Scene 1: Tony’s office. Peter Morgan enters.

Tony: Hi, Peter. Great to see you. Now, I've had a brainwave about this docudrama. We'll call it Tony's Golden Twilight - Almost Too Much of a Good Thing.

Morgan: It's not "docudrama" - I write dramatised history.

Tony: Yeah, that's what I meant. Anyway, we'll fix the title later. Now I hope Michael Sheen isn't playing me again. I'm sick of him.

Morgan: He's brilliant.

Tony: But he's so pop-eyed and grovelly. And no way near handsome enough. Not that I'm vain or anything. It was Cherie who pointed that out. The handsome thing.

Morgan: So who do you want?

Tony [in a rush]: Hugh Grant, Jude Law, Ewan McGregor, Clive Owen or Daniel Craig. [Beat] Haven't really thought about it, though. Cherie suggested them.

Morgan: We'll see.

Tony: OK. So, feel free to explore the building. Talk to anyone. See you in a while.

Morgan [sits]: I'll stay and watch you for a bit.

Tony: Er . . . Doing what exactly?

Morgan: Whatever you're doing.

Tony [laughs]: Well, I'm not doing anything, am I? Gordon's pretty much running the . . . Hey, don't write that down. You're showing me in a favourable light, remember? In return for access. That was "the deal".

Morgan: I'm here to discover the truth.

Tony: But this is No 10. We're here to conceal . . . Will you stop writing things down? I thought we trusted each other. [Beat] All right. Busy busy busy. [He pops out and re-enters with an aide.]

Aide: Afternoon.

Tony: This is Peter Morgan. Great guy. Wrote The Queen. He's doing a soap opera about my final year in power.

Morgan: Not a soap opera. It's dramatised history.

Tony: Exactly. History. [Turns to the aide] So, I want to speak to, er, let's see, George Bush, the Dalai Lama, Jamie Oliver, um, Nelson Mandela, Richard and Judy, and Vladimir Putin. In that order.

Aide: OK.

He exits. Ten minutes pass. Tony completes the Times quick crossword. Starts polishing his shoes. Leo comes in. They fold a piece of paper into a model plane.

Leo: I've made Concorde, haven't I, Daddy.

Tony: Looks more like the Eurofighter.

Leo throws the plane at Morgan. It nosedives into a waste-paper bin.

Tony: Definitely the Eurofighter.

The aide re-enters.

Tony: Who's on the line?

Aide: They're all busy. Or asleep.

Tony: Oh come on. Not George Bush, too?

Aide: In a meeting.

Tony: Can't be. George'll drop anything to talk to me. He must be ill. Find out what's wrong and send him some flowers, pronto. I hope it's nothing serious. Poor George.

Aide: Actually he's talking to Gordon.

Tony: Bastard!

Morgan scribbles furiously.

Tony: Will you stop that? You showbiz people! I thought you made it all up.

Morgan: Usually. But in this case . . .

Scene 2: The Cabinet Room. Lord Goldsmith and John Prescott are watching Confessions of a Diary Secretary. Goldsmith is scribbling notes. The credits roll. Prescott sighs with satisfaction.

Prescott: Well, m'learned friend. What a pack of lies. Let's sue the bastards.

Goldsmith: It's not actionable.

Prescott: What?

Goldsmith: It's fair comment on a matter of public interest.

Prescott: Eh? Bit of hanky-panky in my office? What's public interest about that?

Goldsmith: You're a public servant.

Prescott: Maybe, but it's still intrusion. Invasion. That's the word! I've been invaded. I've had er, my public er, you know, public thingy invaded - my liberty to enjoy civil freedom of happiness. And equality. And er, the American way. Isn't that right?

Goldsmith: Very eloquently put.

Prescott: You know what I mean. I'm still suing the bastards.

Goldsmith: Find a different lawyer.

Prescott: Oh go on, Pete. You're the best. You even proved the Iraq war was legal.

Goldsmith: But this is hopeless. It'd be easier to argue that Gwyneth Dunwoody's a sex goddess.

Prescott: Well, she is. Sort of. I'd give her one, anyway. After a few ales.

Goldsmith: Save your money, John.

Prescott: All right, then: Plan B. Did you get the name of the bird playing Tracey Temple?

Goldsmith: Yup.

Prescott: Let's call her agent. She looked frigging amazing in those red leathers. Fancy a threesome at Admiralty Arch?

Goldsmith: I'm afraid I only go for barristers.

The door opens and Cherie wafts in wearing a Marc Jacobs freebie.

Cherie: Hello, boys.

Goldsmith: Hello-oooh!

Cherie: Seen Tony? . . . Er, are you all right, Peter?

Goldsmith: Phwoarrr! [He leaps on to her and spins her round]

Goldsmith: I wish you were wearing horsehair!

Cherie: Leave me alone.

He gropes. She pushes him off.

Prescott: Threesome!

He leaps on top of them as Tony enters with Peter Morgan.

Tony: And in here we deliberate the great issues of . . . Oh my God.

Cherie: Get them off!

Tony: This isn't happening. Out, Morgan. It's over.

Morgan [smirks]: See you at the première.