame, but we won't.  The devastating consequences mean that we will all step away and in many cases point and threaten those who were doing our bidding.

Then like any bullying gang we simply point and run away.

Details of the Jacintha Saldanha Memorial Fund can be found here.

Australian DJs Mel Greig and Michael Christian.
ROBERTO SCHMIDT/AFP/Getty Images
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Unlikely sisters in the Gaza Strip

A former Jewish settler in Gaza recalls her childhood friendship with a young Palestinian.

It was well after midnight, one summer night in 1995, when Inbar Rozy, a 13-year-old living in the former Israeli settlement of Alei Sinai in the northern Gaza Strip, heard her parents answer the phone. Sitting up in bed, surrounded by potted plants, candles and fairy dolls lit by shafts of light from a nearby security outpost, Inbar listened closely.

“I could hear everyone talking around me, making calls,” Inbar said when we met recently in Nitzan, southern Israel. When she got up to find out what was happening, her parents told her to make up a second mattress. As dawn broke, they led into the room a young woman carrying a small bag and wearing a black shirt and jeans. “She had shoulder-length dark hair dyed with red henna and beautiful eyes – big, black with thick eyelashes,” Inbar told me, smiling. “[She was] quiet. She looked scared.”

The woman was Rina (her surname cannot be given for security reasons), a talented artist in her early twenties studying at a local art college, where she had fallen in love with a Christian boy. For Rina, coming from a traditional family, marrying a non-Muslim would be strictly forbidden.

When her parents found out, they were furious and forbade her from seeing her boyfriend. But her male cousins felt this wasn’t enough. Earlier on the day the girls first met, Rina’s cousins had attempted to kill her in retribution for her perceived “honour crime”. Seeing that another attempt on her life was likely, Rina’s father called a relative, who in turn called Inbar’s father, Yossef, a friend of many years. There was no doubt she had to leave. Ironically, a Jewish settlement protected by the Israel Defence Forces was the safest place in Gaza for her to be.

In 1967, Israel seized the Gaza Strip from Egypt during the Six Day War. In time, it settled 21 communities on a third of the land, with a population of 8,000 by 2005. Soldiers guarded the settlements from 1.5 million displaced Palestinians, tens of thousands of whom were displaced in 1967 and moved to live in nearby refugee camps. In Gaza, before Israel’s ultimate withdrawal from the Strip in 2005, relationships between Israeli settlers and Palestinians were fraught. True, many Palestinians worked in Israeli settlements, earning wages higher than elsewhere in the Strip, but the two communities lived largely separate lives.

In the mid-1990s, even after the Oslo Accords, violence was simmering. Israeli military incursions increased with the outbreak of the Second Intifada in 2000. Thousands of home-made Qassam rockets were launched by Palestinian militants at settlers and those living in southern Israel. Security measures hardened. The veteran Israeli journalist Amira Hass, who spent several years living in Gaza, describes neighbourhoods that were “turned into jails behind barbed-wire fences, closed gates, IDF surveillance, tanks and entry-permit red tape”.

And yet, in spite of the forced segregation, Inbar’s family enjoyed close links with their Palestinian neighbours. Inbar’s father worked as an ambulance driver, and on several occasions he helped transport those who lived nearby for emergency medical treatment in Israel. “Every Tuesday, my father’s Jewish and Arab friends would come to our house and we’d eat lunch together,” Inbar remembered.

Given the gravity of Rina’s situation, she couldn’t leave the house. Secrecy was paramount. The girls spent weeks together indoors, Inbar said, chatting, watching TV and drawing. “I’m not sure that as a child I actually understood it for real,” she said. “She taught me how to paint and sketch a face from sight.”

Almost as soon as Rina arrived, Inbar’s family began receiving anonymous phone calls asking about her. “My dad told me, ‘Don’t mention anything about Rina. Say you don’t know what they’re talking about – because otherwise they’ll come and kill us,’” Inbar said.

While the girls got to know each other, Inbar’s mother, Brigitte, found a women’s shelter in East Jerusalem for Rina. Whereas today Gaza is closed off by a military border under heavy surveillance, at that time it was porous. Brigitte drove Rina in to the capital, where she was given a new name and identity that would enable her to begin a new life, on condition that she contact no one in Gaza.

Today Inbar, who is 33, works at the Gush Katif centre in Nitzan – a museum dedicated to the memory of the Israeli settlements in Gaza. Despite her parents’ objections, the family was evacuated in 2005. Unlike most settlers in Gaza, some residents of Alei Sinai were determined to stay on, even if that meant forfeiting their Israeli citizenship. “I have no problem with living as a minority in a Palestinian state,” one of Alei Sinai’s inhabitants, Avi Farhan, told the Israeli daily Haaretz at the time.

Inbar now lives in Ashkelon, a city of 140,000 in southern Israel, and finds the big city alienating, especially when she recalls the warm relationships that once existed in Gaza. “I’ve never felt less secure,” she told me.

Years later, she learned that Rina had developed cancer and died. “The day before Rina left . . . she drew a portrait of me,” she said, describing how her friend had outlined, in charcoal strokes, the features of the teenager. Her parents packed the portrait with all their belongings in a shipping container the day they left Gaza. Soon after, the container was destroyed in a fire.

“I think if people had given it a chance . . . they would have had these kinds of friendships,” Inbar said, looking back. “We’d get along fairly well if we didn’t look at others as the monsters over the wall.” 

This article first appeared in the 27 August 2015 issue of the New Statesman, Isis and the new barbarism