How the war was spun

The Foreign Office has been ordered to release an early secret draft of the WMD dossier. Chris Ames

The Information Tribunal's decision to order the Foreign Office to release a secret early draft of the dossier on Saddam Hussein's "weapons of mass destruction" is offering new insights into how the government spun the case for war.

In particular, it has become clear that the false claim that Iraq had "purchased" uranium originated in this secret draft, written by the FO press adviser John Williams. While we wait for the FO to publish the document, MPs have called on the government to come clean about the uranium claim and the precise role the Williams draft played in making the case for war.

The existence of the Williams draft, suggesting that a spin doctor had a large hand in writing the WMD dossier, was revealed in the New Statesman in 2006. Making the order that it should be published, the Information Tribunal revealed that there are similarities between that draft and later versions. During last month's hearing it emerged that these included a claim about uranium that was unsupported by intelligence.

The draft dossier that immediately followed Williams's version, drawn up by John Scarlett, then head of the Joint Intelligence Committee, claimed that Iraq had actually purchased uranium. By the time of the final WMD dossier, published in September 2002, this had been watered down to say that Iraq had "sought" uranium from Africa, and was cited as evidence that Iraq was developing nuclear weapons.

It is now known that the CIA doubted both versions. The British government has always claimed it has "credible" and "separate" evidence for the dossier's allegation. But it is now clear that the CIA knew about the separate intelligence and doubted that too.

The "uranium from Africa" claim became highly controversial after President George W Bush quoted it in his January 2003 State of the Union speech, shortly before the start of the Iraq War. Weeks later, the International Atomic Energy Agency (IAEA) announced that documents it had received, "which formed the basis for the reports of recent transactions", were actually crude forgeries.

The controversy deepened in July 2003 when the former US diplomat Joseph Wilson let it be known that he had visited Niger and discounted the possibility that Iraq had sought uranium. In retaliation, the Bush administration leaked the fact that Wilson's wife, Valerie Plame, was a covert CIA agent. Following a criminal investigation, Scooter Libby, chief of staff to Vice-President Dick Cheney, was given a prison sentence for perjury and obstruction of justice, which Bush commuted.

The US withdrew the uranium claim after Wilson's reve lation, but Tony Blair insisted that Britain had separate intelligence. Lord Butler's review of pre-war intelligence described the dossier's uranium claim as "well-founded", based on intelligence it had seen. In fact, the New Statesman can now report that the intelligence was from Italy - the source also for the US intelligence that led to Wilson's Africa trip.

Since the uranium controversy, the government has insisted that it had both a source separate from the fake documents and intelligence it could not share with the US because it came from another country. But it is now clear that Britain has no remaining credible source that was unknown to the US.

Before Williams worked on the draft, the dossier's section on WMDs merely claimed that uranium had been "sought". Yet Scarlett's "first draft" asserted, for the first time in a published document, that the material had been "purchased". This was shown to the CIA on 11 September 2002.

The Butler review reports that: "The CIA advised caution about any suggestion that Iraq had succeeded in acquiring uranium from Africa, but agreed that there was evidence that it had been sought." George Tenet, the CIA's former director, later said the agency had been sceptical even of a claim about "acquisition attempts": "[The agency] expressed reservations about its inclusion but our colleagues said they were confident in their reports and left it in their document."

Britain learned later that its original intelligence, almost certainly from France, was based on the forgeries. The US did not know about France's intelligence until November 2002.

It appears that Britain acquired the intelligence, which it still stands by, during September 2002, possibly while consulting the US. A source who has seen the material has said that it originated from Italy, which reported a visit by a high-level Iraqi delegation, including two generals, to Niger.

Butler inquiry insiders insist this evidence proves that Iraq sought uranium. However, a source in the US has confirmed that the intelligence that led the CIA to send Wilson to Africa in February 2002 was also from Italy. This intelligence relates to the same visiting delegation. Wilson has maintained that he thought it impossible that Iraq had been seeking uranium.

Further questions

At the time of the dossier, neither the US nor the UK had seen the fake documents, which the US acquired in October 2002. In June 2003, an internal CIA document stated that, with the documents discredited, there was no longer "sufficient other reporting to conclude that Iraq pursued uranium from abroad".

As we wait for the Williams draft to be published, the Foreign Office has refused to deny that this draft makes the same false claim as Scarlett's version. The FO has also declined to say that it has credible intelligence that was unknown to the US. The Tory MP John Baron says: "If the Williams draft contains a claim about uranium which turned up in John Scarlett's draft, it raises further questions about the government's assurances to Lord Hutton and to parliament that the draft was immediately redundant. The government must now publish the Williams draft as the tribunal has ordered."

The Labour MP Lynne Jones has put down parliamentary questions based on the New Statesman's information. She says: "The government has always implied that it had a credible source that was not known to the US when it expressed concern over the uranium claim. If that is not the case, this is an example of the government misleading parliament."

This article first appeared in the 04 February 2008 issue of the New Statesman, God

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First they came for Pepe: How “ironic” Nazism is taking over the internet

Over the last year, various internet subcultures have embraced Nazi iconography while simultaneously claiming to hold no Nazi beliefs. Why?

There is a scene in Roman Polanski’s critically-acclaimed World War Two film The Pianist in which the Jewish protagonist, played by Adrien Brody, puts on a German soldier’s coat to keep warm.

“Don’t shoot!” he tells the Polish troops who have come to liberate Warsaw. “I’m Polish!” A soldier, realising his mistake, lowers his gun. With disdain on his face, he asks: “Why the fucking coat?”

The chilly hero might not have been acting unreasonably, but neither was the soldier. It's safe to say that in normal circumstances, "Nazi coat" can be used as shorthand for "Nazi person". I found myself asking a similar question last month when I interviewed a “Nazi furry”. The furry (ie. person who dresses as an animal, often for sexual reasons) likes to wear a red armband reminiscent of those worn by the Nazi party. “It’s just a piece of cloth,” he said at the time, insisting he held no far-right views. Then why not choose another piece of cloth? I wondered to myself.

This furry is just one of hundreds of people online who flaunt the iconography of National Socialism whilst denying they hold any Nazi views. If that doesn’t make sense, it shouldn’t. “Ironic” Nazism, “satirical” Nazism, and “just joking” Nazism have taken over the internet. Who is behind it, what are they doing, and how did it begin?

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Unfortunately, it is probably Hillary Clinton’s fault. In September 2016, the presidential hopeful’s website declared popular internet meme Pepe the Frog to be a white supremacist symbol. If we ignore that this has now become a self-fulfilling prophecy (racists embraced Pepe after the Anti-Defamation League chimed in and officially declared the meme a hate symbol), this was a frankly ridiculous assertion.

“We've won folks... My God ...We've won,” read a post on r/TheDonald – the Reddit hub for Donald Trump supporters – after the news. They didn't hold back with their disdain. “This makes her look absolutely retarded to anyone young enough to be on the internet,” read the top comment. Why? White supremacists were undoubtedly already using the meme – many on the notoriously politically incorrect 4Chan board /pol/ had emblazoned the frog with swastikas. So why wasn’t it, in turn, a white supremacist symbol?

The answer to this is irony. Layers and layers of it slathered with thick, glutinous nonsense that form a Bruce Bogtrotter’s cake that is impossible to digest. You and I are what 4Chan would pejoratively call “normies”, i.e. normal people. We can’t possibly hope to understand the difference between someone on 4Chan who holds sincere Nazi beliefs and someone who is shouting “Death to all Jews” for the keks (see glossary), like a toddler who has just learnt the word “poo”.

This doesn’t normally matter – we can just ignore them – but Clinton’s post gave them the legitimacy and media attention that they craved.

It also, I would argue, set off a new internet trend. Angry at liberals labelling everything (most notably, the alt-right) “Nazis”, fringe internet communities decided to fight back. The logic – if it can be called that – went like this:

“Let’s dress like Nazis and act like Nazis so that liberals call us Nazis when we’re not! That will show just how stupid these liberals are!”

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“The press, the media, does not deserve to have a consistent picture of reality presented to them.”

These are the words of Qu Qu, a man in his late twenties who considers himself the leader of the “alt furry” movement, who is speaking to me over Twitter. Alt furries are furries who have embraced far-right messages and Nazi iconography on the social network. Some wear armbands, others write erotic Nazi literature, some tweet anti-Semitic jokes. When I spoke to some last month, I was shocked when only one of them actually admitted to holding Nazi views. Many claimed they were being “ironic” or fighting back at what they consider to be left-wing intolerance.

“If the press becomes obsessed with a moral panic, such as the one about the resurgence of National Socialism, it is the duty of every subculture to feed that paranoia until its absurdity becomes plain for all to see.”

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Earlier this week, the king of this logic died.

PewDiePie – the most subscribed content creator on YouTube – was dropped by Disney after the Wall Street Journal exposed an array of anti-Semitic comments in his videos. In the past, he has spoken out against the media for misrepresenting his “jokes”, but this time he wrote a blog post in which he admitted: “I understand that these jokes were ultimately offensive.” What changed?

What changed is that PewDiePie was confronted with a reality that anti-hate campaigners have long since known to be true. After his anti-Semitic videos, PewDiePie was embraced by the neo-Nazi website The Daily Stormer, which is now calling itself “The world’s #1 PewDiePie Fansite.” PewDiePie has learnt a truth that many of the “just joking” brigade frequently try to deny – that satire, irony, and jokes can validate and legitimise hate speech in a way that helps it to spread.

“Pushing out anti-Semitic tropes has consequences in the real world,” says a spokesperson for anti-racism organisation Hope Not Hate. “PewDiePie may or may not believe this stuff himself, but he does need to understand that he has an effect on the world, and that racists and haters can sometimes act on the words and memes that are shared so readily on social channels, and – with soaring hate crime rates – already have.”

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Then they came for Trash Dove.

The head-banging purple pigeon is a Facebook sticker (a picture users can post in the social network’s comment sections) that went viral this week. In response, 4Chan started “Operation Nazi Bird”, a satirical campaign to turn the meme into a Nazi symbol. The aim was to trick the left.

This started to work when a self-described philosopher known as Quincy Frey wrote a satirical Medium post (which has since been removed after a copyright claim) declaring Trash Dove to be an “alt-right” symbol. When people began to fall for this, 4Chan won. Yet so too – as Hope Not Hate argue – did actual white supremacists.

“What started as irony will now actually spread and this will become a ‘Nazi hate’ symbol whether we like it or not,” Quincy Frey tells me. “The alt-righters from 4Chan work in a funny way; it always starts ironic but they seem to take irony to the next level and then these idiots become brainwashed… eventually their sickness will spread.”

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Which leaves us with a question that regrettably summarises today’s state of affairs: are ironic Nazis as dangerous as real Nazis?

Simon Johnson, the chief executive of the Jewish Leadership Council, seems to think so. “It is difficult to understand how people can use Holocaust language, imagery or comments and think that it is a joke,” he says. “The French comedian Dieudonne uses the Quenelle gesture and other supposedly humorous Holocaust imagery, as well as dressing cast members in concentration camp uniforms, as part of his act." The Quenelle gesture was an originally jokey gesture which has grown to be considered anti-Semitic after individuals posed in front of Jewish institutions holding the stance. In December 2013, French President François Hollande reacted to the gesture, saying: "We will fight against the sarcasm of those who purport to be humorists but are actually professional anti-Semites.”

Johnson agrees it is important to tackle this alleged comedy. "For many this demeans the Holocaust and would be considered anti-Semitism. Allowing these acts to continue perpetuates myths and often leads prejudice against the Jewish community.”

It is also important to note that many who claim to be “satirical” Nazis are simply hiding behind a thin veil of plausible deniability. The word “irony” – however incorrectly it’s being used – allows them to spread Nazi messages and iconography whilst denying culpability. It also leaves many on the left unsure where they stand. What’s more important: combatting hate speech or protecting free speech?

Kassie is a 31-year-old graduate student who reached out to me after being mocked for taking Trash Dove seriously as an alt-right symbol - proving that online trends can have real-world consequences. “My friend is liberal but thinks I'm overreacting and don't understand satire,” she tells me. “But I don't get why I have to call Nazi jokes satire.

“The most frustrating part is that my concern is immediately written off as stupid because I don't belong to the community. If we get past that part, then I'm overreacting or dumb because I don't get that it's ironic or I don't understand that it's a joke. But I get that on some level people are saying that it's a joke, and some are ‘just joking’ and I still think that a joke can be racist and misogynist and alt-right or whatever.

“I'm just left with feeling like I've fallen down a hole of ironic devils advocates who use that as an excuse to say ‘funny’ racist and misogynistic things.”

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When Prince Harry donned a Nazi uniform for a fancy dress party in 2005, no one thought he was actually a fan of Hitler. If ironic Nazis had emerged twelve years ago, they might have been given the same benefit of the doubt by being considered poor taste but not ultimately racist. Yet context is key. In an era when the President of the United States wants a registry of Muslim citizens, and fascism appears to be on the rise across Europe, no one who is “just joking” – not furries, YouTubers, or 4Channers – can be annoyed if the media labels them Nazis.

I do agree that fundamentally it is important to combat the left’s tendency to label everything right-wing “Nazi” or “racist”. Internet subcultures are not wrong to attempt to challenge this and other examples of left-wing extremes. Yet if this is what they really want, then one - very pressing - question remains. Why the fucking coat? 

Amelia Tait is a technology and digital culture writer at the New Statesman.