In the next two decades there’ll be a mass departure of the people who brought us the best of rock’n’roll, but some bands are finding new ways to give their tunes eternal life.
Young British composer James McCarthy and Pakistani writer Bina Shah have collaborated to produce Malala, a dramatic work for choir and orchestra that attempts to capture the spirit of her story.
If you ever thought the laid-back vocals of “Dreams” sounded as if they had been recorded by a naked woman lying between satin sheets, then it’s entirely possible you were right.
I had heard that a new pop-up space, Spiritland in Shoreditch, would be playing records from Hobsbawm’s personal collection, so I went along to listen.
Cory Doctorow on the singer and performer Amanda Palmer's first book, "a manifesto and a confessional of an artist uniquely suited to her time and place".
A new box set, Nippon Girls 2, brings us the best of a good decade for Japanese pop. From the artwork to the vocals to the super-sharp stereo productions, this is something quite special.
The production is alienating, and not a in a sexy, Brecht kind of a way.
What should you do when anxiety takes control of your life? Tim Clare’s new show tells us how to be kind to ourselves.
With a new album coming out in January, the indie band have reissued their back catalogue on vinyl.
The aim of the voyage, and the play inspired by it, is to make “the unseen seen” and enhance understanding of what the chemicals we put into the sea and our own bodies are actually doing.
Suzanne Moore’s weekly column, Telling Tales.
Egotism and self-flagellation.
In 2010, Jón Gnarr became mayor of Reykjavik by accident. Four years later, he’s relieved it’s over.
From Deborah Harry to Ed Sheeran, four visual journeys through the lives of pop stars.
Superficially, women who write fiction today seem to get equal billing with their male counterparts. Yet their work will never get the kind of avid coverage given to men.
Lindsay Lohan, in her music career, has little hope of earning the review “better than Madonna” but, in theatre, she empirically is.
Lasting 100 minutes and requiring an orchestra, dozens of singers, cello and vocal soloists, the piece assaults the senses, deliberately seeking to encompass the listener within the scope of its sound.
Thompson is best known for playing complicated intellectual women, often in period dramas. But at the outset, sketch comedy was where she saw herself.
Beginning with last year’s twerking extravaganza, and climaxing in Jennifer Lopez and Iggy Azalea’s recent hit single “Booty”, we’re increasingly arse-focused.
Most audience members are female, but actresses and female writers are having a tough time.
Maxine Peake talks on the Prince of Denmark in a new production at the Manchester Royal Exchange.
On the eve of a major season of adaptations at the Barbican, Erica Wagner goes to Norway to discover how the playwright captured the beginning of the modern world.
Bonnie McFarlane on why her new film, Women Aren’t Funny, is tackling some very serious subjects.
We don’t know what to expect: whether they want us to be garrulous or mysterious; live up to our image or confound it; be starry or down to earth.
The Big Tramp, combining the literary tropes of homelessness and night-walking, will raise money for theatre company Cardboard Citizens.
If we still ask, where has Kate Bush been all these years and why has she not done this before, my answer would be that I think she has been living the life that made this show possible.
Four leading figures make their cases for Paul, John, George or Ringo respectively.
A band like the Beatles could never make it as big as they did in our era of hyper-commercialisation and Brit School elitism.
Poet laureate of women’s inner lives, resolute booster of the girls who love her, healthily selfish, and heartily unconcerned with what the haters think about her: we could all do well to spend a bit of time in Taylor’s world.