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Culture: World Cinema

Born in '68 (15)

Born in '68 (15)

French hippie ideals sour in less than convincing style

Seduction line

Seduction line

“What a tremendous eye he has,” said David Bowie of the film-maker Nagisa Oshima after working with him on Merry Christmas, Mr Lawrence. Ryan Gilbey celebrates the Japanese director’s eroticism and wicked sense of humour

Sin nombre (15)

Sin nombre (15)

This immigrant tale is a flimsy but entertaining gangland thriller

Mesrine: Killer Instinct (15)

Mesrine: Killer Instinct (15)

There’s life yet in the French gangster movie genre

Kambakkht Ishq (12A)

Kambakkht Ishq (12A)

There’s no need for Bollywood to appeal to Middle England – it’s a success already

Darling, you were wonderful

Darling, you were wonderful

The world of an ageing courtesan is made too seductive for its own good

Africa’s Oscars

Africa’s Oscars

African cinema is in a fix, yet at the top Burkinabé film festival, Katrina Manson finds no lack of inspiration

Chinks in his Armani

Chinks in his Armani

The life of Italy’s malevolent former leader is rendered in unforgiving style Il Divo (15) dir: Paolo Sorrentino

Turkish delight

Nuri Bilge Ceylan takes on film noir - and makes it very much his own Three Monkeys (15) dir: Nuri Bilge Ceylan

Film

Stephen Poliakoff

Dawn of the dead

Radio

Joan Armatrading

Armatrading for Mayor

Berlin

East Side Gallery

Cold war modern

Books

Condition of England

The Condition of England

Film review

A Serious Man

A Serious Man (15)

Biography

John Cheever

Cheever: a Life

Terry Eagleton

On Walter Benjamin

Waking the dead

Theatre

Pains of Youth

Pains of Youth / Days of Significance

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