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Full interview with Lutfur Rahman, mayor of Tower Hamlets

“I don’t believe we have extremist groups in Tower Hamlets”

How has your Bangladeshi heritage shaped you?
I think it gave me a sense of collective responsibility and stability, and the importance of being part of a community, a society. But I soon became part and parcel of the East End of London, growing up here in the 1970s.

What is your priority as Tower Hamlets mayor?
My top priority is more housing, to help the 23,000 people on the housing waiting list.

But what can you, as a mayor, do to solve the housing shortage?
We have to continue to build more homes and work with various stake holders: with private investors, with developers and, yes, with central government, in terms of trying to lever in more money, identify the land and deliver on our targets. We will take advantage of all the opportunities that exist.

But your own former council colleagues in the Labour Party won't work with you, will they?
Well, three Labour councillors have already come out and joined me. There are many more Labour councillors who will want to work with the mayor of Tower Hamlets and serve the community of Tower Hamlets.

What is your response to the two mayors of so-called Olympics boroughs, Robin Wales and Jules Pipe, who have said they won't work with you?
Tower Hamlets is one of the five Olympics boroughs but my borough is not run at the behest of any of the leaders of the four other boroughs. I will stand up for my borough and deliver for my borough. When I was a leader of the council, for example, we passed a motion in full council calling for 50 per cent of the Olympics village to be converted into socially affordable housing.

Will you be reaching out to those two mayors, and to your other critics?
I believe in consensual politics, that you work collectively, you work together with others. I will work with whoever wants to work with me but the people who are important are the people of Tower Hamlets: the people who voted for me and even the people who didn't vote for me, they're also important. I'm here to serve the people of Tower Hamlets. Whatever other mayors say, that's their prerogative. I'm not interested in that.

You've been accused of appointing only Asians, only people from a Bangladeshi background, to your team. Are you discriminating against white people?
The senior management team of this council, excluding one member, is all white. So for anyone to make such assertions is unfair. I believe in a meritocracy. People get jobs in this council based on ability. There is a clear recruitment process in place

The chief executive of this council is a white gentleman, Kevan Collins, whom I appointed during my council leadership. My cabinet, during that period, had white members. If people want to work with me, I welcome them to do so. Two days after I was elected as mayor, I sent out an email to each and every member of the Labour group on the council inviting them to come and work with me in my cabinet. Unfortunately, the following Monday, they convened and, by a slender majority, passed a motion not to work with me. So what I am supposed to do? Of course I want race to be reflected, gender to be reflected, ability to be reflected in my cabinet.

You were deselected as Labour's candidate for mayor after criticism of your conduct. Why did you stand as an independent against Labour?
I was elected as the candidate by 433 members of Tower Hamlets Labour Party. All I wanted was that the members should assert their right and decide who led them. If they had chosen someone else, I would have fallen behind that person and served the party loyally.

A small clique in the NEC, only seven or eight members, decided to get rid of me on the basis of a dossier based on false allegations, hearsay and unsubstantiated allegations. We live in a democracy where the rule of law prevails; I am a lawyer and they should have given me a chance to refute the allegations against me in front of an independent panel. I am sure I would have disproven each and every allegation. What's so sad is that they then didn't impose the candidate who came second, John Biggs, but instead imposed the candidate who came third, Helal Abbas, who made these false allegations against me in that dodgy dossier and who received only 117 votes.

It has been suggested that the NEC picked Helal Abbas over John Biggs because it wanted a non-white candidate in Tower Hamlets. Do you agree?
It could be one of the factors. But it was the wrong decision to make. They shouldn't have got rid of me in the first place. I would have won the election for Labour by an overwhelming majority.

It has been suggested that one of the reasons you were removed by the NEC as the Labour candidate is because you refused to back Rushanara Ali, Labour's parliamentary candidate in Bethnal Green and Bow at the general election in May?
In 2007, I stood for the Bethnal seat and I lost by a very small number of votes to Rushanara Ali. But I fell behind her and I supported the Labour Party in the general election. It is not true that I didn't work for her. I went out to all corners of the borough campaigning for Rushanara. And I don't believe she has said I never campaigned for her; she has never said it to me. When she went to Brick Lane mosque, just before the election, I stood up on camera, in front of everyone there, and made a speech supporting her. If Harriet Harman and the NEC had asked me for the facts, I would have given them the facts.

So if it wasn't your conduct or behaviour, what do you believe is the real reason the NEC removed you as the mayoral candidate then?
I don't know. All I can say is this: the people of Tower Hamlets last month made their voice heard. By an overwhelming majority they voted for me and my team and they voted for justice. At the end of the day, the final judges were the people of Tower Hamlets.

Were you behind the various smears against your opponent that appeared in a local paper?
For the record, none of my team was associated with any local paper, formally or informally. The stories that the local papers carry is their choice. It has nothing to do with me.

Were you disappointed to see such smears about a former colleague and friend?
I am not going to make comments about Councillor Abbas's private life either this way or that way. None of my literature contained negative stories. My literature was about my policies and the positive aspects of my campaign.

Who funded your mayoral campaign, and your various legal fees?
I funded my own campaign. And I funded my legal fees too from my own pocket. Listen, I am a lawyer. I was a solicitor for many years, a partner in my firm. I worked hard my whole life.

Have you had any discussions with Ed Miliband about rejoining the Labour Party?
The whole of my political upbringing has been on the basis of Labour values. I want to serve the community on a progressive agenda but I have not had any conversations with Ed Miliband.

Would you like to rejoin the Labour Party in the near future?
I am happy to serve the people of Tower Hamlets. They will decide how I serve them.

Is it true that Ken Livingstone has been negotiating your return to the Labour Party?
I have a lot of respect for Ken Livingstone. As to what discussions he is having with anyone, that is between him and that person. I have not appointed anyone to enter into any such conversations on my behalf.

Why did Ken come to campaign with you?
You'd better ask him. He is an astute politician.

How would you describe your own politics?
I believe in social democracy, in equality of opportunity, in social justice, in the welfare state. I believe we must have a system, democracy, that caters for all.

Are you a social democrat or a socialist?
I am a social democrat; I'm left of centre.

Who are your heroes, political or otherwise?
Tony Benn. I have a lot of respect for him.

Who did you back for the Labour leadership?
David Miliband. But I thought Ed Miliband was an equally able candidate. I am sure he will make a great prime minister.

But he tried to get rid of you from the party?
He didn't get rid of me. He was in the middle of a leadership campaign. Six or seven members of the NEC got rid of me. I believe it would have been different had he been leader at the time.

Will you stand as a parliamentary candidate in the East End in 2015?
My only intention is to serve people of Tower Hamlets. I was grateful to be given the chance to serve as a local councillor and now as mayor. My only determination now is to succeed in my mayoralty.

So you won't rule out standing against the local Labour MPs, Rushanara Ali or Jim Fitzpatrick, at the next general election?
At this stage, all I can think about is building more homes, making sure our schools perform, making sure we have a borough where crime is low, and making sure the whole community is served equally. That's all I'm interested in.

How important is your Islamic faith to you?
I am a proud Muslim. I am glad that my values have come from Islam. But I am also glad that Labour Party values have given me great strength over the past 20 or 25 years. Go and speak to people of Tower Hamlets, the people who voted for me, who voted for someone they believe is a pluralist and can serve them well and serve them equally.

Are you a member of the much-criticised Islamic Forum of Europe?
I am not a member of the Islamic Forum of Europe. I have never been a member.

But you do have close contacts with the group?
I have close contacts with the chair of the Tower Hamlets Inter Faith Forum, with rabbis, with the Bishop of Stepney, with people who are of no faith. The IFE is one group among many. As leader of this council, I will work with each and every member of the community, whether they are Sikh, Hindu, Muslim, Jew, Christian or people of no faith.

Is the IFE an extremist group?
I don't believe we have extremist groups in Tower Hamlets. If so, I am sure the government and the police would have intervened long and ago. I will work with anyone who adheres to civil society, to democracy, to the progressive values of this council. I believe that previous leaders have worked with the IFE and other such organisations and some previous leaders are on record as having funded such faith groups. If there was nothing wrong with working with such groups then, why now?

Do you support a caliphate, here or elsewhere?
I believe in a social-democratic society. I believe in a society where, through a democratic process, representatives are chosen and elected.

Do you believe sharia law should be incorporated into British law?
I am a lawyer and I was invited to the London Muslim Centre [in July 2008] when the then chief justice, Lord Phillips, came to speak and said that there are merits in learning from certain aspects of sharia law, to help our legal system. Not the penal elements; the family and civil elements. If the chief justice can make those comments, who am I to disagree?

Should the gay population of Tower Hamlets be worried by your victory?
During my opening speech as mayor, in front of the full council, I made it quite clear that I want to serve each and every member of my community, including the gay and lesbian community. It is not for me to make value judgements. I want to work with every member of the community, whatever their sexual orientation. I grew up with people in the East End from all backgrounds, black, white, gay, and many of them are still my mates.

Did Tower Hamlets town hall, on your watch, allow CDs of a Muslim preacher who has allegedly justified wife-beating to be handed out to visitors?
That did happen but it has been stopped and the chief executive has clear instructions from me not to let that happen again. It did not happen with his approval or my approval. And I assure you nothing of that sort will happen with my approval. But you can't control things that happen without your knowledge.

Can you explain what links, if any, you have to Saudi Arabia and your trips to that country? How were they funded?
It is an obligation, as a Muslim, to do the pilgrimage to Saudi Arabia. I haven't done the Hajj but I have had the good fortune of going on Umra [the lesser pilgrimage]. I have been on Umra four or five times. I went to Saudi Arabia on Umra during my council leadership at my own expense, on a private trip. As a Muslim you are not allowed to take money from anyone else, if you have the means, to go and pay your respects to Allah and go to the Kaaba [in Mecca].

Would you say you are a secularist? A secular politician?
My whole political upbringing has been about clear diving line between my faith and my politics. I believe in a civic, social democratic society.

Do you believe in a secular Britain?
I do. I live in a society based on a clear division of powers between the church and the state. Yes, I absolutely believe in a secular society.

Is there a plan?
I always have a plan. I had a manifesto, didn't I?

Are we doomed?
I am an optimist. I always look for the good nature in people.

Mehdi Hasan is a contributing writer for the New Statesman and the co-author of Ed: The Milibands and the Making of a Labour Leader. He was the New Statesman's senior editor (politics) from 2009-12.

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Seasons change, Gilmores stay the same

Gilmore Girls is fundamentally about two things: inheritance and community. The four seasons are crucial in exploring those themes.

If you’re out on the road, feeling lonely and so cold / All you have to do is call my name / And I’ll be there. The Gilmore Girls theme, a special version of Carole King’s “Where You Lead” featuring extra vocals from her daughter, plays each episode over images of autumnal New England foliage, and always reminded me of another song on Tapestry, “You’ve Got a Friend”. Winter, spring, summer or fall / All you have to do is call / And I’ll be there.

“Winter”, “Spring”, “Summer” and “Fall” are the episodes that make up Gilmore Girls: A Year in the Life, Netflix’s revival of the Noughties TV series. Fans won’t be at all surprised to see Netflix lean on the four seasons to organise the new show, a fundamental principle of the original series. This integral structure remains even as they dispense with other structures of the previous seven seasons, instead of the original 22-episode year, there are just four episodes used to narrate the Gilmores’ 2016, and each one has ballooned from 45 minutes to 90. And that familiar opening? Gone.

MISS PATTY: And flutter, flutter, flutter, flutter, flutter… and leaves! Where are my leaves? I got pumpkins, I got Pilgrims, I got no leaves.

Until 2016, every episode of Gilmore Girls included the same opening credits, with shots of red and gold leaves, a Connecticut town in the throes of autumn. So, those leafy fall shots would appear at least once an episode, even though the show’s picture-perfect town, Stars Hollow, would spend each series transitioning in and out of each of the four seasons. Of course, Stars Hollow is not a real place under the influence of real changes in the weather: it’s filmed on the perpetually sunny Warner Brothers lot in Los Angeles. And New England is so inextricably associated with autumn splendour, Stars Hollow so relentlessly idyllic, you might have expected the makes of Gilmore Girls to suspend Stars Hollow in a perennial fall, with Rory and Lorelai clutching hot coffees as they tread autumn leaves underfoot all year round. (It might make thematic sense, too: Gilmore Girls’ narrative of a precocious 16-year-old, brimming with brains and potential, slowly failing to achieve her own impossible goals fits both with the season’s connotations of academic beginnings and promise, and with its longer-standing cultural affiliation with maturity, pensive reflection and wistfulness.)

DARREN: Stars Hollow is charming. The last time we drove through there, there was a pumpkin patch.
LORELAI: Sounds like us.
DARREN: In March.
LORELAI: Oh, that would be the year the pumpkins arrived late.

The idea of Stars Hollow in perpetual autumn even comes up in a few episodes. Pumpkins arrive in March, autumnal events continue until the very end of November. Fall decorations are seemingly mandatory for local businesses.  But while every Gilmore Girls viewer can immediately conjure an image of Stars Hollow in fall, so too will they have an equally memorable selection of images of the town in winter, spring, and summer. No season goes unmarked. In fact, in the hyperreal utopia of Stars Hollow, seasons are exaggerated and picturesque: an overabundance of harvest vegetables, fluffy snow, budding blossoms, or falling leaves.

LORELAI: Grass is just not this green — not outside of Pleasantville, it isn’t.
CHRISTOPHER: So, what exactly are you saying?
LORELAI: I’m suggesting they brought in sod.
CHRISTOPHER: You suspect sod.
LORELAI: Yes, or spray paint. Maybe they spray-painted the grass when they spray-painted these trees, ‘cause, I mean, there’s autumnal foliage and then there’s autumnal foliage. It’s over the top, people.

But the seasonal obsession is more than just a way to emphasise the perfection of Stars Hollow. It’s an organising principle for the show’s structure, action and themes.

***

When Kelly Bishop (the actor who plays the most senior Gilmore girl, Emily) received the script for Gilmore Girls, she was stunned by the sheer weight of it. “I kept flicking it over, and looking at the thickness of it,” she told EW. “It was too thick to be a sitcom.” Gilmore Girls, consisting of hour-long episodes that make little sense out of order, but with its emphasis on witty dialogue over dramatic plotlines, hovers in a strange space between sitcom and drama.

Sitcoms are, by definition, situational — they often rely on characters thrown together in a confined space, be it the family living room, friends flatsharing or colleagues in a shitty office space. Comedy is often drawn from the familiarity of the specific surroundings: as a result, fans of The Simpsons or Friends or The Office could accurately draw floor-plans of the shows’ unchanging sets. So, too, could you draw a map of Stars Hollow, if you’ve seen enough episodes (trust me, I’ve done it). The action of a sitcom is often suspended in time and space: episodes end back where they began, the next opening as though nothing of note has happened since. Dramas, though, tend to thrive on progression of both character and plot; casts moving inexorably forward through time and space.

LORELAI: God, the town looks beautiful.
LUKE: Same as always.
LORELAI: No, it’s always different this time of year. It’s magical.
LUKE: If you say so, sure. Oh look, there’s the magical plumbing supply store where I bought a magical float for my toilet last week.
LORELAI: You disappoint me.
LUKE: Oh look. There’s the magical Luke’s Diner, right underneath the apartment that Jess magically lit by leaving every stinkin’ light on.

So, for Gilmore Girls to straddle both these genres, Stars Hollow must hold most of the show’s action and the majority of its ensemble cast, while still allowing the passing year to make its mark on the town. The seasons allow this. Much of this work is done in the background, as the set design changes from episode to episode, but characters are also constantly remarking on the changes in the town with each passing month, as Lorelai does when snow envelops the square.

The result is not just a keen sense of place, but of a place moving through time.

***

TAYLOR: Every other store in town has fall decorations.
LUKE: Hoorah for the mob mentality.
TAYLOR: We’re talking a few streamers and a paper turkey. How’s it gonna hurt to have a paper turkey?
LUKE: No turkey, no squash, no pumpkins. Nothing colored orange.
TAYLOR: OK, you don’t like orange. That’s fine. Autumn has many varied hues to toy with. This is the Autumn Festival. Your shop is right across the street from the Horn of Plenty! You’re smack dab in the middle of everything. You have to decorate.
LUKE: I don’t have to do anything but serve food.
TAYLOR: We’re talking about the spirit of fall!
LUKE: You know where you can stick the spirit of fall?

Gilmore Girls, with its principle cast of family members, and its sprawling ensemble cast of Stars Hollow residents, is fundamentally about two things: inheritance and community. The four seasons similarly become an important device for exploring those themes.

Small rural communities have long organised themselves around the seasons. Stars Hollow is no different — except in the ridiculous extent of its embrace of all things seasonal. Each season of Gilmore Girls is organised around the constant onslaught of annual festivals: the End of Summer Madness Festival that, well, ends summer, the Teen Hayride, the 24-Hour Dance Marathon the Autumn Festival complete with Cornucopia Can Drive and Horn of Plenty, November’s Old Muddy River Bridge Knitathon, the commemorations of the Battle of Stars Hollow, the Winter Carnival, the Snowman-Building Contest, the Christmas Procession, January’s Founders’ Firelight Festival, the Bid-on-a-Basket festival, Groundhog Day, St Patrick’s Day, the Purim festival, a whole host of springtime weddings and engagement parties, the springtime Movie Night in the Square, the annual Easter Egg Hunt, the Hay Bale Maze at the Spring Fling Festival, and the Festival of Living Pictures are just selection of the events honoured in Stars Hollow.

LORELAI: Oh, hey! Turn out the lights.
LUKE: For what? It’s not the real procession, it’s just the rehearsal.
LORELAI: So, it’s pretty.
LUKE: And why do they need to rehearse it? It’s the same thing every year.
LORELAI: Come on Luke, please. It’s hard to imagine living somewhere else isn’t it?

These aren’t just background quirks, lending us an increased sense of familiarity with the town as we’re told over and over that these events unfold in the same, strange way every single year. They’re linchpins which hold key plot events in place. Both Jess and Dean tell Rory they love her, with less than positive consequences, during the supposedly romantic Founder’s Firelight Festivals. Rory’s romantic relationship with Jess speeds up when he bids on her basket at the Bid-on-a-Basket festival, which is also where Sookie and Jackson become engaged. Her relationship with Dean ends (the second time) in spectacular fashion at the Dance Marathon. Luke begins his romantic relationship with Lorelai when dancing with her amidst springtime decorations in the town square at Liz and TJ’s wedding. The list goes on.

The result is that the lives of our main characters, the lives of the smaller Stars Hollow characters, and small-town seasonal events are all inextricably linked to the same calendar. Particularly in the early seasons, every significant relationship, for both Rory and Lorelai, becomes rooted in the community of Stars Hollow. Public acts of citizenship and private expressions of love overlap. To live in Stars Hollow is to live every aspect of your life communally, communing with others, and with nature itself.

LORELAI: Do you know that the best things in my life have happened when it snowed?
RORY: Why, yes, I do.
LORELAI: My best birthday.
RORY: Your first kiss.
LORELAI: Your first steps. They all happened when it snowed.

***

The seasonal structure of the show also brings with it a sense of inevitability, as, in the midst of these reliable annual ceremonies, Gilmore Girls explores ideas of inheritance across the generations. In the grand houses of Emily and Richard’s world (and Lorelai, Christopher and Logan’s youths) inheritance both metaphorical and literal is an encouraged part of family life: but it feels forced and uncomfortable, restricting individuality in favour of decorum and reputation. In Stars Hollow, inheritance functions in a different, but no less crucial, way: more subtle and natural, as constant and eternal as the circles of life. For children who grow up with their parents in Stars Hollow, inheritance seems predestined, even if it didn’t seem so to the characters it affects.  

Many characters are surprised by what they inherit from their parents: Luke never expected to care so much for his father’s old hardware store, Lane is shocked to discover that after years of aching to break out of her mother’s conservative ideals, she’s not comfortable with having sex before marriage. Jess never thought he would pick up a book on intimacy from his uncle Luke, let alone read it sincerely, nor to learn so much valuable advice from him about communication in relationships.

LUKE: You do not want to grow up to be like your mom.
RORY: Sorry, too late.

Of course, that sense of inescapable legacies is taken to extremes in Rory and Lorelai’s relationship: in the very first episode, Lorelai exclaims to her daughter, “After all, you’re me!” While Rory at 16  is, in some ways, a vision of everything Lorelai at 16 was not (responsible, excited by her education, chaste, keeping a constant, serious eye on her future), as the series unfolds, that changes, as Rory becomes more impulsive, reckless and romantic. Viewers are relentlessly confronted by parallels between Rory and Lorelai’s romantic choices: Christopher is to Lorelai as Logan is to Rory, Luke is to Lorelai as Jess is to Rory. Seasons change, Gilmores stay the same.

LORELAI: He kind of looks like Christopher.
LUKE: The grocery kid?
LORELAI: Yeah. He looks like Christopher.
LUKE: And Christopher is Rory’s dad?
LORELAI: The hair, the build, something about the eyes. He reminds me of Christopher.
LUKE: Well that’s not too surprising.
LORELAI: You’re going to quote Freud to me? ’Cause I’ll push you in front of a moving car. This talk was going so well.
LUKE: You and Rory are a lot alike. It’s not surprising you would have similar tastes in men.

It is an inexorable, unavoidable logic, then, that sees Gilmore Girls: A Year in the Life, a show with more interest in the unfolding seasons and the passage of time than ever, that sees Rory finally become her mother. The show’s much-anticipated final four words (“Mom,” “Yeah?” “I’m pregnant”) see Rory at 32, the same age as her mother when the series began, in a similar position to her mother at 16: single, pregnant, unfocused in her career. Some found it frustratingly obvious and pessimistic, others found it optimistic and apt. I’d sum it up in the same way Lorelai comments on her repeating circumstances with her own mother: with a grimly ironic toast “to the circle of life”.

But however you feel about the ending, Gilmore Girls has pulled off one impressive feat. As Lorelai and Rory sit together in the bandstand, and the show cuts to black, it doesn’t feel like the show has ended at all. The fictional landscape of Stars Hollow has a life that extends beyond the screen, as inevitable as the seasons themselves.

Anna Leszkiewicz is a pop culture writer at the New Statesman.