For the second year, the New Statesman is media partner to Latitude, the music and arts festival in Henham Park, Suffolk.
I envy calm people for their apparent immunity to overexcitement or overreaction.
Appearing at the Barbican with the BBC Singers and London Sinfonietta, the composer's hands seem to shape music out of thin air.
The biologist-turned-atheist campaigner is sampled on the band's forthcoming Endless Forms Most Beautiful.
Steve Hanley and Olivia Piekarski's new book lifts the lid on one of the most turbulent bands in pop.
Beyond the intellectual weight of the play's message the production falls a little flat.
The English National Opera’s The Mastersingers of Nuremberg and the Royal Opera’s L’Ormindo show that translated music-theatre can be exceptional.
On Mozart 250 and Sarah Connolly in America.
It may be the shortest Stoppard full-length play, but The Hard Problem still offers 100 minutes of touching humour from a varied cast.
Indulging childishness is why we’re stuck with Boris Johnson, Katie Hopkins and Jeremy Clarkson.
"Time is short, life is short. There's a lot to know."
With school music spending down and the benefits system crippled, the voices of pop have lost their bite.
Now showing at London's Apollo Theatre, the 1994 play shines even brighter in an age when its characters could marry.
Tamsin Greig stars in the innovative Women on the Verge of a Nervous Breakdown, while the Tate Modern wallet incident presses us to ask: what is art?
From bonus tracks to signed T-shirts to private concerts, do we end up here, selling not just the finished record, but every moment of the process?
Two very different biographical works give surprising insight into the great composer's character.
On Stephen Sondheim’s 85th birthday, he will be revered as the genius of musical theatre. But his failures are just as fascinating as his successes.
NS pop critic Kate Mossman talks to the former Sex Pistol about Ed Miliband, Ukip and “men’s dangly bits”.
At 75, after many years of personal struggle, John Cleese says he is the happiest he has ever been. But what on earth will that mean for his comedy?
Is there a darker Christmas lyric than Band Aid’s “Well, tonight thank God it’s them instead of you”?
Mark Lawson weighs up the hard choices facing the arts.
Even for the most dedicated listeners, there is still fresh material out there to encounter.
The piece is an attempt to see the Passion through the eyes of the women who surrounded Jesus, with particular emphasis on Mary Magdalene.
He doesn’t do panel shows or tour massive venues, but Stewart Lee has still become one of the UK’s most popular comedians in the last five years. Rob Pollard talks to him about work, politics and “the Ukips”.
Over the half-century of his career as a musician, Wyatt has belonged to no musical coterie; at his home in the market town of Louth in Lincolnshire, he has simply ploughed his own furrow.
Bob Stanley explores two six-disc sets: Bob Dyland’s the Basement Tapes, released at long last, and a super-deluxe issue of The Velvet Underground’s eponymous third album.
In the next two decades there’ll be a mass departure of the people who brought us the best of rock’n’roll, but some bands are finding new ways to give their tunes eternal life.
Young British composer James McCarthy and Pakistani writer Bina Shah have collaborated to produce Malala, a dramatic work for choir and orchestra that attempts to capture the spirit of her story.
If you ever thought the laid-back vocals of “Dreams” sounded as if they had been recorded by a naked woman lying between satin sheets, then it’s entirely possible you were right.
I had heard that a new pop-up space, Spiritland in Shoreditch, would be playing records from Hobsbawm’s personal collection, so I went along to listen.