An interesting tension exists in the film between that grunginess and passages of intense beauty. It is a compliment commonly paid to well-shot films to say that any one of their frames could be hung in a gallery. This is unmistakably the case here.
No thanks – I really don’t want to take part in the “Identity Parade” on Never Mind the Buzzcocks.
With its 1990s Cher wigs, glossy modern make-up and Disneyfied London, even a lustful Samuel Pepys can’t save ITV’s The Great Fire.
From baseball to the Roosevelts, the film-maker Ken Burns has devoted a career to resurrecting America’s history.
The tenderly shaped ten-minute broadcast included an interview with the California highway patrolman who had taken Dean to task over speeding. Two hours later, Dean was dead.
Violent scenes on TV form part of a wider picture of how the media portrays women: as degraded, objectified and patronised victims.
Do people really do this stuff? Apparently, they do.
Author and one-time cabby Michael Goldfarb recalled how he’d been behind the wheel to pay for acting lessons, studying under Marlon Brando’s dauntless mentor Stella Adler.
Gotham follows an established formula in applying to fictional CVs the nostalgic-ironic tactics of TV archive series such as Before They Were Famous.
For this programme, Channel 4’s team used 60 remote-controlled cameras and five roving crews to film what really goes on inside a police station.
Following on from the global success of A History of the World in 100 Objects, Neil MacGregor is back with a new 30-part series.
Marvellous, the world’s least-likely biopic, reminds us of the power of kindness.
Cilla Black’s story is not exactly on-the-edge-of-your-seat exciting, for all that she knew the Beatles.
In southern Sicily you often hear Maria in the background in shops, like an ongoing soap opera: the live Mass from Medjugorje, where there have been apparitions of the Madonna since 1981, or the replaying of news from Radio Vaticana.
Twenty years ago, a new sitcom was described as “not very entertaining, clever, or original”. But Friends went on to shape the way we live now.
In its use of political satire, from non-deviating Daleks to the Master infiltrating British politics, Doctor Who always been astute and often very funny.
J speaks to two trans actors in the UK, and asks if the landscape of acting and casting is becoming, slowly, more inclusive to trans people.
In the same way that complete strangers can bond instantly over the latest football news, Doctor Who gives geeks an easy solution to awkward silences in conversation.
A regional broadcaster in heart of the continental US has been repeating Doctor Who almost constantly since 1974. Why does the Midwest have such an attachment to a British sci-fi show?
If this feels familiar, that’s because it is. Here are all the tired tropes, arranged for our middle-class delectation.
It is impossible to look back on the world of light entertainment in the Savile era and not come to the conclusion that it was strikingly weird.
Listening to Jag was very much like listening to a musician in the zone.
To mark the death of the actress, Woman’s Hour reran a thrilling 2005 conversation between Bacall and Jenni Murray.
Accusations of a stitch-up are flying after the baking show’s most controversial episode to date.
The Taj Mahal Palace, which looks like the bastard child of Sandringham and St Pancras Station, is India’s biggest and most epically decadent hotel.
Chicken is permitted to remain on the all-you-can-eat buffet, even if it has been produced in a vast shed containing 54,000 birds. Ditto mussels.
With Peter Capaldi about to step into the Doctor’s shoes, two passionate Whovians talk to Helen Lewis about favourite companions, gender politics and missing theremins.
Sky’s Stuart Murphy explains why the broadcaster has introduced targets to combat the absence of real change in BAME representation.
For a country that prides itself on its multiculturalism, our television is shockingly unrepresentative of what the UK is really like.
In advance of Peter Capaldi’s debut as the Twelfth Doctor, the cast have been on a world tour, doing their duty to its global fandom. By exporting this British cultural institution, what are we saying about ourselves?